The Radio City Christmas Spectacular By the Numbers
Last week I rounded up five reasons you should make seeing the Radio City Christmas Spectacular an absolute priority this holiday season.
In the very weird chance you're not totally convinced yet, here are some fun facts about the nation's #1 holiday show...
Photo courtesy Radio City Christmas Spectacular.
More than 1 million pairs of 3D glasses are distributed to patrons to experience the new "3DLive" scene featured in this year's production.
It takes more than 250 people just to stage the Radio City Christmas Spectacular, including the cast and crew.
There is a cast of 150 including Rockettes, singers, dancers, musicians and more.
More than 1,200 costumes are worn in the show. Each Rockette changes costumes eight times during the show, and in a few of the changeovers, they have as little as 78 seconds in which to change their costumes.
The double-decker bus in the "New York at Christmas" scene weighs 7 tons! It's 34 feet long and 12 feet high. In the course of the show's 8-week run, it will travel approximately 37 miles onstage. When the bus is offstage, it hangs 23 feet in the air at stage left for storage.
During the show's run, the animals from the Nativity scene drink 450 bottles of water and eat 340 bales of hay and 560 loaves of 7-grain bread.
Both the "Parade of the Wooden Soldiers" and the "Living Nativity" scenes have been part of the Radio City show since 1933.
Throughout the season, the wardrobe department will go through more than 15,000 red dots used to brighten the cheeks of the Rockettes in the "Wooden Soldier" routine.
The production staff for every show includes 23 carpenters, 20 electricians, 15 prop people, 7 sound people, 28 wardrobe people, 2 projectionists, 5 stage managers, 8 animal handlers and 40 orchestra members.
180 laundry baskets are used during each show to hold and carry the cast's shoes, laundry and costumes.
Between the Rockettes, chorus and Santa, more than 1,200 pairs of shoes are worn per show.
350 loads of laundry are done per week, non-stop most days, for 16 hours per day during the week, plus 20 hours per day over the weekend.
...and a partridge in a pear tree.
Harper Watters is a ballet dancer for today's generation. A social media maestro and a charismatic performer, the Houston Ballet soloist is equally at home in front of the camera hosting his hit YouTube series, "The Pre Show"; interacting with fans on his crazy-popular Instagram account; or showing off his beautiful classical technique onstage. It's a multifaceted identity that's proven to be invaluable to his career—and it's taking him to places he never even dreamed of.
Getting corrections from our dance instructors is how we grow, and as students, it's important that we do our best to apply every correction right away. But sometimes—whether it's because we're in physical pain, or have a lot on our minds, or are just not paying attention—those corrections don't sink in. And from a teacher's standpoint, giving the same corrections time and time again gets old very fast. Here are 10 important corrections dance teachers are tired of giving. Take them to heart!
Summer intensive auditions can be nerve-racking. A panel of directors is watching your every move, and you're not even sure if you can be seen among the hundreds of other dancers in the room. We asked five summer intensive directors for their input on how dancers can make a positive impression—and even be remembered next year.
When we think of a dancer who's broken barriers, American Ballet Theatre principal Misty Copeland tends to be the name that comes to mind. And though Copeland has been a crucial advocate for equality in the world of ballet, Raven Wilkinson—a mentor of Copeland's—is considered one of the original pioneers of the movement.
In 1955, Wilkinson became the first African American to dance with the renowned Ballet Russe de Monte Carlo. Her fortitude in the face of bigotry and hate cemented her legacy. Now, with the release of the new children's book Trailblazer: The Story of Ballerina Raven Wilkinson, a new generation of dancers will be inspired by her tale of overcoming obstacles to achieve a dream.
The book details Wilkinson's life, from her experience as a young dancer training in Harlem, to her run-ins with the Ku Klux Klan while on tour with Ballet Russe, to her later ballet career in Europe. "There were times where my heart really hurt because of the situations I had to deal with," she says. "But I always had faith that I was made to be a dancer and that I was gonna dance."
Dance Spirit spoke with Wilkinson to discuss the new book and get her take on racial equality within the ballet world.
Postmodern pioneer Trisha Brown redefined how dance is seen and felt. A founding member of Judson Dance Theater, Brown frequently collaborated with other experimental artists like Yvonne Rainer, Merce Cunningham, Twyla Tharp, and Steve Paxton.
She embraced pedestrian movement, pairing everyday gesture with rhythm and fluidity. "It's liquid," says Wendy Perron, who danced with Brown in the '60s and '70s. "Like a river with many tributaries, water coming out of a faucet, or being on a raft and seeing the water move away in different directions." Brown also pushed beyond stages with choreography in fields, museums—even on the sides of buildings.
There's a common misconception that a dancer's body has to be thin. But the truth is that talent knows no body type, and the number on the scale never determines an artist's capabilities. Here are some extraordinary dancers fighting the stereotype of what a dancer "should" look like.
We always love a good halftime performance. And we LIVE for halftime performances involving talented kids. (Fingers and toes crossed that Justin Timberlake follows Missy Elliott's lead and invites some fabulous littles to share his Super Bowl stage.)
So obviously, our hearts completely melted for 5-year-old Tavaris Jones. Tavaris may have just started kindergarten, but during Monday night's game between the Cleveland Cavaliers and Golden State Warriors, the Detroit native danced with the panache of a veteran pro at halftime.