The Top 5 Moments from the Career Transition for Dancers Gala
One of the best perks of being a DS editor is going to the annual Career Transition for Dancers gala. What could be better than a super-glittery event for a great organization, featuring performances by top dancers from all over?
The 2013 gala, themed "Broadway and Beyond" and honoring the inimitable Ann-Margret (who makes me want to rethink the way I spell my name), was held last night at New York City Center. As usual, it didn't disappoint. Here are my top 5 moments from the evening:
1) Kelly Bishop sang "At the Ballet." You probably know Bishop as Emily Gilmore from "Gilmore Girls," or tough teacher Fanny Flowers from "Bunheads" (RIP!). But before she became a Hollywood star, she was a true Broadway baby. She originated the part of Sheila in A Chorus Line, and if there's anything that gives me more goosebumps than listening to "At the Ballet," it's listening to Kelly Bishop tear her way through "At the Ballet." Her voice may not be what it once was, but she still packs a powerful dramatic punch.
2) Randy Skinner and Sara Brians channeled Fred Astaire and Eleanor Powell. I love a good old-fashioned tap number. An elegant lady and a dashing gentleman breezing their way through a classic Broadway tune? Yes please. These two talented tappers performed an impressive routine set to Cole Porter's "Begin the Beguine," and if you're wondering what it looked like, watch this.
3) Dulé Hill, Jason Samuels Smith and Jimmy Tate kicked things up a notch. After all that about loving classic tap, let's be honest: I'm also a sucker for a good hoofer—or three. This top-notch trio's tribute to Broadway tap veteran Danny Daniels (who choreographed) kept things classy, but still gave each dancer a few opportunities to get down.
4) Lynn Cohen played Agnes de Mille. (Don't know who Lynn Cohen is? Yes you do: She's Magda from "Sex and the City." Eee!) Though Agnes de Mille was one of the original brains behind CTFD, it's still a little unclear why Cohen was around to do her best de Mille for a few minutes between some of the dance acts. In the end, though, who cares? She was fabulous.
5) Liza Minnelli presented Ann-Margret with the Rolex Dance Award—and everyone in the audience died of happiness. Nothing compares to watching those two song-and-dance queens onstage together. Especially when they're dressed in the world's most sparkly confections and cracking jokes like, "Can you believe we're both still alive?" Amazing.
Speaking of amazing: I'll leave you with Ann-Margret doing her thing (with Elvis!) in 1964's Viva Las Vegas. Enjoy!
Get in, losers. We're going to Broadway.
OK, not losers, actually—more like the bajillion die-hard fans of Tina Fey's 2004 cult hit Mean Girls, who've been wearing pink every Wednesday since a musical adaptation of the film was first teased back in 2013.
Now their world is like a cake filled with rainbows and smiles, because Mean Girls the musical, which had a trial run in Washington, DC, last fall, is set to open at Broadway's August Wilson Theatre April 8. And in a very grool twist, it turns out the show—with direction and choreography by Casey Nicholaw and a book by Fey herself—is delightfully dancey.
What do you get when a hoard of dancers collaborate to the catchy tune of "Love Somebody," by the band Frenship? The most epic dance party ever, of course! Said dance party was produced by the talented Michael Riccio, who's performed in feature films, including "Confessions of a Teenage Drama Queen" and "Shrek Forever After."
Today in Ballet Dancers Are Actual Superheroes news:
You've no doubt heard that the fabulous Alicia Vikander is playing Lara Croft in the newest iteration of Tomb Raider, which hits movie theaters this Friday. But while her training for the high-octane action role was crazy tough, she says, studying at the Royal Swedish Ballet School was far tougher.
They say there's no "I" in "team"—and nowhere is that truer than the world of college dance teams, where precision reigns, uniformity is key, and a single misstep from any given "I" can cost a group a championship trophy. So it's unsurprising that securing a spot on one of the best dance teams in the country is no easy feat.
Members of these highly athletic teams rehearse for hours every week—on top of academic classes and commitments—and perform at football and basketball games, annual concerts, and nationally televised competitions (hi, ESPN). And "no I" rule notwithstanding, each of these top teams is made up of highly trained, highly technical, highly hard-core individuals, who come together to create a ready-for-victory pack.
These six teams aren't one-off success stories—they're consistently strong, and earn the top spots at major competitions like UDA and NDA nearly every year. Up for the challenge? Here's what to know before you go to auditions.
Are you a high school senior who's been accepted to a four-year accredited college or university program? Congrats! Within the 2017-2018 season, have you competed in events run by at least two of the organizations in the above graphic? Double congrats, because the Association of Dance Conventions and Competitions, or ADCC for short, wants to give you $1,000 (!!) towards college tuition.
From dancing in music videos (including Katy Perry's "Swish Swish") to performing on reality TV shows (including "Dancing with the Stars" and "The Voice"), 17-year-old Amanda LaCount is already conquering the commercial scene. If you've ever seen her dance, you understand why: She's a hard-hitting phenom with major stage presence. But in an industry where not having the "right" look can jeopardize your career, Amanda's also blazed her own path by accepting her beautiful curvy body the way it is.
Amanda's never let body-shamers discourage her from going after her dreams. She hopes that by breaking the "dancers are skinny" stereotype, she'll give others the courage to highlight their own unique features rather than hiding them or changing them to fit repressive industry standards. She's even started a campaign, #breakingthestereotype, to inspire artists of all shapes, colors, and sizes to dance for themselves.
We caught up with this dancing maverick to get her advice on cultivating body confidence in a world that's obsessed with the "perfect" body.
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email firstname.lastname@example.org for a chance to be featured!
All the dancers in my level auditioned for a prestigious summer intensive—but I'm the only one who got in. Now everything is incredibly awkward at the studio. I'm really excited about the program, but I don't want to make my friends feel bad. What can I do?
Can't get enough of the dance party T. Swift throws herself in her "Delicate" music video? Take a look at the two making-of clips Taylor just shared on her Instagram, showing her practicing the vid's charmingly awkward choreography.