In February 2016, "So You Think You Can Dance: The Next Generation" released a casting call for dancers ages 8 to 12. Determined to make it onto the show, then–10-year-old Emma Hellenkamp prepared a jazz solo for the L.A. audition. The next part of her story may come as a surprise to fans of the series: She didn't make the cut. But Emma's competition background meant she was well-versed in several dance styles, so she opted to audition again in Chicago—this time with a tap solo. And the rest is history: Emma not only made it onto the show, but also progressed all the way to the final four.
"SYTYCD: The Next Generation" is part of a larger trend of dance-competition TV embracing younger dancers, with shows including "World of Dance" and the upcoming "Dancing with the Stars Junior" following suit. And like Emma, many of the dance kids trying out their skills on these shows come from the competition-and-convention circuit. What is it about these two worlds that smooths the transition from one to the other?
You know that pirouette dream, when your placement is so perfect you can keep turning forever? That dream is the reality for highly technical tappers, who benefit from the decreased friction of their shoes. Get the placement right and, with a strong spot, they can pirouette for days.
But turning in tap shoes isn't all easy. In fact, those delightfully friction-free shoes bring their own set of challenges, and dancers can easily fall into the spinning-top trap by letting the turn control them, rather than the other way around. Here's how to harness your tap-turning potential.
"A dancer's body is her instrument"—we've all heard the saying. But for steppers, who use their bodies to emulate rhythmic drumming, that saying is everything.
Step swept the U.S. last summer with the release of the documentary STEP, which followed three members of the Baltimore Leadership School for Young Women step team. The team also made it onto the "So You Think You Can Dance" Season 14 stage, after member Blessin Giraldo's audition ended in an invite from Nigel Lythgoe himself.
For dance fans, it may have seemed like the summer of step. But this art form has been around for well over a century. What is it, where did it come from, and why is the wider dance world taking notice?
Your opponent is staring you down. Your reputation is on the line. You've entered the ring at a break-dancing battle—and it's time to work. But what makes a successful battler? We asked some A-list breakers for their tips on how to battle like a champion.
The coolest place she's ever performed:
I'd have to say the Super Bowl. The field was so cool, and Katy Perry was right there. And there were so many eyes—definitely the most eyes I've ever performed for!
Something she's constantly working on:
My feet. I'm flat-footed, so I'm always hearing, 'Point your toes!' And I'm like, 'I am!'
My hair! That, and a pair of leggings with a T-shirt or tank top.
Some might say Charlize Glass' fame kicked off with a single three-letter word. In 2014, Beyoncé shared a video of the then–12-year-old dancer performing to "Yoncé" on Instagram, along with a simple caption: "WOW!"
But by that point, the hip-hop mini had already performed at the MTV Video Music Awards and on "The Ellen DeGeneres Show," and won first runner-up with her crew, 8 Flavahz, on "America's Best Dance Crew." And her Queen Bey Insta shout-out wasn't even the pinnacle of her tween career: She earned a spot on The PULSE On Tour as an Elite Protégé for the 2014–2015 season, and performed with Missy Elliott at the Super Bowl XLIX Halftime Show in 2015.
These days, the 16-year-old spends her time touring the country as Brian Friedman's assistant at Radix Dance Convention and blowing up YouTube and Instagram with her class-video cameos. And while the Char Char we fell in love with was a hip-hop cutie pie, the more mature artist we see today is sure to rock the dance world for years to come.
You rehearse your group routine to perfection, but when the big performance rolls around, everyone turns into speed demons. It's the runaway-train effect—and it only takes one loud tapper, or zippy turner, to throw the whole group off the music.
While nerves and excitement are partly to blame, the ability to keep to tempo begins in the studio. A well-developed sense of musicality is your best defense against the dreaded speed trap. "When you understand how the steps fit with the music, going too fast won't just feel like rushing," says Jeremy Arnold, lecturer of tap at the University of Texas at Austin. "It'll feel wrong." How can dancers develop that musicality? It all starts with learning to listen.
You may already have an idea of what Indian dance looks like: vibrant costumes, exuberant energy, intricate hand gestures, constant level changes—in short, Bollywood dance. For many in the U.S. and beyond, Bollywood is their sole exposure to Indian dance. But this modern, cinematic form never would have made its way to the big screen without centuries of practice in classical Indian dance. The seven classical forms (some argue there are even more) are as varied as tap and ballet, but none bear quite the same influence as the first, bharatanatyam.