Christopher Wheeldon

Wheeldon works with Royal Ballet dancers on Alice's Adventures in Wonderland.

Thanks to his innovative pas de deux, skillful use of space and lush musicality, Christopher Wheeldon has become one of the ballet world’s most in-demand choreographers. Born in Somerset, England, Wheeldon trained at The Royal Ballet School before joining The Royal Ballet in 1991. He soon moved to NYC to dance with New York City Ballet, but eventually realized that choreography was his passion, and became NYCB’s first resident choreographer in 2000. Seven years and 16 ballets later, Wheeldon founded his own company, Morphoses, for which he choreographed six more ballets. He left Morphoses in 2010, and his already busy freelance career picked up even more speed. Last spring, he choreographed the hugely popular Alice’s Adventures in Wonderland for The Royal Ballet and The National Ballet of Canada. Today, you can see Wheeldon’s dances performed by nearly every major ballet company in the U.S.  —Amy Smith

Dear Younger Self,

Just a few words of wisdom, now that I have grown up a bit and have some ballets under my belt. First of all, if a great choreographer like Sir Kenneth MacMillan gives you advice, listen. Remember when Sir Kenneth said to practice your craft and take every opportunity you can get? Do it! Oh, and he said not to worry if the ballets aren’t all good. He was right—they won’t be—but that’s OK, because every new ballet, good or bad, holds the key to the next idea, the next good one. It may take three, four or five trips down

the road, but don’t give up. You’ll find it!

Watch other choreographers—how they work, how they translate music into dance—and, as you’re a dancer yourself, see the ballets you dance from the inside out. Feel the music. This will be the key to your choreography as

you develop.

Finally, be good to your dancers. Allow them the freedom to create with you. Sometimes they’re wrong, but when they’re right it can be magical. Choreography is about collaboration, and dancers are much more than bodies there to be created on. Draw out their personalities in the movement.

Older But Only Marginally Wiser,

Christopher Wheeldon

(From left) Darriel Johnakin, Diego Pasillas, and Emma Sutherland (all photos by Erin Baiano)

Congratulations to Dance Spirit's 2019 Cover Model Search finalists: Darriel Johnakin, Diego Pasillas, and Emma Sutherland! One of them will win a spot on Dance Spirit's Fall 2019 cover. Learn more about the dancers on their profile pages, and then vote for your favorite below. You can vote once a day now through July 15.

We also want you to get social! We'll be factoring social media likes and shares into our final tallies. Be sure to show your favorite finalist some love on Facebook, Instagram, and Twitter, sharing their profile pages and using the hashtag #DanceSpiritCMS.

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Isabella Boylston in "The Bright Stream" (Rosalie O'Connor, courtesy American Ballet Theatre)

Beloved by ballet fans for her lucid technique and onstage effervescence, by her Instagram followers for the deftly curated photos and videos she shares of her glamorous life, and by fangirl Jennifer Garner for all of the above, American Ballet Theatre principal Isabella Boylston is one of the rare ballet stars who's achieved mainstream fame. A native of Sun Valley, ID, Boylston trained at the Academy of Colorado Ballet and the Harid Conservatory before joining the ABT Studio Company in 2005. She entered the main company as an apprentice in 2006, and attained principal status in 2014. In addition to her successes with ABT, where she dances nearly every major ballerina role, Boylston has served as artistic director of the annual Ballet Sun Valley Festival, which brings high-level performances and classes to her hometown. And speaking of famous Jennifers: Boylston recently appeared as Jennifer Lawrence's dance double in the film Red Sparrow. Catch her onstage with ABT as Manon, Odette/Odile, and Princess Aurora during the company's Metropolitan Opera House season this summer in NYC. —Margaret Fuhrer

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