What's the Worst Advice You've Ever Received?
It’s official—our April issue is in subscribers' hands! (Non-subscribers, don’t fret, it will be on sale Tuesday, March 19.) In this issue, we asked dancers, “What’s the worst advice you’ve ever received?” And they came up with some doozies—from being told to change up their look to being told that being mean to younger dancers was the best way to get ahead (oh no!).
The article inspired the Dance Spirit staff to think back on some of the most terrible advice we’ve heard in the past. Mine was in high school, when a college admissions counselor told me the only way to keep dancing in college was to attend a conservatory. He couldn’t have been more wrong! There are a million ways to dance in college, even if you’re not a dance major. For me, that was being a dance minor and joining as many extracurricular clubs as possible.
Here’s what the rest of the DS staff had to say:
“If you have a backless costume and can’t wear a bra, just use Duct tape to hold yourself in instead! No. Terrible idea. And I have the scars to prove it.” —Alison Feller, editor in chief
“That ‘faking it until you make it’ was the best way to approach turnout. Now, one thoroughly messed-up knee later, I know better.” —Margaret Fuhrer, associate editor
“I once had a choreographer tell me to start dancing professionally straight out of high school. Instead, I went to college and joined my school’s dance team. It was the best decision I ever made—and it led to me working at Dance Spirit!” —Michael Anne Bailey, assistant/fashion editor
“One of my teachers said if I didn’t get my name in lights on Broadway, the only other option for being ‘successful’ in the dance world was to become a teacher. False!” —Nicole Bilbao, editorial intern
“A teacher once encouraged me to wear a traditional black leotard and pink tights to a college dance audition. While this does always look professional, it’s important to check and see if there’s a dress code at the auditions you attend. And if there’s not, wear a bright leotard or something to help you stand out in a room of talented dancers.” —Megan Kirsch, editorial intern
And that’s not all. Our amazing advisory board also chimed in with a few pearls of awful wisdom:
“I’ve been told, ‘Do this job, you’ll make a fortune and then be able to cruise for a bit and do whatever jobs you want.’ Every time I’ve been told a job was going to make me a lot of money, it never panned out—and my artistic sensibilities were compromised. The best work, the work that changes lives, is work that we connect to, work that we love. Yes, we have to pay rent, but we also have to stay true to ourselves, and we’ll be miserable if we take a job for the wrong reason. Remember, there’s no sure thing in show business.” —Andy Blankenbuehler, choreographer
“I don’t remember receiving any bad advice—I only remember giving it! I told Simon Fuller that getting the public to vote on ‘American Idol’ wouldn’t work, and that ‘So You Think You Can Dance’ would fail.” —Nigel Lithgow, dancer, choreographer, television producer, director
“I was told not to move to NYC. I’m so glad I didn’t listen to that advice! For the last 16 years, this city has been an amazing place for me to call home. I’ve thrived here.” —Diane King, owner/director, Broadway Dance Center
“I was working on a music video when I first moved to L.A. and the director told me that if I didn’t kiss another one of the male dancers in the video, my job was in jeopardy. It made me uncomfortable, and I stuck to my guns and said I wouldn’t do it. In the end, they scrapped the scene anyway and I kept my job. Moral of the story: Stay true to yourself. Your morals are all you’ve got.” —Tony Testa, choreographer
It’s true—some advice is just not worth taking. Now it’s your turn to spill: What’s the worst advice you’ve ever received? Tell us in the comments below!
The coolest place she's ever performed:
I'd have to say the Super Bowl. The field was so cool, and Katy Perry was right there. And there were so many eyes—definitely the most eyes I've ever performed for!
Something she's constantly working on:
My feet. I'm flat-footed, so I'm always hearing, 'Point your toes!' And I'm like, 'I am!'
My hair! That, and a pair of leggings with a T-shirt or tank top.
Summer intensive auditions can be nerve-racking. A panel of directors is watching your every move, and you're not even sure if you can be seen among the hundreds of other dancers in the room. We asked five summer intensive directors for their input on how dancers can make a positive impression—and even be remembered next year.
For an aspiring ballerina, there's no more exciting place to be than the ABT Studio Company, the pre-professional arm of American Ballet Theatre. The NYC-based troupe of 16- to 20-year-old dancers trains hard and performs harder, putting on multiple shows over the course of each season. We followed ensemble member Léa Fleytoux, a gifted 18-year-old from Paris, France, on a performance day to get an inside look at what it's like to live the Studio Company life.
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email email@example.com for a chance to be featured!
For a long time, I was the strongest dancer at my studio. But this year there's a new girl in my class who's very talented, and my teacher's attention has definitely shifted to her. I'm trying not to feel jealous or discouraged, but it seems like my whole dance world has changed. Help!
In the dance world, Mandy Moore has long been a go-to name, but in 2017, the success of her choreography for La La Land made the rest of the world stop and take notice. After whirlwind seasons as choreographer and producer on both "Dancing with the Stars" and "So You Think You Can Dance," she capped off the year with two Emmy Award nominations—and her first win. Dance Magazine caught up with her to find out how she's balancing all of her dance projects.
Marzia Memoli may be the Martha Graham Dance Company's newest dancer, but her classical lines and easy grace are already turning heads. Originally from Palermo, Italy, Memoli started studying at age 16 at the Academy of Teatro Carcano in Milan. Later, she attended the Rudra Béjart School in Lausanne, Switzerland, before heading to NYC in 2016 to join MGDC. This month, she'll perform The Rite of Spring in the Martha Graham Studio Series in NYC, and tour with the company in Florida. Read on for the dirt.
The union of dance royalty isn't something we take lightly—especially when it's between legendary hip hopper WilldaBeast Adams and dance phenom Janelle Ginestra. (#RelationshipGoals much?) So when we heard we were invited to their Big Day we sort of lost it. (I mean, what does one wear to the wedding of two dance icons? Better yet, what kind of dance moves does one practice for the reception?) Ok, so we might be getting a little ahead of ourselves, because we'll all be able to watch the wedding from the comfort of our own wifi. In true immaBEAST fashion the dance moguls decided to share their special day with devoted fans by streaming it online.