Top Step Up Moments
Today is one of those days when I'm especially in love with my job: It got me tickets to a screening of Step Up Revolution tonight. YAY!
Tune in tomorrow for a few choice sneak-peeky tidbits about the latest Step Up amazingness. But in preparation for tonight, I thought I'd round up some highlights from the first three Step Up films. Memories!
1. Channing Tatum and Jenna Dewan's club scene from Step Up. Reality factor? Not so high. (When was the last time you went out dancing and everyone on the floor was doing the same choreographed number?) But the chemistry between the future husband-and-wife duo in this scene is off the charts, and Mr. Tatum's moves are darn cute.
2. The final dance scene from Step Up 2: The Streets. Three words: Just. Add. Water.
3. The first battle (Red Hook) from Step Up 3D. Not that the first two movies weren't awesome, but they really, really stepped up (har!) the level of dancing—and the caliber of dancers involved—in the third installment. Exhibit A:
4. The World Jam finals from Step Up 3D...also known as Exhibit B. The light-up suits—and baby breakdancers!—get me every time. (Sorry about the poor quality.)
Well, this brings class videos to a whole new level! Choreographer Phil Wright and dancer Ashley Liai have been together eight-plus years, but she was still in total shock when he proposed to her mid-dance at Millennium Dance Complex earlier this week. Why? Well, the whole thing was unbelievably perfect.
In the dance industry, dancers don't always have a say in what they wear on their bodies. This can get tricky if you're asked to wear something that compromises your own personal values. So what should you do if you find yourself in this sticky situation? We sat down for a Q&A with "Dancing with the Stars" alumn Ashly Costa to answer that very question. Here's what she had to say about the options dancers have surrounding questionable costumes.
The groundwork for Erin Carpenter's company, Nude Barre, began when she was a teenager. At 16, she earned a spot in the residency program at The Kennedy Center in partnership with Dance Theatre of Harlem. "We were required to wear nude—as in, our actual skin tone—tights and shoes," she remembers. Carpenter brought her "sun tan" tights and a pair of pink ballet shoes with her, because that was all she could find. But she wasn't allowed in class because her dancewear didn't match her skin. "I was so embarrassed," she says. "I looked unprepared. I just didn't have the right nudes." Her teacher explained that the dancers dyed their tights and pancaked their shoes.