When Yesenia Ayala started taking Joshua Bergasse's classes at Steps on Broadway and Broadway Dance Center, she had no idea it would eventually lead to her Broadway debut. After a few classes, Bergasse pulled her aside and asked her to send him a resumé and headshot. That soon led to dancing in Bombshell: In Concert, which Bergasse choreographed. After that, Bergasse recognized her when she went to auditions. "The relationship kept getting built on those moments of seeing each other," she says. And that relationship helped her get cast in the off-Broadway production of Sweet Charity, which led to her big break in Charlie and the Chocolate Factory on Broadway—both choreographed by Bergasse.
Ayala's dream-come-true story proves how important networking can be in building a dance career. Networking might look a bit different depending on whether you're a commercial dancer, a Broadway baby, or a ballerina, but it plays an important role for all types of dancers. And while the term "networking" might make you think of over-the-top self-promotion, it's really about making connections over time. "Networking is one of the most instrumental parts of building a good career," says Doug Baum, a dancer with Complexions Contemporary Ballet. "You never know when someone might have a job for you. The dance world is small."