Gabe De Guzman and Kaycee Rice Are a Stage Match Made in Hip-Hop Heaven
The stars aligned back in 2013, when two young dancers walked into Tricia Miranda's class at International Dance Academy in Hollywood. Kaycee Rice, then 10, and Gabe De Guzman, then 12, plowed their way through an intricate hip-hop combo to Rihanna's "Right Now," showing dancers twice their age what it means to go full-out. Miranda, one of the industry's most sought-after choreographers, was captivated. "I remember thinking, 'Wow, these kids are aliens,' " Miranda says. "It's so rare to find a student who's mastered both performance and technique, and here I had two."
Miranda knew she had to choreograph a piece for the pair. So began the magical partnership of Gabe and Kaycee: They danced their first Miranda duet, "Monster," at The PULSE on Tour in 2013—and a YouTube clip of the performance went viral.
Kaycee and Gabe backstage at "America's Got Talent" (courtesy of Laura Rice)
The folks at NBC's "America's Got Talent" took notice, and asked the duo to perform the piece at an audition for Season 9. With Miranda's help, Gabe and Kaycee made it as far as the NYC boot camp round before getting cut. "Being in NYC was such an incredible experience," Kaycee says. "Our days were packed with performances, interviews, lighting rehearsals—it was intense."
More doors opened up when Miranda found out she'd be choreographing for Missy Elliott at the 2015 Super Bowl XLIX halftime show. "Kaycee and Gabe were the first kids I booked, because I knew they would kill it," she says. And kill it they did, while basking in the enormity of the experience. "It was unreal to perform in front of such a big audience," Gabe says. "We danced our hearts out and made history."
It's safe to say the teenage power couple will continue making history. (They're only a power couple onstage—offstage, their vibe is more protective big brother–cute kid sister.) Both were crowned Elite Protégés at The PULSE on Tour last summer, for starters. "To be honest, I was a little upset when Gabe hit his growth spurt, since they used to be the same height, which was so perfect," Miranda jokes. "But I'll keep using these kids for everything I do."
Now 13, Kaycee fell in love with dance at age 5 in a hip-hop class. But when her mom opened Studio 13 Dance in Simi Valley, CA, in 2008, hip hop took a backseat to tap, lyrical jazz, ballet and tumbling training. Armed with limitless flexibility and a natural expressive quality, Kaycee carved out her place in the competition world as a versatile technical dancer.
Ready for the Superbowl halftime show (courtesy of Laura Rice)
She didn't lose her hip-hop spark, though. In 2012, when Miranda visited Studio 13 to set a piece on the company, "I saw Kaycee and thought, 'Oh, you're mine,' " Miranda says. She choreographed Kaycee's first hip-hop solo, "Werk," for the 2013 competition season—which launched Kaycee into internet stardom when pop star Katy Perry stumbled upon the video and retweeted it.
Kaycee soon found herself landing major gigs, like Meghan Trainor's "All About That Bass" music video and Pharrell Williams' 2014 Oscars performance. Today, she continues to train tirelessly at Studio 13 and Millennium Dance Complex in Hollywood. And the titles keep coming: In addition to earning Elite Protégé at The PULSE last summer, she won International Teen Miss Dance Icon at Thunderstruck International Finals, which sent her to compete in Paris in October.
Fourteen-year-old Gabe's dance journey began at age 5, when he took his first hip-hop class at Temecula Dance Company in Temecula, CA. He joined the studio's team at age 9, and experienced instant success on the competition circuit, earning titles such as Mr. Petite KAR (Kids Artistic Revue) in 2010 and National Junior Champion at Hall of Fame Dance Challenge in 2011.
An August 2011 performance with Bruno Mars at Macy's Passport Glamorama marked Gabe's professional debut. By that time, he'd begun to cultivate his signature freestyle: lightning-fast, razor-sharp tricking with a touch of old-school swag. He began booking gigs with everyone from Justin Bieber to Ariana Grande, as well as national commercials.
Today, Gabe balances his professional dance career with his school work—he's a freshman at Vista Murrieta High School. That often means traveling two hours to L.A. for after-school rehearsals, auditions or extra hip-hop classes at International Dance Academy, Millennium and EDGE Performing Arts Center. Add on tumbling, acting and vocal coaching—and his new role as a PULSE Elite Protégé—and you've got one seriously busy dancer.
Kaycee on Gabe
What was your first impression of Gabe?
"This little boy is crazy amazing. OMG, I have to dance with him."
What makes him a good partner? "His energy. When he goes full-out, it makes me go even harder."
Does he do anything that drives you crazy? "He's always whipping and flipping, and I'm like, OK, Gabe…"
What would be his spirit animal? "A cheetah, because he's so fast!"
How do you say "Gabe" in emoji?
😝 😜 😎
"He's goofy and cool."
Gabe on Kaycee
Why do you like dancing with Kaycee?
"She picks up choreography really quickly—and she can do any style of dance you throw at her."
Do you have any nicknames for her? "I call her 'fun-sized' and 'rice bowl.' "
Does she do anything that drives you crazy? "She's too nice! Whenever we ask her opinion in rehearsal, she just shrugs her shoulders and giggles."
What's Kaycee's superpower? "She's like Elastigirl from The Incredibles. She's that flexible."
How do you say "Kaycee" in emoji?
😂 💣 ✨
"She giggles a lot, she's bomb at dancing and she rhinestones everything!"
In a twist on our "Letter to My Teenage Self" column, we asked hip-hop wunderkinds Gabe De Guzman and Kaycee Rice to say hey to the Gabe and Kaycee of the future. Check it out below—and click here to read the full story today!
Photo by Joe Toreno
Hi, 2026 Kaycee,
When you read this, I want you to think about everything you accomplished before turning 13. In 2015 alone, you performed with Missy Elliott and Katy Perry at the Super Bowl and appeared on "Dance Moms." You even went to France to compete at Disneyland Paris!
But I'm wondering what you're up to now, future me. I hope you've choreographed for Studio 13. I hope you've landed a big gig in the industry. I hope you're still auditioning, and that you've expanded into acting. Please don't forget that your biggest dream at 13 was to dance with Beyoncé!
Never give up. If you're ever feeling hurt or tired, keep pushing through. You can handle whatever life throws at you. And remember to always be weird and unique in your own way. Don't let anyone or anything bring you down. You'd better still be wearing those "Weirdo" beanies!
I know you'll do great things. Stay humble, never be mean and keep your head up.
Photo by Joe Toreno
Hey, 2026 Gabe!
I hope, as you're reading this letter, you're a super-well-rounded Juilliard School graduate living the life of a famous choreographer, teaching major artists around the world how to hit those steps right. Did you ever move into that mansion in Beverly Hills, or find a house on that super-cool L.A. street you used to drive by on your way to auditions?
Remember these wise words from your old studio director, Jimmy Peters: "Early is never late!" Don't forget to push yourself to be your best, because you never know who's watching you. Always remember where you started—and thank your mentors, because they helped shape you into who you are today.
Never stop learning, because there's always room to improve your craft. And finally, never lose the love for dance you had as a kid. Life is always better and brighter when you're passionate about something. I hope you're living a great life, and that you continue to grow as a dancer, choreographer and person.
Misty Copeland. Her name is synonymous with exquisite artistry and outspoken advocacy. And her visibility has made a huge impact on the ballet world. Ballet's relationship with race has always been strained at best, hostile at worst. But Copeland's persistent message and star quality have finally forced the ballet industry to start talking about racial diversity, inclusivity, and representation. "The rarity of seeing ourselves represented is sad," Copeland says. "The more we see every hue and body shape represented on the stage, the more possibilities young dancers feel they have for themselves."
Last month, we asked why there wasn't a Best Choreography category at the Oscars—and discovered that many of you agreed with us: Choreographers should definitely be acknowledged for their work on the super-dancy movies we can't get enough of.
Now, we're taking matters into our own (jazz) hands.
We've decided to create a Dance Spirit award for the best cinematic choreography of 2017. With your input, we've narrowed the field to four choreographers whose moves lit up some of the best movies of the year. Check out our nominations for best choreography below—and vote for the choreographer you think deserves the honor. We'll announce the winner on Friday, March 2.
Contemporary phenom Christina Ricucci has super-flexible hips, which means she can stretch her legs to unbelievable heights. But when she noticed herself making contorted positions in class, Ricucci realized she was approaching her extensions all wrong. "I went back to the basics in class, squaring my hips and using my turnout," Ricucci says. "I learned to create proper positions, rather than whacked-out versions of them."
Some dancers are so wonky they have a hard time supporting their high legs, while others struggle with limited flexibility. But no matter your facility, you can find a balance of stretch and strength to achieve your fullest range of extension. It's not about how high (or not) your legs can go: It's the quality of the movement, and how you get those legs up, that counts.
Yesterday, the dance community was heartbroken to learn that Jaime Guttenberg and Cara Loughran, both 14-year-old dancers, were among the 17 people killed on Valentine's Day in the shooting at Marjory Stoneman Douglas High School in Parkland, FL.
Once upon a time (until the 2014 Winter Olympics in Sochi concluded, to be exact), figure skaters had to compete to music without words. Before this rule change, a skater faced an automatic point deduction if the music even hinted at vocals. Understandably, there were *a lot* of Olympic programs skated to classical music, and you'd tend to hear the same music selections over and over and over.
There are plenty of current Olympic figure skaters who'd make beautiful dancers (first among them Adam Rippon, whose gorgeously choreographed long program won the internet, if not the gold). But today, as we wait for the women's figure skating competition to crown its new champions, we wanted to throw it back to one of the most beautifully balletic skaters of all time: Sasha Cohen.
The high-flying leaps of grand allegro are meant to be incredibly exciting. But at the end of an intense ballet class, when you're exhausted, it can be hard to give them the attention they deserve. Want to pump up your big jumps? Follow these 10 vital tips from Jennifer Hart, curriculum director and instructor at Ballet Austin.
"Whole, low-fat, or skim?" The question of which milk to drink has gotten a little more complicated lately, with a wide variety of nondairy milks popping up in grocery stores. To find out which ones are worth your milk money, we had registered dietitian Monika Saigal answer some FAQs.