Shelby Patterson can command a stage with a single look. That fierce presence, plus her laser-sharp focus and ball-of-fire energy, have made her a standout in both the contemporary and commercial worlds. "I'm always performing out to the audience," Shelby says. "People say things like, 'Oh, that's the Shelby face—she's in the zone.' "
And she's got the technique to back up that onstage confidence. Shelby started training in several styles at age 3 at Orange County Performing Arts Academy. She grew up as a classic comp kid, constantly competing and attending conventions. At 12, she got even more serious about her training, adding classes at the Dmitri Kulev Classical Ballet Academy to her busy schedule, and later she joined the prestigious pre-professional contemporary group Westside Dance Project. In 2016 alone, she won Radix Dance Convention's National Teen Core Performer title, was a Top 10 Teen Finalist at The Dance Awards, and was a Pulse Protégé winner. And this past June, she graduated from the Orange County School of the Arts—as co-valedictorian of the commercial dance conservatory. NBD.
Shelby dreams of a career that includes both commercial and contemporary dance, and she's open about what that path might look like. "So many people tell me you have to choose one," she says. "But, honestly, I'm really passionate about both realms. I don't want to limit myself." Whatever route she ends up taking, one thing's certain: She'll put her whole heart into anything that comes her way. "I care a lot," she says. "Dance is how I show who I am. If someone meets me, but they haven't seen me dance yet, they can't fully grasp who Shelby is."
"Shelby is an incredible young artist with beautiful technique, impeccable musicality, and a nuance and quality that makes her stand out in a sea of amazing dancers. Above all, she's a grounded and kind young woman, which is the most important." —Stacey Tookey, choreographer
If she could have a superpower, it'd be… "Either being like Elastigirl, super-flexible, or the power to never have sore muscles."
Her dancing in three words: Dynamic, genuine, powerful
Nicknames: Tubby or Bangs. "Tubby, because I danced with Alyssa Allen, and one day she accidentally called me Tubby. It just kind of stuck and now everyone calls me that. And Bangs because I've had them ever since I was in fifth grade, so everyone knows me as the girl with the bangs."
Something no one knows about her: "When I was in elementary school, I played Charlie in Charlie and the Chocolate Factory."
(From left) Darriel Johnakin, Diego Pasillas, and Emma Sutherland (all photos by Erin Baiano)
Dance Spirit's 2019 Cover Model Search finalists: Darriel Johnakin, Diego Pasillas, and Emma Sutherland! One of them will win a spot on Dance Spirit's Fall 2019 cover. Learn more about the dancers by clicking on their names here:
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When it comes to injury-prone body parts, knees reign supreme for dancers. But a little strengthening can go a long way in preventing painful outcomes. We turned to Dirk Hartog, a physical therapist with Westside Dance Physical Therapy in NYC, for three exercises that'll support and stabilize your knees.
James Whiteside (Jayme Thornton for Dance Magazine)
Say you're perpetually impeccable designer Thom Browne. Say you're planning your Spring 2020 Paris menswear show along a "Versailles country club" theme. Say you want a world-class danseur to open the show with some kind of appropriately fabulous choreography.
Who do you call? James Whiteside, of course. On Saturday, the American Ballet Theatre principal—wearing pointe shoes and a glorious pinstriped tutu—kicked off Browne's presentation at the École des Beaux-Arts with a 15-minute, show-stealing solo. Whiteside choreographed the piece himself, with the help of detailed notes from the designer.