You Say You Want a Revolution...
The Mob takes Miami in Step Up Revolution
The wait is over: The fourth Step Up installment (in 3-D, of course) is here! Step Up Revolution takes the fiercest dancers to the streets of Miami. Calling themselves The Mob, these hip hoppers, breakers, poppers and lockers use flash mobs to take down a wealthy businessman who’s threatening to destroy their neighborhood. Dance celebrities on set included Mia Michaels, tWitch, Misha Gabriel, Phillip Chbeeb and more. And one of our favorite former “So You Think You Can Dance” contestants, Kathryn McCormick, makes her acting debut as leading lady Emily! She dances opposite hunky Ryan Guzman, also a Hollywood newcomer. DS caught up with McCormick about her exciting first experience starring on the big screen.
Dance Spirit: How’d you land this awesome role?
Kathryn McCormick: It was the first acting audition I’d ever been on, and it was intimidating. When I get nervous, I ramble on and on, so afterward I felt completely embarrassed. But I kept getting callbacks! When I got the call saying I’d won the part, I was on the way to assist “So You Think You Can Dance.” I was in shock. I called my mom crying. She was like, “Did you get in a wreck? Are you okay?” I said, “I got the lead in the movie!” Then she started crying, and we had to hang up because we couldn’t understand each other. It was funny.
DS: Tell us about your relationship with co-star Ryan Guzman.
KM: Before this movie, Ryan had acted, but he had never danced. I think my time on “SYTYCD” helped me, because I’ve been in the position of working with someone who isn’t as experienced in a certain style. We connected as soon as we met, and we came to be really comfortable with each other. I helped him dance, and he helped me act.
DS: Do you have a favorite scene?
KM: My heart is in the contemporary duet with Ryan choreographed by Travis Wall, because that’s my style. But the most fun day for me was when we filmed Emily’s initiation into The Mob. It’s when you see her rebellious side come out for the first time. She’s dancing on tables in a restaurant, and she has a dress, mask and heels on. It was so much fun to be tossed around from dancer to dancer.
DS: What’s next for you? More movies?
KM: I don’t know where my life is going, but it will always have dance in it. I’m in acting classes, and I’m going to both acting and dancing auditions. On top of that, I’ve been doing a little motivational speaking. I’m not one to make too many plans, because so often, the things that actually happen are greater than anything I could have imagined. If you had asked me five years ago what I’d be doing, this wouldn’t have been on my list. I just put in the work, leave my heart open and see how it all lines up.
Mark your calendars! Step Up Revolution hits theaters July 27.
Much of Janelle Ginestra's career has been about helping others shine. She's dedicated herself to supporting and cheerleading her partner, WilldaBeast Adams; the emerging talents in their dance company, ImmaBEAST; and the countless dancers she inspires at master classes and conventions. Her YouTube channel has become a launching pad for young talents like "Fraternal Twins" Larsen Thompson and Taylor Hatala, thanks to viral videos featuring Ginestra's creative vision.
But Ginestra's a skyrocketing success in her own right—an in-demand choreographer, a social media influencer, and a dance entrepreneur, building a legacy one eight-count at a time. It's time for her turn in the spotlight. And she's more than ready. "I want to be a legend in whatever I do," she says. We'd argue that she already is.
When a choreographer finds a composer whose music truly inspires her, it can feel like a match made in dance heaven. Some choreographers work with the same composers so frequently that they become known for their partnerships. New York City Ballet soloist and resident choreographer Justin Peck, for example, has tapped composer Sufjan Stevens numerous times (last spring, the two premiered The Decalogue at NYCB, to rave reviews); L.A. Dance Project's Benjamin Millepied's working relationship with composer Nico Muhly has spanned a decade and two continents; and when tap dancer Michelle Dorrance premiered the first-ever Works & Process Rotunda Project, a site-specific work for New York City's Guggenheim Museum, last year, percussionist Nicholas Van Young was by her side as an equal partner. Successful collaborations require compatibility between artists, direct and honest communication, and flexible, open minds. But when the stars align, working with a composer can be extremely rewarding.
For ballerinas, it's the dream role to end all dream roles: Odette/Odile in Swan Lake, the type of part dancers spend years preparing for and whole careers perfecting. And it's a role that New York City Ballet principal Tiler Peck never thought she'd dance. Though Peck is one of the world's preeminent ballerinas, her short stature made Odette/Odile, typically performed by longer, leggier dancers, seem (almost literally) out of reach.
Then—surprise!—her name popped up on the cast list for NYCB's fall season run of Swan Lake.
Lani Dickinson's power, grace, and raw presence make her a standout with AXIS Dance Company, whose mission is to change the face of dance and disability by featuring a mix of disabled and non-disabled performers. Born in China, Dickinson was adopted by an American couple and started dancing at 8 in Towson, MD. She attended the Boston Ballet School for two summers, studied at the Idyllwild Arts Academy for the last two years of high school, and graduated with a dance degree from Alonzo King LINES Ballet's BFA program with Dominican University of California. In 2015, she joined AXIS and won a Princess Grace Award. Catch her this month during AXIS Dance Company's 30th-anniversary season—and read on for The Dirt!
Week five of "Dancing with the Stars" proved to be one of the best weeks of the season so far. (And we're not just saying that because Mickey made a cameo debut on the piano during one of the routines—although that certainly didn't hurt!) Everyone brought their A-game, and with such a fun theme the contestants were able to really let their guards down. There was true sincerity in their dancing that we hadn't seen before. But not all Disney stories end with a "happily ever after," and one couple still had to hang up their dancing shoes.
If there's one week you should watch all the routines of it's undoubtedly this one... But, ICYMI, scroll below for our highlights of the night.