B-girl Ephrat Asherie Breaks Boundaries

In May 2006, hip-hop dancers and teachers Ephrat Asherie (based in NYC) and Kumari Lohar-Singh (based in Portland, OR) founded Dance for Peace: One Step at a Time, a cultural exchange program that uses urban dance to elevate underprivileged youth throughout the U.S. and across the globe. Last March, the pair traveled to Cape Town, South Africa, to teach dance to local students, and while there, they attended Freestyle Session, an international breaking event. They came back overwhelmed and inspired. DS asked Ephrat to share her experience with us. —Kat Holmes

Kumari and I believe that the essence of all urban dance is originality. As a dancer, you take pride in creating your own way of moving, of interpreting the music, of being, of thinking—and when you learn to appreciate this in yourself, you can learn to appreciate it in others. This leads to a mutual respect between people. It is this respect that leads to peace.

During Dance for Peace’s visit to Cape Town, Kumari and I worked side-by-side with Emile Jansen. Emile, along with his brother Tanswell and their partner, Fabian Petersen, founded Heal the Hood, an organization that leads hip-hop workshops and lecture demonstrations in the context of South Africa’s changing social, political and economic environment. The organization strives to teach youth how to attain personal peace, to value themselves and each other and to work toward a togetherness that will stop the racial divide that is still very apparent in Cape Town, and in the rest of South Africa.

Emile and his crew organized all of our workshops and drove us around the city. Kumari and I were able to teach more than 1,000 students of all different ages and backgrounds while we were there! We were amazed at how much energy and enthusiasm the participants had, even though some of them lead lives that are harsher than we could ever imagine. (South Africa has been ravaged by the AIDS epidemic, and many of Cape Town’s inhabitants live in extreme poverty.) We were inspired by our students’ openness to new movement and their drive to practice and improve. This trip confirmed our belief that urban dance is a powerful means to communicate with young people all over the world, instilling in them a strong sense of self-worth and respect for others.

At the close of our workshop, three parents offered to help create a permanent base for Dance for Peace in Cape Town. We’re also collaborating with Emile and his crew to create an ongoing program for kids to take dance classes throughout the year and become more involved in giving back to their communities. And this past summer, we brought two of our most promising students to NYC to train for one month. Back home in Cape Town, they are sharing the knowledge they gained during their stay by teaching in various townships, public schools and dance studios in the community. Kumari and I are extremely grateful for the positive experience we’ve had, and we’re eager to keep building an organization that lives up to its name: Dance for Peace.

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Auditions rarely fail to deliver on suspense. But this? This was the nail-biter to end all nail-biters. Hayoung Roh and Chelsea McCloskey, both professional dancers based in NYC, had made it through what felt like endless rounds of cuts, both on Zoom and in person. Out of the nearly 500 dancers (from 30 states and nine countries) who'd answered the Knicks City Dancers' open call for video submissions, just 20 remained—McCloskey and Roh among them. "We were separated into six holding rooms, where we kept trying to figure out the math," Roh recalls. "How many girls are there in total? Who was called back?"

Finally, the women returned to the audition room to dance one last time—or so they were told. Instead, KCD head coach Alyssa Quezada dropped her bombshell: All 20 women had made the final cut. They would be 2021–22 Knicks City Dancers: the latest and greatest edition of one of the most prestigious NBA dance teams. "It was the biggest celebration and the coolest moment of my dance career so far," says McCloskey now. And that was just the oh-so-perfectly-dramatic beginning.

Chelsea McCloskey stands on her left leg while kicking her right leg up with her arms crossed, a smile on her face. She is auditioning for KCD. Chelsea McCloskey Photo by Tess Mayer


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