In Compania Rocío Molina’s newest production, Oro Viejo, flamenco sensation Rocío Molina’s tight, salmon-colored dress, blonde hair and decorative hair clips make her look like a cross between an 18th century Spanish lady and a porcelain doll. With a fan in hand, she twirls across the stage then stops momentarily to draw attention to her dramatically arched arms. The furious movement of her hand propels the fan so quickly that it becomes a blur of pink and white reflected light. Finally, she pauses in silence, turns to the audience and gives her forehead and outstretched leg two gentle taps with the fan as if to say: Although my dance is rooted in tradition, it is playful, powerful—and present.
At just 25, Rocío is causing a stir in the flamenco world. While her choreography maintains classic flamenco elements at its core, it’s refreshingly modern with partner lifts and touching—both off-limits in traditional flamenco. Because of this unique and daring blend, Oro Viejo was an undeniable success at the 2009 Jerez Flamenco Festival, one of Spain’s largest and most important annual flamenco festivals. The four-person piece also garnered the young dancemaker the honor of best choreography at the Bienal de Sevilla, a month-long festival held every two years.
With innate talent and charming, inventive movement, it’s hard to imagine this successful artist being anything other than the stunning performer she is now. But Rocio, who was born in flamenco-rich Málaga, Spain, to a ballerina mother and painter father, explains, “I was really serious and boring as a little girl! But when I was 3 years old, I started dancing at a party. From then on, I always said I wanted to be a dancer.” So she started taking ballet lessons, and by age 7, she was hooked on dance. She adds, “Even though I liked classical ballet, there was something in me that favored flamenco.”
Following her passion, Rocío moved to Madrid at age 15 to continue her flamenco studies and begin her professional career. Two years later, in 2001, she joined world-renowned flamenco dancer María Pagés’ company. By 2003, she’d begun her solo career, performing internationally with legendary dancers, like Israel Galvan, Mario Maya and Manuela Carrasco, who she cites as her one of her favorite flamencas. And by age 21, she had established her eponymous troupe, which to date has produced four flamenco shows choreographed by—and starring—Rocío.
Rocío says she decided to choreograph so early in her career to take flamenco in new, more contemporary directions. Her movement often strays from the flamenco cannon and incorporates contemporary and classical Spanish dance with an aesthetic that Rocîo describes as “continuous circular movement. Strong, fresh, dynamic and versatile.”
But this success and style wasn’t achieved effortlessly. “Everything has developed the way I’ve wanted it to, but that’s because I’ve fought for it. I’ve always gone directly after what I want. I’ve had to face challenges along the way—fear, a bad performance—but I’ve worked past them.” Among these challenges Rocîo says making the leap from dancer to choreographer was one of the toughest, especially since she felt the need to “create a completely new, unique and transparent yet personal dance language.”
As Rocío sees it, these ups and downs are just part of life. She says her strong sense of self balances her in the face of obstacles and thinks making conscious decisions and sticking by them is paramount to reaching your goals. She also cites consistency and discipline as keys to success. “Know at all times who you are,” she says. “Be motivated and inspired, but don’t be hasty. When you’re young, you always want more, and you want to get from A to C without passing B, but you can’t skip anything. You have to be patient.”
Coming from a young woman who has already accomplished so much at such a young age and who will continue to tour with her own troupe, her advice might seem ironic. But her unique blend of dedicated training, out-of-the-box style and can-do attitude has worked wonders for this fabulous Flamenca.
Favorite flamenco dancer: Carmen Amaya
Favorite non-flamenco dancer: Pina Bausch
Favorite film: Spirited Away
Favorite ice cream: stracciatella
Non-dance Hobbies: hiking, reading, playing squash
Photo courtesy Compania Rocio Molina
Nearly 80,000 dance-loving Instagram followers can't be wrong: Quinn Starner is one to watch. And what's just as impressive as the 15-year-old's rabid online following is her ever-growing list of competition accolades. Quinn, who trains at Indiana Ballet Conservatory and Stars Dance Company, been named first runner-up at The Dance Awards for two years in a row (as a junior and a teen); was the 2016 West Coast Dance Explosion Teen National Champion; earned first place in contemporary and third place in the classical division at Youth America Grand Prix Regionals in Pittsburgh last year; has won the Grand Prix Award at ADC|IBC; and was a gold medalist at World Ballet Art Competition Grand Prix. Plus, she made it to the Academy round on last year's "So You Think You Can Dance: The Next Generation," and has performed as Clara in the Radio City Christmas Spectacular. Here's what Quinn has to say about her favorite songs, teachers, and career highlights.
Want a chance to get personally involved in the HOTLY anticipated TV show "World of Dance"? Of course you do. That's why J. Lo. and the rest of the "WOD" team have launched an interactive version of the upcoming NBC series that lets Snapchatters get in on the action.
On Saturday morning, Russell Horning—aka 15-year-old Instagram king @i_got_barzz—was already kind of famous. His admittedly bad but weirdly mesmerizing dance videos had earned him shoutouts from the likes of Rihanna (and dance tributes from the likes of Josh Killacky).
But by Sunday morning? By Sunday morning, Russell Got Barzz had reached an entirely different level of memedom. Because Katy Perry tapped the teen—signature backpack and all—to perform "Swish Swish" with her on "Saturday Night Live." And the internet lost its darn mind.
If, like me, you've ever wondered (and wondered) how that stunning opening scene in La La Land came together, do we have a treat for you.
Fashion looks better in motion—that's why runways exist. But when does fashion look REALLY amazing? In dancey motion. And exhibit #69372 in the case for the inescapable connection between dance and fashion is this new video from Harper's Bazaar, featuring our favorite dancer/model/rock star, Larsen Thompson.