Plenty of us have been dancing since we were teeny-tiny tappers and trinas, but walking into a dance class as an older beginner can be seriously intimidating. Luckily, one silver lining of the pandemic is that it's easier than ever to try out a two-step without even stepping into the studio—virtual classes seem to be everywhere we click nowadays.
Is one of your friends, siblings, parents, or grandparents interested in starting to dance, but totally unsure about where to begin? As the resident dancer in their lives, there are plenty of ways for you to encourage them. Here are just a few of the ways to support the newest dancer in your life.
Roll Out the Recommendations
The pandemic has opened up a whole new world of dance classes that you can stream right into your living room. By now, you're probably a seasoned Zoom dance pro. So start by asking your aspiring dancer what their goals are. Are they looking to just become more active? Study a specific genre of dance? Find a new creative outlet? Take that info and help them narrow down what kinds of virtual classes they might enjoy. Then, recommend some studios you know and love.
Be sure to give your friend or relative an impression of what to expect from their virtual class. Don't forget to offer Zoom-specific tips, like where to place their camera, or how to rearrange their furniture to provide enough space for class. And if they're nervous (or don't want the pressure of being on camera for their first few classes), let them know it's okay to leave their camera off until they're ready to try class with it on. After all, if Hugh Jackman can do it, so can they
Join Their Journey
Maybe you'd also like to broaden your dance horizons, or your friend is looking for an accountability partner. Try taking a beginner level class with your friend in a style you're unfamiliar with. Plenty of studios offer workshops for beginning dancers in a variety of styles, like Broadway Dance Center's Absolute Beginner Workshop seriesAbsolute Beginner Workshop series, which offers a series in every genre from ballet to street jazz.
Another option is to find a dance class video on YouTube, like Kathryn Morgan's at-home class series, and take it at the same time over a Zoom call by sharing your screen. That way, you can pause the video if you need to answer a question from your friend. (And try your best to remain calm when they ask you, for the fifth time, what "plié" means.)
Cheer Them Through Challenges
Most importantly, be there to support your friend or relative in their new dance journey. You know that there can be bumps along the road, but you also know that nothing compares to the feeling of nailing a hard combo, or accomplishing your next dance goal. The newest dancer in your life has all those milestones to look forward to along the way. Don't let them get discouraged when it's difficult —and help them celebrate their accomplishments, big or small.
Like most kids, by the age of 4 I knew exactly what I wanted to be when I grew up…a dancer. And sure, every kid picks a career to play along with—doctor, veterinarian, princess. But from that young age of 4, I was determined to turn my dream into a reality.
I spent my adolescent years in multiple dance companies, training to make the move to L.A. And then I got it: glimpses of my big break. I began working for and with the choreographers on my bucket list, got accepted into dance companies I'd tirelessly watch on YouTube, and even made it on that national commercial that my friends, family (and don't forget the frenemies!) got to see on repeat.
But then, suddenly, I felt a shift. Was I, the dancer who spent 18 years of blood, sweat and tears (and a crap ton of money) getting burnt out from the everyday hustle of my industry?
If I'm being honest, I always felt like the odd one out in my profession. It took me about four years of paying my dues in L.A. to realize that everything that was different about myself—and my mind—would serve as the catapult towards my new career path as a creative director.
Just Outside of Dance
While grappling with my sudden change of desire, I reflected on where it all started. I remembered being 10 years old, listening to the Black Eyed Peas' Elephunk album in the car, closing my eyes and visualizing a whole music video in my head. And while I thought that meant I would just be the choreographer or the dancer performing in the video, I never realized it might also mean I could be the person to bring the music video to life.
I flashed back to my various experiences on set as a dancer. I remembered how I always took interest in communicating with other departments and learning about their industries, and realized that it's OK to pursue creative endeavors beyond dance. I also paid close attention to how I was treated on set as "talent," taking all the things I learned and didn't like into deep consideration.
Growing Into the Role
Opening my mind allowed for a lot of fun opportunities, like the time I got to star as the lead in a music video that I was also hired to choreograph and direct, or when I started working with my teenage idol and mentor D-Trix, who taught me how to simultaneously choreograph and direct a piece for the camera. Combining my passions just felt right, but the coolest part about developing my knowledge as a creative director was that I got to do it in spaces I was already familiar with. Creating in the dance industry without actually dancing helped me discover that even though I'm focused on this new, creative role, I can still maintain my deep connection with dance.
I've spent the last four years continuing down the creative-direction path, developing artists, producing music videos, and marketing for friends. A favorite moment for me was working with Nya Bloom, a friend and upcoming artist who I convinced not only to create a short film for his first project, but also to hire me as a director.
After six months of brainstorming together, we pitched our ideas to an investor who loved them and granted us a budget. From there, I was hired as set designer, choreographer, stylist and director for the project, which granted me the opportunity to hire all my friends, from dancers and actors to DP and editors. We paid everyone their full rates and ran our production in succinct timing, wrapping everyone 30 to 60 minutes earlier than planned.
I was ecstatic to use all my skills from previous jobs as a dancer on set, and everything I had observed from my previous experiences, to put my skills to the test and produce a visual that turned out even better than we could've imagined.
Edgin getting comfortable in the directors' seat (Avo Guedekelian, courtesy Edgin)
Dancing to My Own Beat
I pride myself in not underpaying or overworking dancers and (subtly) brag about being the person to book you for a 12-hour day, release you ahead of schedule, and still pay you your full day rate. It's really important to me, as someone who has been in the positions I'm now hiring for, to make sure the talent is as comfortable and happy as possible.
As I've gained more experience in my role as a creative director and taking on artist development, I've realized that having a dance background made finding success in these nondancing roles so much easier. So, whether you choose to join a prestigious company as a full-time dancer or become a freelance creative director who dances whenever they feel like it, just know that dance is a tool that can help you achieve success in spaces you may have never imagined.
I'm so grateful for my now 21 years of dance experience for introducing me to my true calling in life. There was never a moment wasted, and I can dance to the beat of my own drum now.
Each and every month in 2020, we Dance Spirit editors selected a 2021 Cover Model Search semifinalist. And as 2020 came to a close (and we truly thought it never would), we selected our December winner, rounding out our 12 fabulous 2021 Cover Model Search semifinalists.
Here's the exciting part: That means that one of the 12 gorgeous, ultra-talented dancers below will be our next Cover Model Search winner, and our first-ever CMS all-digital cover star!
But we need your help to pick our 2021 CMS winner. Which of the 12 semifinalists do *you* think should make our top three? Check out the videos below, and let us know your pick. (And then be sure to kickstart your own Cover Model Search dreams by entering next year's contest—which is already underway!)
January: Mya Gomez, "Ms. Brown To You"
February: Bella Klassen, "Have Mercy"
March: Britain Feeny, "Grief Point Solo"
April: Nyoka Wotorson, "Horton Technique Solo"
May: Reed Henry, "Rattle"
June: Jocelyn Wynn, "Egos Are Detached"
July: Iyanna Jackson, "Have Mercy"
August: Joshua Dawson, "Slow Up"
September: Gabi Allen, "Listen to the Music"
October: Kayla Mak, "Weeping Willow"
November: Madison Burkhart, "Goodbye"
December: Charlee Fagan, "Valis"
Few things are as nerve-racking as partnering class, especially when you're a newbie. No matter the genre, the stakes feel high—and the potential for awkwardness feels unlimited. How do you avoid smacking your partner in the face? How do you communicate a problem without causing a major conflict? Dance Spirit spoke with some partnering pros to bring you answers to those questions and more.
Common Partnering Pitfalls
1. Deflecting Responsibility
None of us will be perfect partners at all times, especially when we're first learning. When we begin working with a teammate, it can be tempting to deflect responsibility for our weaknesses onto them. Resist the temptation!
"None of us likes to be wrong, so it can feel like a necessity to interpret your actions as correct, and your partner's actions as wrong," says L.A.-based choreographer Phillip Chbeeb. "That can be one of the most damaging dynamics in a partnership. Instead, assume that you have the power to adjust and assuage the problem. If you both maintain this mindset, you will always be able to move forward together."
One of the primary ways partners who are being supported can take responsibility is by simply holding their weight. "A common misconception is that the person doing the lifting is doing all the work, but a good partner is in complete control of their body even when it looks like they're surrendering," says choreographer Stacey Tookey. "You have to be solid on your own," says Houston Ballet principal Karina González. "You can't expect your partner to save you. You have to be comfortable on your supporting leg, whether your partner is there or not."
2. Lacking Spatial Awareness
Worried about smacking your partner in the face? First, just accept that it's going to happen from time to time. "It's the nature of the beast," Tookey says. Then, put in the work to become aware of the space around and between the two of you.
Assess your height difference, if there is one, and how it affects the choreography. Can you identify predictable points of impact that can be avoided with slight shifts in positioning? This dynamic will vary from partnership to partnership, so be patient as you work through the kinks.
To improve your spatial awareness while partnering, "Dancing with the Stars" pro Emma Slater recommends trying dance styles that require you to switch partners often. "Go to social dance events, or to dance classes that have an uneven number of men and women," Slater says. "Doing so will help you get comfortable dancing with a range of artists."
3. Discounting Differences
Just as no two people are the same, no two partnerships will be the same, either. But don't think of the differences between you and your partner as obstacles to overcome. Instead, reframe them as opportunities to make the most of.
Whenever Chbeeb sets choreography on pairs, he reminds himself not to get married to any of the work, because it will likely need to be altered to allow the different bodies to mesh well together. "I embrace the variety in body types and strengths," Chbeeb says. "I look to see what unique things these two specific bodies can create together."
When creating a duo with a partner, Chbeeb likes to discover those possibilities by working with his counterpart—without music. "That way, we don't have limitations to the timing of the shapes we create," he says. "If we stumble across something that works well for our two bodies, we can record it, making a collection of phrases to pull from. Then we can turn on the music and see what translates over."
(From left) Tyler Gledhill, Chelsea Thedinga, and Corey John Snide rehearsing a work by Stacey Tookey (Anna Marchiscello, courtesy Stacey Tookey)
Partnering Best Practices
1. Communicating Productively
Being able to communicate respectfully and effectively with a partner is something that, like any dance skill, takes practice. But it's critical to any partnership's success.
González has found that taking the extra time to think through the phrasing of a correction or question makes all the difference. "Be careful about how you speak," she says. "Take blame out of the conversation altogether, and respectfully communicate your concerns while being open to listening to a different perspective." Chbeeb recommends asking your partner what things they feel you could improve on. Doing so might encourage them to ask the same of you, allowing the two of you to approach corrections on an even footing.
Spending some time with your partner in a nondance setting, if possible, can help the two of you figure out a successful communication style. "During 'So You Think You Can Dance,' the dancers often only get to work together for a handful of hours before they perform," Tookey says. "I recommend they meet outside of the studio and get to know each other so conversation comes more naturally. The more you know each other, the better things will go."
What about the opposite problem, when you and your BFF get paired together and can't stop chatting? "Remind yourself that you have to be focused," González says, because the stakes are high: There's potential for injury if you aren't. "You can even schedule time to talk later, outside of the studio, so that when you're in rehearsal or class, you can keep things professional," González says.
2. Establishing and Respecting Physical Boundaries
It's important to state your boundaries outright. Partnering is inevitably intimate, but it should never cross hard lines set by you, your partner, and your teacher or choreographer. "If something doesn't feel right, you should communicate that to your partner and teacher," González says. "It could be that they didn't realize what was happening in the tangle of partnering. Or, it could be that they did cross a line, and that needs to be addressed immediately." Remember that boundary-setting goes both ways, so be ready to listen and adjust when your partner shares concerns.
It's also common to implicitly associate physical touch with romantic feelings, which can complicate partnering situations. "Many who're new to partnering immediately associate touch with something that isn't dance," Chbeeb says. "This can make professionalism difficult, and hold you back artistically. Try to reframe your perspective, so that you're not interpreting movement as anything other than art."
3. Being Thoughtful About Clothing and Hygiene
Look, dance is inevitably sweaty and messy—that's part of what makes it beautiful! But to be a considerate partner, it's worth thinking about your clothing and hygiene choices.
Chbeeb points out that it's important to choose clothes that won't inadvertently hurt your partner. For example, avoid wearing items with zippers, since they can scratch skin. Going shirtless? Sweaty skin can be dangerously slippery, so keep a towel handy. If you have longer hair, and it's not involved in the choreography, consider pinning it back so it doesn't whip your partner in the face.
Breath and body odor questions are complicated—opinions differ widely when it comes to bodily hygiene. But Chbeeb recommends showering or taking a breath mint before partnering if you know that you'll feel self-conscious otherwise. "You don't want to end up wasting mental space thinking about how you smell rather than the choreography," he says.
González and Walsh rehearsing Sylvia (Amitava Sarkar, courtesy Houston Ballet)
Partnering During a Pandemic
In our new #SocialDisDancing reality, IRL partnering is often impossible. But there are steps you can take to get ready for the moment when we can all be together again.
Chbeeb recommends practicing by using items from around the house as partnering props. "I have always found that working with props stimulates a very similar portion of the brain as partner work," he says. "You get used to the idea of creating visuals that extend beyond your own body. Pick up anything portable—a frying pan!—and use it in a way you had never considered before. Then, apply the discoveries you make with your partner when you come together in person."
González recommends cross-training to develop the strength you'll need to be an effective partner. "Focus on leg and upper-body strength, which will help with lifting," she says. And core exercises will help you support your own weight during complicated partnering work.
You can also use this time alone to get inspired by other great partnerships. Watch YouTube videos of partners in different dance genres and styles, thinking about what it is that makes their collaboration work—mechanically, and also on an intellectual level. "Look to the amazing dancers who have been partnering for years, and apply the strengths you see in them to your own dancing when you return," González says.
Photo by Dusty Cooper, courtesy Charlee Fagan
Congratulations to the December Cover Model Search Editors' Choice video winner, Charlee Fagan! Watch her solo below, and be sure to enter the Cover Model Search here.