Jessica Raffa

Australian-born Jessica Raffa, 24, has found stardom as a featured dancer with the innovative ballroom company, Burn the Floor. With stage presence galore and an intense work ethic, Jessica has climbed the ranks on a steady route. She began dancing at age 3 and paid her dues in the ensemble for years before moving to the front lines. Fortunately, this never frustrated her.

“My mother used to say I could dance before I walked,” giggles Jessica. “And since then I’ve decided to live by her motto: You can live your life day-to-day not trying or caring and end up insignificant. Or, you can strive for success and leave your mark upon the world.”

With this encouragement, Jessica began her journey as a ballet dancer at a local studio. Soon after, she moved on to the Junior Australian Ballet for more serious study. Her passion remained ballet until a ballroom studio opened  near her home when she was 9. With this simple change, Jessica’s life shifted.

“I always loved ballet, but I also didn’t know anything else,” she says. “I was curious about the new studio. I took my first ballroom class with ballet shoes on!”

But even in slippers, Jessica was hooked. Fortunately, the ballroom world loved her right back. “I found that I caught people’s eye dancing ballroom more, even from a young age,” says Jessica. “It felt freer to me. I was quite cheeky and ballroom had so much diversity that I never got bored.”

So, she began competing regularly with a partner. While on the circuit, Burn the Floor choreographer Jason Gilkison noticed her. Once a year she took a private lesson with him and eventually her hard work enticed Gilkison to offer her a company contract when she was 16. But she still needed to finish high school. Right after graduation she joined the group and became a professional dancer at 17.

Jessica thinks she was hired at such a young age because of her holistic approach to performance. “Some dancers put on a character, but everything I do is real,” she says. “I give my heart and soul every time I’m on the dance floor because you never know when it can all end.”

This genuine nature was highlighted most recently in the Burn the Floor production, FloorPlay. During one number, Jessica danced completely blindfolded, emphasizing her daring spirit. She says that her technique improved dramatically and helped intensify the connection with her partner. But more importantly, she was so touched by her experience that when she returned home she contacted Vision Australia and began teaching dance to blind people all over the country.

“When I dance without sight, I am absolutely free and now I love it!” she says. “I realized that blind people should be given the opportunity to dance, too. Plus, they are so susceptible to touch and used to being led, so they really relate to it! It brings me joy to see their smiles.”

Jessica hopes to expand her philanthropy through Blindfold, an organization she started with producer Harley Medcalf. But for now, she is also thrilled to continue dancing with the company, enjoying every moment along the way.

“I joined the show as a young girl and I was definitely not in the front row,” she says. “It’s taken me seven years to be where I am now, and every night I perform I know it’s my dream come true. I appreciate every second on that stage!”


  • Favorite musicians: Bob Marley, Jack Johnson and Ben Harper
  • Favorite book: Courage by Osho
  • Must-see TV: “Sex and the City” and “Family Guy”
  • Fave movies: Coming to America, Son-in-Law and Sex and the City
  • People describe you as: Loyal, affectionate and passionate
  • Favorite ballet: Swan Lake

Rodric J. Bradford is a Phoenix-based arts, business and sports writer.

Photo: Courtesy of Burn the Floor

Dancer to Dancer
(From left) Darriel Johnakin, Diego Pasillas, and Emma Sutherland (all photos by Erin Baiano)

Congratulations to Dance Spirit's 2019 Cover Model Search finalists: Darriel Johnakin, Diego Pasillas, and Emma Sutherland! One of them will win a spot on Dance Spirit's Fall 2019 cover. Learn more about the dancers on their profile pages, and then vote for your favorite below. You can vote once a day now through July 15.

We also want you to get social! We'll be factoring social media likes and shares into our final tallies. Be sure to show your favorite finalist some love on Facebook, Instagram, and Twitter, sharing their profile pages and using the hashtag #DanceSpiritCMS.

Cover Model Search
Photo by Erin Baiano

In our "Dear Katie" series, Miami City Ballet soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email for a chance to be featured!

Dear Katie,

When I sit with the soles of my feet together, my knees easily touch the floor, and most exercises to improve turnout are easy for me. But when I'm actually dancing, my turnout is terrible, especially on my standing leg. Why doesn't my flexibility translate to turnout?


Keep Reading Show less
Dear Katie
Via Twitter

Would that we could all live in Taylor Swift's Pride-topia, booty-popping with Todrick Hall and sharing snow cones with Adam Rippon in our rainbow-flag-bedecked RV park. But much as we're loving "You Need to Calm Down" and other similarly upbeat celebrations of Pride month, this is also a time to recognize the battles the members of the LGBTQIA+ community have fought—and are still fighting. That's one of the reasons why "I'm Gay," a new dance video by Eugene Lee Yang of The Try Guys, is so important.

The dark, deeply personal video is Yang's coming-out moment. We see Yang being rejected by his family, condemned by a preacher, and attacked by a hostile mob after attempting to express himself as a gay man. Though not a professional dancer (as we found out in "The Try Guys Try Ballet"), Yang is a gifted mover; he choreographed the project himself, and gathered a group of talented performers to bring the story to life.

Keep Reading Show less
Dance Videos



Get Dance Spirit in your inbox