Dancer to Dancer

Choreographer Amy Seiwert Shares What Inspires Her

Amy Seiwert rehearsing Wandering with Ben Needham-Wood (photo by David Desilva, courtesy Amy Seiwert)

Amy Seiwert is an important voice for contemporary ballet. Since 1999, her company Amy Seiwert's Imagery has been showing San Francisco audiences just how experimental, passionate, and relevant ballet can be. It's a philosophy Seiwert developed over 19 years dancing with the LA Chamber Ballet, Sacramento Ballet, and Smuin Ballet, and while choreographing on major companies like New York City Ballet (for the New York Choreographic Institute). Next year, Seiwert will become the artistic director of Sacramento Ballet. Catch AXIS Dance Company performing Seiwert's Reflective Surface in October in Oakland, CA—and read on to learn how Seiwert keeps thinking of new ways to look at ballet. —Helen Rolfe


For seven years now, I've worked with my company in a space called Zaccho that's primarily used for aerial dance, so it's got high ceilings, natural light, and enough space that you can be far enough from the dancers to get a sense of the work. There's a fun rumor that the building used to be a mattress factory, and that the Zaccho space is where they made the pillows! It's one of my favorite places to create in the city.

(From top, left to right) Steffi Cheong, Brett Conway, Seiwart, and director Brian Staufenbiel in rehearsal for "Les Enfants Terribles" (photo by Nick Korkos, courtesy Seiwart)

Last May, I choreographed Philip Glass' opera Les Enfants Terribles with the company Opera Parallèle here in San Francisco, where I was lucky to work with a phenomenal dancer I've known a long time, Brett Conway. I first worked with Brett when he was about 18, before he danced for LINES Ballet and Nederlands Dans Theater. He has developed beautifully into a thinking artist.

Conway and Cheong in "Les Enfants Terribles" (photo by Steve Dibartolomeo, courtesy Opera Parallele)

My husband plays the trumpet professionally. He's exposed me to a lot of music that I never knew, like the experimental composer Morton Feldman, and minimalist composers like Terry Riley.

Seiwert takes in the view on a hike (courtesy Seiwert)

I love nature and being outside. Last summer, I would go for 7-mile hikes in the Sierras while listening to the music for my first full-length work, Wandering, on repeat. The piece was to Franz Schubert's Winterreise, gorgeous leider music that explores loss. I fell in love with that kind of music a couple years ago, via fellow choreographer KT Nelson. When I'm staring at redwoods or looking at the ocean, I feel very connected to the earth, to humanity, to everything.

"Wandering" rehearsal (photo by David Desilva, courtesy Seiwert)


A version of this story appeared in the September 2017 issue of Dance Spirit with the title "Choreographer's Collage: Amy Seiwert."

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The news is out, and we couldn't be more excited: Olympic figure skater/performer of gorgeous Benji Schwimmer choreography/patron saint of sequins/all-around fabulous human Adam Rippon will appear on the upcoming athletes-only "Dancing with the Stars" cycle! Even better, he's been paired with one of our fave pros, Jenna Johnson—the ultimate #dreamteam.

Our Rippon obsession is so real. And that means that in the days since the "DWTS" cast announcement, our minds have been busy imagining all the routines we know Adam and Jenna could slay. Here are 5 numbers that'd totally impress the judges. ("DWTS" producers: You're welcome.)

A Jive to "Stitches" by Shawn Mendes, Ideally with a Cameo by Shawn Mendes

We already know that Rippon has his eye on the adorable singer (whom he met for the first time at the Oscars, as one does)—so why not play matchmaker, "DWTS" producers? We're picturing Rippon in hospital gear with Johnson as his ER doc ("stitches," see what we did there?), and if Mendes wants to show up dressed as a nurse for a jiving trio, we're 1000 percent here for it!

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Adam and Broadway go together like Ultra Clutch hairspray and comp kids: It's a perfect pairing. And how cute would he be in a newsboy cap? If Rippon he can pull out a bunch of fouettés on a pape like Ryan Steele (see above)—which, given that fouettés are a distant cousin of skating's scratch spin, seems likely—even better.

A Gorgeous "Greatest Showman"-Themed Waltz—Trapeze Optional

Rippon as Zac Efron and and Johnson as Zendaya, waltzing along to "Rewrite the Stars"? YES. And maybe, just maybe, some aerial acrobatics? YAAAAAS.

A Heartbreaking Travis Wall Contemporary Piece to a Sam Smith Ballad

Adam's worked with Travis. Jenna's worked with Travis. You KNOW this combination would be on point. Add a painfully gorgeous song like Sam Smith's "Too Good at Goodbyes" to the mix, and you're bound to have the judges ugly-face crying.

A "DWTS" Version of #Beychella

Based on his Spotify playlist, it's clear that Rippon's part of the #Beyhive (same). So a Beyoncé-themed number is, obviously, a necessity. "Love on Top?" "Run the World?" "Flawless?" We honestly don't care which song he and Johnson choose, as long as Rippon gets to go full #Beychella in his own bedazzled yellow sweatshirt and knee-high fringe boots.

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