The Worst Advice I've Ever Received
Keltie Colleen (courtesy Keltie Colleen)
Dancers receive many pearls of wisdom over the course of their careers—but sometimes they also get some less-than-awesome advice. We asked eight dancers to spill about the worst tips they’ve ever been given.
Keltie Colleen, commercial dancer
When I was dancing for an NBA basketball team, I booked an Apple iPod commercial that conflicted with the team’s schedule. I was torn: Should I risk jeopardizing my steady job and do the commercial, or should I be a team player and pass on a huge opportunity? Someone advised me to turn down the commercial, and I did. But I’ve always wished I tried harder to work it out with the team. In show business, you have to seize your opportunities as they come. Someone will always be there to take your spot, and there was another perky blonde who took mine in the iPod commercial!
Jenny LaRoche (by Bobby Aruajo)
Jenny LaRoche, “Smash” dancer
It’s easy to lose yourself in this industry. I’ve been told by teachers to dye my hair and wear bright colors so I’ll get noticed in auditions. But you can look the part you want to be hired for without altering yourself. Just amplify your own assets. Now I know to show up to an audition with a fresh face and clean hair.
Ray Hesselink (by Jen Nishino)
Ray Hesselink, tap dancer and teacher
I often hear people say, “Being a dancer is too competitive—you’ll never make a living.” Don’t let fear stop you from doing what you love. Yes, dance is a business. But follow your instincts in forming relationships with teachers, mentors and friends who believe in you and make you feel good about your talent and commitment to your goals.
Lauren Fadeley and Ian Hussey in Giselle (by Alexander Iziliaev)
Lauren Fadeley, Pennsylvania Ballet principal (and Indiana University alum)
The worst advice I received was not to go to college. There’s a misconception that the only time to dance is when you’re young. But I wasn’t ready to be a professional at 16. Going to college was the best path for me, because it let me grow and work on my technique. If I hadn’t taken the time to go to college, I would be burnt out by now.
Rebecca King in The Nutcracker (by Leigh-Ann Esty)
Rebecca King, Miami City Ballet dancer
When I was a teenager, a teacher discouraged me from pursuing ballet, saying I would probably never become a professional ballet dancer. I had started at a new dance school, and I was quite behind my peers. But thanks to other wonderful teachers and mentors along the way, I found myself onstage with Miami City Ballet after high school. One person’s judgment isn’t the opinion of everyone in the dance world. Ballet is a subjective art form, which is what makes it so special.
Lacey Schwimmer on "Dancing with the Stars" (by Adam Taylor/ABC)
Lacey Schwimmer, “Dancing with the Stars” pro
The worst advice I ever got was to lose weight or change my body because I “didn’t look like a dancer.” The dancer comes from within. Be wary of pressure to lose weight.
Jon Bond (by Nathan Sayers)
Jon Bond, Cedar Lake Contemporary Ballet dancer
When I first decided to join Cedar Lake, I had a mentor who didn’t think it was a wise choice. He felt I wouldn’t grow there because at the time Cedar Lake was not the premier company it is now. Against his guidance, I followed my gut and took the opportunity. Six seasons later, I’m still happy I did!
James Whiteside in Drink to Me Only With Thine Eyes (by Gene Schiavone)
James Whiteside, American Ballet Theatre soloist
When I got into the corps in Boston Ballet at age 19, a friend told me that if I wanted to be taken seriously in the company, I would have to stop being friendly with the apprentices. That advice taught me exactly how not to behave. Treat every dancer with respect, and you will be respected in turn.
It's time to get your pirouette on! From September 5th to September 30th, we're hosting a contest to find out who's the best turner of them all.
Put together your most impressive turning combo. Post a video online. Share your turns with us and thousands of other dancers around the world. And if our editors think you're the top turner, you'll win a fabulous prize.
All of 18-year-old Kaylin Maggard's dreams—from scoring the title of National Senior Outstanding Dancer at New York City Dance Alliance Nationals to winning the 2017 Dance Spirit Cover Model Search—are coming true. And to anyone who knows the gorgeous contemporary dancer, that's no surprise.
From the moment the Dance Spirit staff met Kaylin, it was obvious her humility and talent would take her far. Not only did she go full-out during the photo shoot and class at Broadway Dance Center, but she was always cheering on, laughing with, and supporting her fellow CMS contestants Haley Hartsfield and Michelle Quiner. During the voting period, the social media world was abuzz with praise for her work ethic, positive attitude, and generosity.
Since her CMS trip to NYC, Kaylin's moved from her hometown of Columbia, MO, to the Big Apple for her freshman year at Juilliard, and is busy getting acquainted with the city. As for the future? She's taking it one opportunity at a time, but something tells us we'll be seeing this contemporary queen reach new heights every year.
New York City principal Lauren Lovette has become an icon thanks to her emotional maturity and exceptional musicality. The 26-year-old quickly rose through the ranks after joining the company as an apprentice in 2009, reaching principal status in 2015. A Thousand Oaks, CA, native, Lovette started studying ballet seriously at age 11, at the Cary Ballet Conservatory in Cary, NC. After attending two summer courses at the School of American Ballet, she enrolled as a full-time student in 2006. Last year, she made her choreographic debut with For Clara, her first piece for NYCB. Catch her latest work this month during the company's fall season. —Courtney Bowers
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email firstname.lastname@example.org for a chance to be featured!
I know I'm not getting good enough dance training from any of my local studios. But I'm not sure I'm ready to move away to study at a big-name school, either. How do you know when you're ready to leave home to pursue your passion?
Instagram star Kylie Shea has built a following of nearly 170,000 with her playful workout videos, which combine traditional fitness activities, like jumping rope or running on the treadmill, with pointe shoes and sassy choreography. Shea's effortless cool-girl-next-door vibe and solid ballet technique make her vids totally irresistible.
Now Shea's using her platform to address the body image issues that tend to plague dancers. In a poignant video, she sheds her clothes and tugs at her skin. The caption explains her relationship with her body and the pressure she feels to maintain a certain aesthetic as a dancer.
Physical discomfort is inevitable when you're spending tons of hours in the studio every day, but some pain shouldn't be suffered through. "Dancing through pain can make an injury worse and lead to more time away from dance," says Dr. Joel Brenner, medical director of dance medicine at Children's Hospital of The King's Daughters in Norfolk, VA. "Failing to rest and recover when you're in serious pain could even lead to the point where you're unable to dance in the future."
That may sound scary, but there's good news: If you take precautions and listen to your body, many injuries can be stopped in their tracks. The first step? Knowing what's normal—and what's not.
Think about it: How often do you see a ballet pas de deux for two women? Almost never, right? Sometimes, choreographers will forgo the traditional danseur-ballerina pas to make a duet for two guys, since they can lift and partner each other easily. But a dance for two ballerinas is a rare thing.
That's part of what makes "Duet," a new video by director Andrew Margetson featuring Royal Ballet beauties Yasmin Naghdi and Beatriz Stix-Brunell, so compelling.