Broadway on TV alert! Broadway on TV alert! PBS is airing a new documentary this week that gets down and dirty with the team behind the current revival of Annie.
"Annie: It's the Hard-Knock Life, From Script to Stage" zooms in on the creation of a single number in the show (that'd be "It's the Hard-Knock Life," of course). There's a ton of interesting footage of both the super-talented orphans and the awesome creative team—including one of our all-time faves, choreographer Andy Blankenbuehler—at work. You'll get a look at everything from the costume and set designs to the dance rehearsals. And naturally, there's plenty of the cast of orphans just being their insanely cute selves.
The film airs this Friday, June 28 at 9 pm EST (click here to check your local listings). In the meantime, take a peek at this trailer, which features Blankenbuehler doing his not-to-be-missed "angry orphan" face:
(From left) Darriel Johnakin, Diego Pasillas, and Emma Sutherland (all photos by Erin Baiano)
Dance Spirit's 2019 Cover Model Search finalists: Darriel Johnakin, Diego Pasillas, and Emma Sutherland! One of them will win a spot on Dance Spirit's Fall 2019 cover. Learn more about the dancers by clicking on their names here:
vote for your favorite below. You can vote once a day now through July 15.
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get social! We'll be factoring social media likes and shares into our final tallies. Be sure to show your favorite finalist some love on Facebook, Instagram, and Twitter, sharing their profile pages and using the hashtag #DanceSpiritCMS.
When it comes to injury-prone body parts, knees reign supreme for dancers. But a little strengthening can go a long way in preventing painful outcomes. We turned to Dirk Hartog, a physical therapist with Westside Dance Physical Therapy in NYC, for three exercises that'll support and stabilize your knees.
James Whiteside (Jayme Thornton for Dance Magazine)
Say you're perpetually impeccable designer Thom Browne. Say you're planning your Spring 2020 Paris menswear show along a "Versailles country club" theme. Say you want a world-class danseur to open the show with some kind of appropriately fabulous choreography.
Who do you call? James Whiteside, of course. On Saturday, the American Ballet Theatre principal—wearing pointe shoes and a glorious pinstriped tutu—kicked off Browne's presentation at the École des Beaux-Arts with a 15-minute, show-stealing solo. Whiteside choreographed the piece himself, with the help of detailed notes from the designer.