It's been a crazy few years for dancer, singer, and actress Ariana DeBose. After performing in Hamilton's original cast (where she earned viral fame as The Bullet), she scored a Tony nomination for her portrayal of Disco Donna in last year's Summer: The Donna Summer Musical. Now, she's set to play Anita in Steven Spielberg's remake of the iconic West Side Story movie, which starts filming this year.
DeBose's star turn is coming at a time when true triple threats have become a rarer breed on Broadway, with shows favoring dancers who dance and singers who sing. But the multifaceted DeBose has always defied categorization—and her versatility has proved to be the key to her success.
It's the fall of 2018. As the Brigham Young University Cougarettes step onto the field at LaVell Edwards stadium in Provo, UT, a crowd of nearly 64 thousand erupts into cheers. The dancers take their places, and a feeling of anticipation hangs in the air: Their reputation precedes them.
The music—Ciara's banger "Level Up"—begins, and unbelievable precision ensues. Eighteen dancers attack the highly technical choreography, which nods at viral social-dance sensations and continuously builds in energy. The school's mascot, Cosmo the Cougar, joins the team on the field, and the audience goes wild. As the piece ends, the sound in the stadium is deafening. The 16-time national-title-winning group has proved once again why they're the standard for college dance team success—they're just that good.
Chloe Misseldine has every reason to be nervous as she and her partner run through the challenging wedding pas de deux from Don Quixote. Their performance is just days away and the two American Ballet Theatre Studio Company dancers have only had a week to prepare. Add to that the fact that ABT principal Gillian Murphy, one of the world's most famous ballerinas, is at the front of the studio taking notes.
It started with an Instagram and a leap of faith. Lucy Vallely was only 15 when she created a post voicing her desire to choreograph solos for the 2018 competition season. "I wasn't really sure what would come of it," remembers the comp-circuit standout. Soliciting choreographic opportunities via Instagram might sound like a gamble, but it's also very much in character for this now-17-year-old from Long Beach, CA. "She thrives on risks, on breaking boundaries she's previously created for herself," says Jessie Riley, Lucy's dance teacher and the owner of Westside Dance Project in Laguna Hills, CA.
In the end, the gamble paid off. Madison Taylor, who trains at The Project @ HTX in Houston, TX, was one of many dancers who jumped at the Insta post, and after a few hours in a studio together, Lucy's first professional choreographic endeavor was born. The solo, "All of Me," was an impressive debut, filled with seamless, fluid transitions and infused with an innate sense of musicality. (It was also refreshingly free of flashy tilts and turn sequences.) "All of Me" perfectly complemented Madison's sweeping movement quality—she ended up clinching first place at Radix—and it showcased Lucy's choreographic chops.
Fast-forward nearly 12 months, and the success of "All of Me" has led to an influx of choreographic opportunities. Lucy spent this past fall state- and studio-hopping, setting dozens of solos and group dances. And as she wraps up her yearlong reign as The Dance Awards' Senior Female Best Dancer, Lucy finds herself at a unique crossroads. She's still a comp kid, yet she's also on the brink of an exciting professional career. But if there's one thing this California girl knows how to do, it's go with the flow.
It's almost 2019 and the ballroom dance scene is positively booming! From prestigious world championships to TV shows, kids are at the core of all this hip-shaking action—and we're so here for it. These eight up-and-comers in particular are shaping the field. They're the next generation of superstars to make the leap from technically exquisite ballroom-ites to bona fide celebrities.