The #TatumTakeover on Lip Sync Battle Proved Even More Epic than We Predicted
When we first heard that power couple Channing Tatum and Jenna Dewan-Tatum were going to duke it out on the season premiere of Lip Sync Battle in a #TatumTakeover, we knew we were in for some pretty great moments. But we had no idea it would be this amazing.
Just a little healthy marital competition. (screenshot via Spike online)
Seriously, guys, this is going down in television history.
The episode, which premiered last night, is filled with so many quality dance moments and #RelationshipGoals it’s hard to keep track. The duo pulled out all. the. stops.
The highlights breaking the Internet today:
Jenna straight-up killing her routine to “Cold Hearted” by Paula Abdul. The singer herself made a surprise appearance (!) and danced to the second half of the song.
Can you say girl power? (screenshot via Spike online)
Jenna’s recreation of a Magic Mike scene to Ginuwine’s “Pony.” Naturally, she got her hubby in on the action.
Yaaaaaas girl. (screenshot via Spike online)
The best part? Channing couldn't stop laughing. (screenshot via Spike online)
Channing’s amazing “Run the World (Girls)” performance, which started with a hilarious moment atop a horse and ended with an appearance by none other than Queen Bey herself—she pulled out a few moves (and a few hair flips) with Channing at the end of the song. I meannnnnnnnnn, does it get better than that?!
Those contoured cheekbones. That wig. Those knee high boots. (screenshot via Spike online)
BOW DOWN. (screenshot via Spike online)
Jenna’s reaction to seeing Beyoncé strut out and dance with her man pretty much sums up the night perfectly:
Us too, girl. Us too. (screenshot via Spike online)
Missed the epic episode? Head over to Spike online to watch the whole thing—or, if you want to get right to the good stuff, check out the video of the “Pony” and “Run the World (Girls)” moments below.
Misty Copeland. Her name is synonymous with exquisite artistry and outspoken advocacy. And her visibility has made a huge impact on the ballet world. Ballet's relationship with race has always been strained at best, hostile at worst. But Copeland's persistent message and star quality have finally forced the ballet industry to start talking about racial diversity, inclusivity, and representation. "The rarity of seeing ourselves represented is sad," Copeland says. "The more we see every hue and body shape represented on the stage, the more possibilities young dancers feel they have for themselves."
Last month, we asked why there wasn't a Best Choreography category at the Oscars—and discovered that many of you agreed with us: Choreographers should definitely be acknowledged for their work on the super-dancy movies we can't get enough of.
Now, we're taking matters into our own (jazz) hands.
We've decided to create a Dance Spirit award for the best cinematic choreography of 2017. With your input, we've narrowed the field to four choreographers whose moves lit up some of the best movies of the year. Check out our nominations for best choreography below—and vote for the choreographer you think deserves the honor. We'll announce the winner on Friday, March 2.
Being a dancer comes with the task of having to entertain the same questions over and over again from those outside the dance world. Of course, we love having our friends and family take an interest in our passion—but if someone asks ONE MORE TIME whether or not we've met Travis Wall, we might just go crazy.
Here are 10 questions that dancers hate getting asked.
Contemporary phenom Christina Ricucci has super-flexible hips, which means she can stretch her legs to unbelievable heights. But when she noticed herself making contorted positions in class, Ricucci realized she was approaching her extensions all wrong. "I went back to the basics in class, squaring my hips and using my turnout," Ricucci says. "I learned to create proper positions, rather than whacked-out versions of them."
Some dancers are so wonky they have a hard time supporting their high legs, while others struggle with limited flexibility. But no matter your facility, you can find a balance of stretch and strength to achieve your fullest range of extension. It's not about how high (or not) your legs can go: It's the quality of the movement, and how you get those legs up, that counts.
Once upon a time (until the 2014 Winter Olympics in Sochi concluded, to be exact), figure skaters had to compete to music without words. Before this rule change, a skater faced an automatic point deduction if the music even hinted at vocals. Understandably, there were *a lot* of Olympic programs skated to classical music, and you'd tend to hear the same music selections over and over and over.
There are plenty of current Olympic figure skaters who'd make beautiful dancers (first among them Adam Rippon, whose gorgeously choreographed long program won the internet, if not the gold). But today, as we wait for the women's figure skating competition to crown its new champions, we wanted to throw it back to one of the most beautifully balletic skaters of all time: Sasha Cohen.
The high-flying leaps of grand allegro are meant to be incredibly exciting. But at the end of an intense ballet class, when you're exhausted, it can be hard to give them the attention they deserve. Want to pump up your big jumps? Follow these 10 vital tips from Jennifer Hart, curriculum director and instructor at Ballet Austin.
"Whole, low-fat, or skim?" The question of which milk to drink has gotten a little more complicated lately, with a wide variety of nondairy milks popping up in grocery stores. To find out which ones are worth your milk money, we had registered dietitian Monika Saigal answer some FAQs.