Amy Campion

For anyone worried that women are underrepresented in street dance, meet Amy “Catfox” Campion. Her unique training background ranges from tango
to breakdancing and modern dance—not to mention her MFA in choreography from U.C.L.A.! Plus, she’s performed with Rennie Harris and hip-hop crew BYC. Now she’s the artistic director of Antics Performance, an L.A. troupe dedicated to merging hip hop and theater. In October, Campion and partner Jacob “Kujo” Lyons hosted the fierce J.U.I.C.E Hip Hop Dance Festival, and this month, Campion debuts a hip-hop version of The Nutcracker! Clearly,
Campion likes to dig into many genres and does so with passion and intelligence. For more Catfox, read on. —LK


DS: What are your thoughts on women in hip hop?
Amy Campion: Women have
a unique experience when they participate in male-dominated street dance. You have to have guts to step into that realm. Originally I wanted to be a breaker, not an anomaly or a role model. But when a young girl sees a woman perform in hip hop, she sees that it’s possible, and I noticed that they were inspired by me. That message is important.


DS: Tell us about your version of Nutcracker.
AC: The Los Angeles County
Arts Commission wanted a hip-hop version of the classic to be performed on Christmas Eve along with two other dance shows. So, for my take on it, the Nutcracker is a B-boy, Drosselmeyer is a locker, Clara is a B-girl and they all have to battle the B-boy Mouse King in a cypher, or dance circle. Even the Christmas tree is involved—the tree is actually a Popper! It’s the classic story but told in a hip-hop way.


DS: What’s your advice for
aspiring hip-hop ladies?
AC: If you are mostly dancing in a studio, seek out the history of the original styles and learn about breaking and locking, both in books and by going to freestyle at clubs or parties. Also, take hip hop seriously. There’s a technique that’s just as specific as jazz or ballet. Many people have devalued this, so we need to work hard to be advocates for it. Hip hop is as powerful and
expressive as any classical form.

(From left) Darriel Johnakin, Diego Pasillas, and Emma Sutherland (all photos by Erin Baiano)

Congratulations to Dance Spirit's 2019 Cover Model Search finalists: Darriel Johnakin, Diego Pasillas, and Emma Sutherland! One of them will win a spot on Dance Spirit's Fall 2019 cover. Learn more about the dancers on their profile pages, and then vote for your favorite below. You can vote once a day now through July 15.

We also want you to get social! We'll be factoring social media likes and shares into our final tallies. Be sure to show your favorite finalist some love on Facebook, Instagram, and Twitter, sharing their profile pages and using the hashtag #DanceSpiritCMS.

Cover Model Search
Photo by Erin Baiano

In our "Dear Katie" series, Miami City Ballet soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email for a chance to be featured!

Dear Katie,

When I sit with the soles of my feet together, my knees easily touch the floor, and most exercises to improve turnout are easy for me. But when I'm actually dancing, my turnout is terrible, especially on my standing leg. Why doesn't my flexibility translate to turnout?


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Dear Katie
Via Twitter

Would that we could all live in Taylor Swift's Pride-topia, booty-popping with Todrick Hall and sharing snow cones with Adam Rippon in our rainbow-flag-bedecked RV park. But much as we're loving "You Need to Calm Down" and other similarly upbeat celebrations of Pride month, this is also a time to recognize the battles the members of the LGBTQIA+ community have fought—and are still fighting. That's one of the reasons why "I'm Gay," a new dance video by Eugene Lee Yang of The Try Guys, is so important.

The dark, deeply personal video is Yang's coming-out moment. We see Yang being rejected by his family, condemned by a preacher, and attacked by a hostile mob after attempting to express himself as a gay man. Though not a professional dancer (as we found out in "The Try Guys Try Ballet"), Yang is a gifted mover; he choreographed the project himself, and gathered a group of talented performers to bring the story to life.

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