How Ballet Companies Are Celebrating Jerome Robbins' 100th Birthday
Dancer and choreographer Jerome Robbins was undeniably one of the most important figures in American dance. He gifted the dance world with iconic ballets, including Dances at a Gathering, The Cage, The Gershwin Concerto, and New York Export: Opus Jazz, while simultaneously directing and choreographing some of Broadway's biggest hits, including On the Town, The King and I, West Side Story, Gypsy, and Fiddler on the Roof. October 11, 2018, marks what would have been Robbins' 100th birthday, and ballet companies are pulling out all the stops to celebrate throughout the year.
New York City Ballet will dedicate a large portion of its spring season (April 24–June 3) to dancing Robbins' works, with an All Robbins program, a Tribute to Robbins program, and a new dance by Broadway choreographer Warren Carlyle, which will feature pieces from some of Robbins' most famous musicals. Miami City Ballet will present Circus Polka, The Cage, Other Dances, In the Night, and West Side Story Suite (January 12–February 4); Joffrey Ballet will perform Glass Pieces as part of its Modern Masters series (February 7–18); and San Francisco Ballet will present a Robbins: Ballet & Broadway program (March 20–25) featuring Opus 19/The Dreamer, The Cage, Other Dances, and Fancy Free.
Tricia Albertson in Robbins' "In the Night" (photo by Kyle Froman, courtesy Miami City Ballet)
"Robbins' works are very human. It's never just about the steps, it's about creating an atmosphere and a relationship between dancers." —Tricia Albertson, Miami City Ballet principal
Lauren Lovette in Robbins' "The Concert" (photo by Paul Kolnik, courtesy New York City Ballet)
"I love Robbins' works because of the sheer musicality and the dramatic elements he always instilled. Dancing his work is connecting to the music and to your own artistry in such a direct and beautiful way." —Lauren Lovette, New York City Ballet principal
A version of this story appeared in the January 2018 issue of Dance Spirit with the title "Happy Birthday Jerome Robbins!"
Last May, we told you about a special exhibition of the Mark Ryden artwork that sparked Alexei Ratmansky's sweet-treat of a ballet, Whipped Cream. Well, hold on to your tiaras, bunheads, because there's a brand-new exhibit featuring actual costumes from this megahit production. The Nutcracker's Land of Sweets has some serious competition!
Kyle Van Newkirk is a tap dancer you probably remember from the premiere season of NBC's World of Dance. In case you missed it, he is also one of Showstopper's incredible convention teachers. What makes Kyle stand apart from some of today's other incredible tappers? He isn't afraid to change what tap means to his audience and even himself. This modern view of tap dancing is important because it shows us that tap dancers are just as versatile and dynamic as dancers of any other genre. We sat down with Kyle to get his advice on bringing tap dancing into the 21st century.
They say there's no "I" in "team"—and nowhere is that truer than the world of college dance teams, where precision reigns, uniformity is key, and a single misstep from any given "I" can cost a group a championship trophy. So it's unsurprising that securing a spot on one of the best dance teams in the country is no easy feat.
Members of these highly athletic teams rehearse for hours every week—on top of academic classes and commitments—and perform at football and basketball games, annual concerts, and nationally televised competitions (hi, ESPN). And "no I" rule notwithstanding, each of these top teams is made up of highly trained, highly technical, highly hard-core individuals, who come together to create a ready-for-victory pack.
These six teams aren't one-off success stories—they're consistently strong, and earn the top spots at major competitions like UDA and NDA nearly every year. Up for the challenge? Here's what to know before you go to auditions.
Turnout—a combination of rotational flexibility and the strength to properly hold that rotation—is the foundation of ballet. But it's also a source of frustration for many dancers. After all, not everyone (actually, hardly anyone) is born with 180-degree rotation. “When I first started dancing, my hip flexors were strong, but I was forcing my turnout without using the right muscles," remembers Amanda Cobb, a former dancer with The Washington Ballet.
The good news is that it's possible to both improve your turnout and to dance beautifully with less-than-perfect rotation. But there's a lot of misinformation out there about how turnout works and why it's important. To help separate fact from fiction, DS asked the experts to disprove six turnout myths.
Picture this: You've scored tickets to Ellen DeGeneres' hit show, "Ellen." The day has come, the show is as hysterical as ever, Ellen is debating the biggest hot-button issue since the blue/black or white/gold dress, "Laurel vs. Yanny" (side note: it's LAUREL, people), and tWitch is killing it over at the DJ booth, as always. Ellen decides it's the perfect time to single out an audience member and, lo and behold, that person is "SYTYCD" champ ( and December 2017 cover star!) Lex Ishimoto.
The Glorya Kaufman International Dance Center is the 54,000 square foot home of the USC Glorya Kaufman School of Dance, one of the largest facilities dedicated to dance on a private university campus. Designed for their innovative new curriculum, that supports a range of dance styles, the school's staff designated Harlequin to provide wall-to-wall flooring for the large 3,500 square foot Performance Studio as well as five dance studios in their new state-of-the-art building.
If diamonds are a girl's best friend, it's safe to say that faux-diamond earrings are a dancer's best friend. A fixture onstage at just about every competition weekend, these blinged-out baubles are also the surest sign that recital season is upon us again. And what better way to get into the sparkly spirit than by drooling over these 5 diamonds in the rough? (Sorry not sorry!)
DancerPalooza, America's Largest Dance Festival, is moving to sunny SAN DIEGO, California from July 24-29, 2018.
Check out all of the NEW Intensives DancerPalooza has to offer this year!
You could say that a perk of dancing with Los Angeles Ballet is its proximity to Hollywood. It's no wonder, then, that when actor and comedian Kevin Hart was looking for someone to teach ballet lessons for his new "What the Fit" YouTube show, he reached out to the nearby company. The series follows Hart and his celebrity friends as they try different forms of exercise (such as sumo wrestling and goat yoga), with hilarious results. For his ballet episode, Hart brings along Hangover star Ken Jeong—and the dancers do their best to keep these madcap comedians under control.