Why We Love The Nutcracker
Like many of you, I'm guessing, seeing The Nutcracker every year was a major holiday tradition growing up. My studio never put on our own production, so my BFF Becky and I would go to a different show each winter with our moms.
We started small by seeing a Nutcracker at St. Paul's School in Concord, NH. I was young, it was my first Nut experience, and my mind was blown.
Eventually, we upgraded: We took a drive south to see Boston Ballet's Nutcracker. Mind = further blown. Whether on a small school stage or a much larger one, The Nutcracker was instantly magical to me, and it was a crucial part of my early dance experience. I became obsessed with the Tchaikovsky score, and I always picked a really lavish dress to wear to the show because being fancy was important at The Nutcracker.
It wasn't until I moved to NYC and started working at Dance Spirit that I saw the granddaddy of them all: New York City Ballet's production of George Balanchine's The Nutcracker.
Maria Kowroski in George Balanchine's The Nutcracker. Photo by Paul Kolnik.
NYCB principal Maria Kowroski danced the Sugar Plum Fairy role, and I remember thinking it was physically impossible to have legs that long and feet that archy—and yet there she was, in all her perfect ballerina glory, being promenaded around by her cavalier.
Daniel Ulbricht in George Balanchine's The Nutcracker. Photo by Paul Kolnik.
Fellow principal Daniel Ulbricht led the hyper-peppy Candy Canes, while former Dance Spirit cover girl Kathryn Morgan, then a corps de ballet dancer, stood out during the snow scene.
My beloved snow scene. This is New York City Ballet in George Balanchine's The Nutcracker. Photo by Paul Kolnik.
Ah, the snow scene. It makes me cry every time because it's just so beautiful. The Nutcracker is the holiday season to me, and I can't wait to continue my annual tradition by seeing NYCB's production again next week. In the meantime—until I get my Land of Sweets fix—I'll be happily prancing around the office humming all that good music and forcing the rest of the DS staff to share their favorite Nutcracker memories with me. And then I'll share them with you...
"The 'Dance of the Bonbons' was the first piece I almost performed onstage—I chickened out last-minute when I saw Mother Ginger's massive skirts! It wasn't until college that I had the opportunity to dance in The Nutcracker again. The wait was totally worth it: I got to dance 'Arabian,' a role so powerful and mysterious. I still get chills every time I hear the music." —Maggie McNamara
"I have hundreds of wonderful Nutcracker memories. But the reason the ballet is special to me is less about a single moment and more about the way it became a yardstick. Every year, between the ages of 7 and 18, I came back to it; every year, there were new parts to discover, or old parts to rediscover. It was the way I measured my progress, and it always had something new to teach me. (Still does!)" —Margaret Fuhrer
Rachel (center) as a Cavalry Mouse
"I was in the children's cast of The Joffrey Ballet's Nutcracker for a few years. My last time auditioning, I had grown too tall to technically be a kid, but they offered me the part of a Cavalry Mouse—or a mouse who's riding another mouse like a horse. The part was easy, I didn't have to spend hours on my hair and makeup and the audience went wild whenever we galloped our way into the Battle Scene. When I'm in the audience to this day, I always cheer loudest for those Cavalry Mice." —Rachel Zar
"The Nutcracker combines two of my favorite things: Christmas and ballet. I saw the Joffrey's production almost every year growing up, and loved coming home and dancing by the fire in my living room, holding my own nutcracker doll and wearing a satin nightgown like Clara." —Meggie Hermanson
We want to hear your Nutcracker stories! Share your favorites in the comments below—and happy Nutcracker season!
What a week in the "Dancing with the Stars" universe, amirite? After we bid farewell to Drew Scott and Emma Slater on Monday (in a surprise to pretty much nobody, despite the duo's strong performance in a super-fun freestyle that evening), it was time, last night, for Season 25's Grand Finale. And goodness, I don't know if we've ever seen quite so many perfect scores thrown around the ballroom. The final three—Frankie Muniz and Witney Carson, Jordan Fisher and Lindsay Arnold, and Lindsey Stirling and Mark Ballas—performed a total of six routines on Tuesday, and five of them earned straight 10s. Yes, those scores were well-deserved; the finalists danced their bedazzled behinds off. But it also felt like the judges were channeling Oprah. YOU get a 10, and YOU get a 10, and YOUUUU get a 10!
Turkey is great and all, but the best part of Thanksgiving? It's watching some truly fantastic dancing on television, courtesy the Macy's Thanksgiving Day Parade. On Thursday, when your arms are sore from mashing potatoes and/or you need to escape crazy Aunt Linda, head to the living room to catch these super-dancey parade highlights:
Taja Riley's bold, full-out presence and unique ability to mix hard-hitting hip hop with smooth, sensual choreography paved the way for her success in the commercial industry. She's danced with music icons like Chris Brown, Janet Jackson, Ne-Yo, Kanye West, 50 Cent, Pitbull, and Bruno Mars, and has assisted with choreography for Britney Spears' Femme Fatale tour, Demi Lovato's Skyscraper tour, and Beyoncé's Mrs. Carter tour. She also appeared in Beyoncé's groundbreaking visual album Lemonade. Raised in Virginia Beach, VA, Riley grew up training at Denise Wall's Dance Energy. Currently, she's on faculty at New York City Dance Alliance, where you can catch her touring the convention circuit. —Courtney Bowers
P!nk, known for her high-flying, acrobatic awards show sets, has literally raised the bar for pop stars everywhere. For her performance at last night's American Music Awards, P!nk decided to break out some flips and tricks ON THE SIDE OF A BUILDING. WHILE FLAWLESSLY SINGING HER FACE OFF. You know, just casually, like you do when you're a full-on goddess.
After 13 seasons, "So You Think You Can Dance" viewers probably thought they'd seen it all. From "Ramalama (Bang Bang)" to Bollywood, Travis Wall to tWitch, it seemed like there couldn't possibly be any room left on Mary Murphy's Hot Tamale Train.
Then came 19-year-old Lex Ishimoto. When Lex showed up at the show's Season 14 NYC auditions with an improv solo in lieu of a choreographed routine, the judges were shocked—and then brought to their feet by his show-stopping creativity. From there, the jaw-dropping moments kept coming. In week one of the live shows, Lex busted out a super-crisp tap (!) routine. In his Episode 12 solo, he pulled off a triple (!) tour en l'air. And in Episode 14, he and fellow finalist Taylor Sieve revealed that they'd been dating on the down-low (!!!).
To dance insiders, Lex's name isn't new: It first popped up in playbills when he joined the national tour of the musical Billy Elliot at age 11. Last year, he was featured in Sia's "The Greatest" music video, and he's toured with Travis Wall's critically acclaimed contemporary company Shaping Sound. But now, Lex is officially a household name as America's Favorite Dancer—and has a first-class ticket on that Hot Tamale Train.
Oh hey there, Hallmark Channel! The producer of all those sweet, homey movies best watched in your PJs with your mom has a super dance-y film on its holiday lineup this season: A Nutcracker Christmas. And the casting is—to use a very Hallmark-y pun—perfectly on pointe.
A Nutcracker Christmas tells the story of a talented professional dancer, Lilly, whose supportive sister dies just as Lilly is about to perform the role of Clara in The Nutcracker with New York City Ballet. (Nit-picky fact-checking: In New York City Ballet's Nutcracker, she's known as Marie and danced by a child, but OK.) Lilly's boyfriend and dance partner, Mark, keeps her from performing in the show, which makes Lilly declare she'll never dance again. Fast-forward a couple of decades, and Lilly's niece, Sadie, is about to dance Clara in a different company's Nutcracker—a company run by, of all people, Mark. And tons of drama ensues.
Yes, it's a whole lot of plot to wrap your head around. But the real story here is that Sadie is played by none other than the phenomenal Sophia Lucia, and the ever-dashing Sascha Radetsky is also involved in the project. (Radetsky's exact role is unclear from the press material, but he seems like a pretty natural fit for Mark, no?) The odds seem good that we'll get the gift of some very high-quality dancing. Merry Christmas to us!
Sophia Lucia showing off those banana feet (via @sophialucia5678)
You can catch A Nutcracker Christmas on December 10 at 8 pm. Get your slippers and hot cocoa ready.
When you think of a dancer, a double leg amputee may not be the first thing that comes to mind. But Eric Graise, who's one of the stars of the upcoming "Step Up: High Water" YouTube Red series, hopes to change that. Graise, whose legs were amputated as a child due to missing fibula bones, will play a character named King in the new dance series, set to debut early next year.
We all suffer from Nutcracker fatigue sometimes. After a zillion performances, it's hard not to. But there's nothing to restore your little-kid sense of Nutcracker wonder like a look at the sheer scale of a world-class Nut.
New York City Ballet's iconic production of George Balanchine's The Nutcracker opens on Friday, and for the past week, the company has been Tweeting out some seriously eye-popping #NutcrackerNumbers. The stats cover everything from the number of jingle bells used on each Candy Cane costume (that'd be 144) to the watts of light used in the show's grand finale (ONE. MILLION. WATTS.).
One of the most beautiful things social media has brought us is the ability to feel like we're up close and personal behind-the-scenes with all our favorite dancers. And one of our favorite stars to Insta-stalk are actually two casts of 36 scintillatingly synchronized precision dancers. I'm talking, of course, about my mild obsession with the legendary Radio City Rockettes.
Have we mentioned lately how much we love dance dads? Especially ones who show up to their daughter's ballet class sporting a tutu, like Thanh Tran.