A Q&A with Cheryl Burke from "Dancing With the Stars"

With her quick hips and creative choreography, “Dancing With the Stars” professional Cheryl Burke always seems to steal the show, even from her celebrity dance partners. But she knows how to make them look great, too. “Cheryl choreographs to her partners’ strengths and brings out the best in them,” says “DWTS” judge Len Goodman. “She’s a delight to watch and fans love her.” Now, at only 24 years old, she has become a celebrity in her own right.

Originally from San Francisco, Cheryl started ballet at age 4, but switched to ballroom at 11. For the past three years, she (alongside a host of Hollywood hotties) has competed for the “DWTS” title, taking it home in Seasons 2 and 3. Days after the Season 6 finale, she took a few minutes out of her busy schedule to talk to DS about dancing celebs, choreographing and opening her own studio.

DS: What’s your favorite style?

CB: I’ve always specialized in the Latin dances. For me, they are the most fun. They’re energetic and the music and costumes are great.

DS: What has been your biggest challenge on “DWTS”?

CB: This year dancing with Cristián de la Fuente! The first few weeks he picked up [the steps] fast. He had a lot of energy and was easy to teach. But when he ruptured a tendon in his left bicep, it was really challenging for me to choreograph just using his right arm. [Cheryl had to create lifts using only his good arm!]

DS: Who was the easiest partner you had to train on “DWTS”?

CB: Everyone has had his own challenges. I would have to say Drew Lachey picked up choreography the quickest.

DS: What’s your rehearsal schedule like during the show?

CB: It’s pretty intense. The first training, which is the first four weeks, is about four hours a day. You have to slowly get the celebrities into it and make them feel comfortable. As the competition starts up, the hours increase to six. Then when we start learning two dances a week, we do about eight to 10 hours a day.

DS: Do you get tired or sore?

CB: As the show progresses, we work seven days a week and don’t have one day off. All of us get really tired.

DS: What made you want to start ballroom lessons?

CB: My mom and dad got into it socially. I went to a competition with them and saw kids my age doing it. I was interested right away.

DS: What intrigued you most about the ballroom styles?

CB: I enjoy having a partner. The music and the costumes were a huge draw for me, as well.

DS: What do you do for fun when you aren’t dancing?

CB: I’ve been doing “DWTS” for the last three years, and between the seasons and the tours, I haven’t had a good number of days off in a row. Now that we have the summer off, I’ll be spending a lot of time at my dance school [Cheryl Burke Dance] in San Francisco!

DS: Tell me about your new studio.

CB: It’s a new, hip place. It’s really a great environment to work in, and anyone is welcome.

DS: What made you decide to open a school?

CB: I’ve wanted to open my own school since I was a little girl, and I got a lot of e-mails from fans asking when I would. They want to learn how to dance! And I really want to get young people into it, too, not just adults. It’s fun, and kids can do it as a hobby or seriously. It’s also a good way to promote fitness.

DS: What was the hardest part of opening your own studio?

CB: Time! I don’t have a lot of it. I opened the studio during the season so I haven’t been able to be there. [She got back to San Francisco shortly after Season 6.] Right now, my mom and another business partner are running it. We actually bought the studio bankrupt [from its previous owner], so the challenge is getting it back to where it should be and getting people involved in it.

DS: What’s your advice for being a young entrepreneur?

CB: You have to have a passion for what you do. If you don’t, it won’t work. Set goals in life. Follow your dreams and love what you do. Go for it 100 percent. Don’t look back; keep looking forward.

DS: What’s your advice for young dancers?

CB: Practice makes perfect. It takes a lot of time and energy to get it right and to go out there and perform. On the show you see celebrities who have no dance experience learn a dance in four or five days. They put in the time, and you see them exceed and improve every day. It all has to do with devotion and motivation.

Latest Posts

Nathan Sayers

From "Dance Moms" to Complexions: Ballerina Kaeli Ware's Unconventional Path to Success

Take one look at Kaeli Ware's Instagram page and you'll be captivated. The elegant, impossibly long-limbed ballet dancer has over 110 thousand followers hooked on her every polished move. But the 19-year-old phenom isn't just a social media sensation. Having already conquered the competition scene and the world of dance reality TV, Ware recently joined Complexions Contemporary Ballet as a trainee. These days, she splits her time between NYC and Philadelphia, PA, where she continues to beef up her classical training at The Rock School for Dance Education.

She's not a traditional bunhead, and she's not a run-of-the-mill social influencer, either. Instead, Ware is creating her own hybrid career path—and it's taking her to impressive places.

Keep Reading
Boston Ballet principal Seo Hye Han as Cinderella in Sir Frederick Ashton's Cinderella (Liza Voll, courtesy Boston Ballet)

5 Principal Dancers on the Ballet Steps That Still Challenge Them

Their technique might seem effortless onstage, but even the most seasoned ballet professionals have that one step that still drives them crazy. We asked five principal dancers to open up about the skills they still find challenging, and how they're working to finesse them.

Keep Reading

Dear Katie: How Important Are Private Dance Lessons?

In our "Dear Katie" series, Miami City Ballet soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email dearkatie@dancespirit.com for a chance to be featured!

Dear Katie,

Do I need private lessons? I'm a professional-track dancer, and my teachers say that I should start scheduling privates to advance more quickly. But they're so expensive. Will I make it if I stick to group classes?


Keep Reading
Enter the Cover Model Search