When Hayley Podschun sweeps into the room for DSâ€™s photo shoot, itâ€™s like a breath of fresh air. Like Tammy, the character she plays in the Broadway musical Hairspray, 20-year-old Hayley is bubbly and full of energy. As we start to photograph her, itâ€™s hard to decide whatâ€™s more striking: her personality or her professionalism. When we ask her to pose, she has a lineup of choices preparedâ€”and out of the 100 frames, there are only five we canâ€™t use. Sheâ€™s having a great time, and at the end of it all she wants a candid shot of everyone. â€œMy first magazine photo shoot,â€ she declares. â€œI want a picture to send to my mom.â€
Her mom has a lot to be proud of. Hayley got her big break at age 12, landing a role in The Sound of Music on Broadway. The National tour of Hairspray came next (at 19), followed by the movie version of Hairspray, where she joined a cast of stars including John Travolta, Queen Latifah and Michelle Pfeiffer. â€œI cried when I found out,â€ she says. â€œI was so thrilled to be a part of it.â€ As soon as she landed the movie role, she was asked to join the Broadway cast as Tammy. A solid triple threat, Hayley is a dancer (sheâ€™s studied tap, jazz and ballet since age 5), singer (she takes daily voice lessons) and actress (she studied the craft for a year at the Boston Conservatory and at NYUâ€™s summer program at the Lee Strasberg Theatre Institute).
Hayley attributes her work ethic to her hometown studio, Martha-Marley School of Voice and Dance in Overland Park, KS. â€œWe were taught at a young age that you have to know every style and every part. You have to be willing to switch places if asked and not complain. It doesnâ€™t matter if youâ€™re in the back row, because sometimes thatâ€™s what the job requires,â€ she says. Between technique classes and rehearsals for various performance groups, she danced from 4 pm to 10:30 pm daily. It was this demanding schedule that taught her how to multitask and prepared her for dancing in national tours, on Broadway and on film.
Since 2005, Hayley has lived, danced and breathed the role of Tammyâ€”and learned a lot about show business. Dancing for film proved to be very different from the stage. â€œWe had partnered lifts, turns and leaps, all while wearing three-inch heels and long dresses,â€ she says. â€œIt was intense dancing, and we often had to perform full-out at 4 am after sitting in our trailers all day.â€ With film, you donâ€™t get immediate feedback on your performanceâ€”but once itâ€™s released, you have a record of it forever. â€œBut when Iâ€™m running around the stage,â€ she says, â€œI can feel energy from the audience. Itâ€™s instant happiness.â€
Her advice for breaking into Broadway: Get to know the show, the character and the style of dancing before the audition, and plan accordingly. â€œWhen I auditioned for Hairspray, I went in with teased hair, a blue headband, a polka dot tank top and jazz pants, but when I auditioned for The Phantom of the Opera I wore pink tights, a leotard and I pulled my hair back,â€ she says. Also, she adds, just be happy to be there, and show excitement no matter what youâ€™re asked to do. To cope with rejection, remind yourself that there will always be another part, another show and another audition.
Currently, Hayley dances as much as she can, works with a personal trainer, takes singing lessons and continues to work towards her dreams. â€œI want to originate a role on Broadway,â€ she says. â€œI also want to direct, do more films and work with a show from the beginning. But right now, I just want to get a dog and watch â€˜Greyâ€™s Anatomy.â€™â€Â Â
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