Why Paul Taylor Inspires Me
Taylor photographed by Paul Palmaro
What choreographers inspire you? My list goes on forever, but Paul Taylor has always been at the top of it. Taylor started out dancing for pioneers like Martha Graham and later became a visionary craftsman, making more than 100 dances and winning numerous awards.
New Yorkers can catch the Paul Taylor Dance Company in action this month at Lincoln Center's David H. Koch Theater. Here are the top five reasons why Paul Taylor inspires me.
1. He keeps it fresh.
Taylor continues to create new experiences for both dancers and audiences, even though there's something uniquely “Taylor” about his movement style. You may recognize signature phrases in multiple dances, but they evoke different reactions and emotions in each one.
2. His dancers are amazing.
Every strong, beautiful, technically proficient Taylor dancer is hand-picked and home-grown. All of the company's members studied at The Taylor School or worked their way up through Taylor 2 before making it into the main troupe. From petite powerhouse Parisa Khobdeh to the mesmerizing Michael Trusnovec, each dancer represents a different part of Taylor, and together they make an impressive whole.
PTDC in "3 Epitaphs." Photo by Paul B. Goode.
3. He has a sense of humor.
I love a man who can make me laugh. In Offenbach Overtures, Taylor makes fun of the French court with choreography that still shows off his dancers’ technique. And though his 3 Epitaphs is set to music traditionally played at funerals in the South, you can’t help but laugh as his dancers—covered from head to toe in Robert Rauschenberg's mud-brown unitards—lope absurdly around the stage. (3 Epitaphs actually helped generate choreographic ideas for one of my own projects.)
4. He’s a Renaissance man.
Paul Taylor is also an author. His autobiography, Private Domain, was published in 1999, and he has just released a new book of essays, Facts and Fancies, which gives you a backstage pass into his quirky mind.
5. He knows it ain’t over ’til it’s over.
Taylor will turn 83 in July, but earlier this month he unveiled his 138th dance! We tend to put an expiration date on dance careers, but Paul Taylor has demonstrated that age is just a number.
It's time to get your pirouette on! From September 5th to September 30th, we're hosting a contest to find out who's the best turner of them all.
Put together your most impressive turning combo. Post a video online. Share your turns with us and thousands of other dancers around the world. And if our editors think you're the top turner, you'll win a fabulous prize.
All of 18-year-old Kaylin Maggard's dreams—from scoring the title of National Senior Outstanding Dancer at New York City Dance Alliance Nationals to winning the 2017 Dance Spirit Cover Model Search—are coming true. And to anyone who knows the gorgeous contemporary dancer, that's no surprise.
From the moment the Dance Spirit staff met Kaylin, it was obvious her humility and talent would take her far. Not only did she go full-out during the photo shoot and class at Broadway Dance Center, but she was always cheering on, laughing with, and supporting her fellow CMS contestants Haley Hartsfield and Michelle Quiner. During the voting period, the social media world was abuzz with praise for her work ethic, positive attitude, and generosity.
Since her CMS trip to NYC, Kaylin's moved from her hometown of Columbia, MO, to the Big Apple for her freshman year at Juilliard, and is busy getting acquainted with the city. As for the future? She's taking it one opportunity at a time, but something tells us we'll be seeing this contemporary queen reach new heights every year.
New York City principal Lauren Lovette has become an icon thanks to her emotional maturity and exceptional musicality. The 26-year-old quickly rose through the ranks after joining the company as an apprentice in 2009, reaching principal status in 2015. A Thousand Oaks, CA, native, Lovette started studying ballet seriously at age 11, at the Cary Ballet Conservatory in Cary, NC. After attending two summer courses at the School of American Ballet, she enrolled as a full-time student in 2006. Last year, she made her choreographic debut with For Clara, her first piece for NYCB. Catch her latest work this month during the company's fall season. —Courtney Bowers
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email firstname.lastname@example.org for a chance to be featured!
I know I'm not getting good enough dance training from any of my local studios. But I'm not sure I'm ready to move away to study at a big-name school, either. How do you know when you're ready to leave home to pursue your passion?
Instagram star Kylie Shea has built a following of nearly 170,000 with her playful workout videos, which combine traditional fitness activities, like jumping rope or running on the treadmill, with pointe shoes and sassy choreography. Shea's effortless cool-girl-next-door vibe and solid ballet technique make her vids totally irresistible.
Now Shea's using her platform to address the body image issues that tend to plague dancers. In a poignant video, she sheds her clothes and tugs at her skin. The caption explains her relationship with her body and the pressure she feels to maintain a certain aesthetic as a dancer.
Physical discomfort is inevitable when you're spending tons of hours in the studio every day, but some pain shouldn't be suffered through. "Dancing through pain can make an injury worse and lead to more time away from dance," says Dr. Joel Brenner, medical director of dance medicine at Children's Hospital of The King's Daughters in Norfolk, VA. "Failing to rest and recover when you're in serious pain could even lead to the point where you're unable to dance in the future."
That may sound scary, but there's good news: If you take precautions and listen to your body, many injuries can be stopped in their tracks. The first step? Knowing what's normal—and what's not.
Think about it: How often do you see a ballet pas de deux for two women? Almost never, right? Sometimes, choreographers will forgo the traditional danseur-ballerina pas to make a duet for two guys, since they can lift and partner each other easily. But a dance for two ballerinas is a rare thing.
That's part of what makes "Duet," a new video by director Andrew Margetson featuring Royal Ballet beauties Yasmin Naghdi and Beatriz Stix-Brunell, so compelling.