The Start of Something Big
Yuan Yuan Tan in Neumeier's The Little Mermaid (ErikTomasson)
11 pros on what first inspired them to dance:
Yuan Yuan Tan
Principal at San Francisco Ballet
“My inspiration is Natalia Makarova. I used to watch tapes of her performing over and over and marvel at her port de bras.”
Comfort Fedoke (Kelsey McNeal/FOX)
“From the time Janet Jackson’s ‘Pleasure Principle’ music video came out, I was all about Janet.Then I saw *NSYNC in concert and got super hyped. At my first talent show in seventh grade, I performed to *NSYNC’s ‘It’s Gonna Be Me.’ I did all of the members’ parts—and wore the diamond-studded bandana, the blue jersey and the baggy pants. I was a one-woman show.”
Robert Fairchild (Paul Kolnik)
Principal at New York City Ballet
“The first time I saw a video of Gene Kelly dancing, I had a revelation. From then on, I knew performing was what I had to do.”
Billy Bell (Erin Baiano)
Founder of Lunge Dance Collective and dancer with Cedar Lake Contemporary Ballet
“I’ve always been driven by challenges. If people tell me I can’t do something, I’ll try my hardest to prove them wrong. At age 10, I watched a breakdancing show and instantly knew that was my next challenge. At 11, I enrolled in a boys-only hip-hop class. My dance instructors convinced me my hip hop would be better if I took jazz too. Then they said my rhythm would improve if I took tap, and then that ballet would help my coordination. By the time I was 12 I was doing West African and Latin dance—anything and everything I could get my hands on.”
Nick Lazzarini (Tyler Golden/Oxygen Media)
Co-founder of Shaping Sound
“My mom put me into a recreation center dance program when I was 4. I ended up loving it. After I’d done a couple weeks of the rec center program, my kindergarten teacher asked if anybody could dance in our Christmas show. I put my hand up, like, ‘Oh yeah, I’m a dancer.’ I told my mom when I got home from school, and she panicked and was like, ‘What are you talking about?’ I said, ‘Mom, I got this.’ In the show, I was a giant dancing robot, and my mom says I actually pulled it off really well.”
Ghrai DeVore (Eduardo Patino)
Member of Alvin Ailey American Dance Theater
“Dance has always been a part of my life because of my mother, who was a member of Deeply Rooted Dance Theater in Chicago. I was inspired by the lights and the fame, but also by the integrity and honor of the dancer’s life. The ability to move someone from the stage—even if it’s just one person—is why I do what I do.”
Beckanne Sisk (Luke Isley)
Demi-soloist at Ballet West
“My older sister got me into ballet. I would go to the studio to watch her. I remember she had a starring role in a ballet to the music from Legends of the Fall, and I wanted to be just like her. My mom finally took me in to audition when I was 4, but I couldn’t reach the barre. I was devastated. By the next year, though, I was tall enough!”
Commercial dancer and “So You Think You Can Dance” alum
“I saw classical ballet on TV when I was 1 1/2, and I was immediately hooked. None of the dance studios in my area had classes for children younger than 3, so I just watched ballet on TV whenever I could. When I finally turned 3, my mom bribed me. She said if I ‘went potty’ in the toilet I could start dancing. It must have worked, because I’ve been dancing ever since. Thank goodness for classical ballet and toilets, I guess!”
Phil Tayag (Josh Jose)
Member of The Jabbawockeez
“I’ve always been fascinated by dance. My parents are Filipino, and our culture is all about the arts. When I was 4 or 5, my mom got a kick out of my Michael Jackson impersonation—any time we had a family gathering she would make me dance. Later I watched my older cousins breakdance. When I was 9, I got into my first b-boy crew. Ever since then, I’ve been in crews, battling and performing.”
Bailey Buntain (ABC FAMILY/ANDREW ECCLES)
Dancer/actress on “Bunheads”
“My mom signed me up for dance classes because I was shy as a child. She thought dance would bring me out of my shell. Little did she know it would turn into a complete obsession!
For me, the initial draw was that it was a new way of expressing myself. Later I was inspired by classic movies with Cyd Charisse, Gene Kelly, Fred Astaire, Ginger Rogers—and my all-time favorite, Vera-Ellen. She is a goddess!”
Madd Chadd (Courtesy LXD Ventures)
Chadd “Madd Chadd” Smith
“Growing up, I didn’t dance at all. I wouldn’t even go to school dances because I was uncomfortable. Then, my senior year of high school, I saw one of my neighbors doing windmills and was like, ‘Whoa—I want to learn how to do that!’ But b-boying and popping were just hobbies until I saw Boppin Andre dance at a party in college and everything changed. He had me questioning whether what I was seeing was real. From that point on, I practiced robotic popping 24/7.”
We asked DS’s Facebook fans what inspired them to start dancing. Here are some of our favorite responses!
What's more daunting than getting into your dream college dance program? Figuring out how you'll cover the costs of tuition, room and board, incidental expenses and more. Here's the good news: The right scholarship(s) can bring your dream school well within reach.
Look Around, Look Around
Scholarship applications are due between the fall of senior year and graduation time, so familiarize yourself with funding opportunities during the spring of junior year. And there are a lot of opportunities out there, says Kate Walker, chair of dance at Booker T. Washington High School for the Performing and Visual Arts in Dallas, TX. "A lot of school guidance counselors now have software that automatically matches you with scholarships," she says.
Seek out scholarships on your own, too. According to Walker, "a lot of corporations are required to have some community engagement, including offering scholarships, so research corporations in your community." Your parents' employers might offer assistance too, says Doug Long, an academic and college counselor at Interlochen Arts Academy in Interlochen, MI. "They might have scholarships you can apply for just because your parent works there."
Other sources of grant money you won't have to pay back (as you would a loan)? The YoungArts Foundation; competitions/conventions, like New York City Dance Alliance; and the university or dance department you're applying to. Even some scholarships aimed at athletes are open to dancers!
A winning scholarship application involves a fair amount of paperwork, especially if the organization requires you to show financial need. In addition, certain scholarships ask for the College Board's CSS/Financial Aid Profile, which gives the awarding organization a more complete picture of your family finances.
Other ingredients of a successful scholarship application include recommendation letters, a dance and/or academic resumé and an essay or statement of purpose. Treat these components just like college applications: Have multiple trusted adults proofread your materials, and ask for recommendation letters or transcripts long before deadlines.
A note for non-dance scholarships: Including objective measures of achievement can only help you. "List national recognitions, like YoungArts or other competitions," says Long. "That shows the scholarship committees that people at high levels have acknowledged you as an artist of quality." And don't forget who your audience is. "Especially in writing samples, make sure you paint a vivid picture for your reader," Walker says. "Don't assume they know about all the things—like barre every day—that we as dancers take for granted."
No award amount is too small to be worth your time and effort. As Walker says, "Don't pooh-pooh a couple hundred dollars in award money, because any scholarship is funding that you didn't have yesterday."
A version of this story appeared in the July/August 2017 issue of Dance Spirit with the title "All Aboard the Scholar-ship."
Every ballet dancer knows the time, sweat, and occasional tears the art form demands. But many non-dancers are clueless about just how much work a ballet dancer puts into perfecting his or her dancing. So when the mainstream crowd recognizes our crazy work ethic, we'll accept the round of applause any way it comes—even if it comes via four men in tutus. Yep, we're talking about "The Try Guys Try Ballet" video.
Remember that fabulous old-school clip of dancers tapping in pointe shoes that Tabitha and Napoleon D'umo brought to our attention back in March? As we mentioned then, toe-tap dancing was actually super popular back in the 1920s and 30s—which means there are more videos where that one came from. And because #ToeTapTuesday has a nice ring to it, we thought we'd take this opportunity to introduce you to Dick and Edith Barstow, a toe-tapping brother and sister duo from that era who are nothing short of incredible:
Guess who's back? Back again? The Academy's back! Tell a friend.
After one day at The Academy, the All Stars have successfully taken the Top 100 down to 62. But their work is just getting started: Now they need to keep narrowing the field to a Top 10, ultimately deciding who each will partner with during the live shows.
We've said it before and we'll say it again: New York City Ballet principal Sara Mearns is some SERIOUS #goals. Her strength and power onstage borders on superhuman. But what's extra magical about Mearns is that she really puts in the fitness and cross-training work outside of the rehearsal studio. And she's overcome her fair share of injuries. Which is why she was the perfect source for Vogue's latest ballet fitness story.