Chloe Misseldine has every reason to be nervous as she and her partner run through the challenging wedding pas de deux from Don Quixote. Their performance is just days away and the two American Ballet Theatre Studio Company dancers have only had a week to prepare. Add to that the fact that ABT principal Gillian Murphy, one of the world's most famous ballerinas, is at the front of the studio taking notes.
It started with an Instagram and a leap of faith. Lucy Vallely was only 15 when she created a post voicing her desire to choreograph solos for the 2018 competition season. "I wasn't really sure what would come of it," remembers the comp-circuit standout. Soliciting choreographic opportunities via Instagram might sound like a gamble, but it's also very much in character for this now-17-year-old from Long Beach, CA. "She thrives on risks, on breaking boundaries she's previously created for herself," says Jessie Riley, Lucy's dance teacher and the owner of Westside Dance Project in Laguna Hills, CA.
In the end, the gamble paid off. Madison Taylor, who trains at The Project @ HTX in Houston, TX, was one of many dancers who jumped at the Insta post, and after a few hours in a studio together, Lucy's first professional choreographic endeavor was born. The solo, "All of Me," was an impressive debut, filled with seamless, fluid transitions and infused with an innate sense of musicality. (It was also refreshingly free of flashy tilts and turn sequences.) "All of Me" perfectly complemented Madison's sweeping movement quality—she ended up clinching first place at Radix—and it showcased Lucy's choreographic chops.
Fast-forward nearly 12 months, and the success of "All of Me" has led to an influx of choreographic opportunities. Lucy spent this past fall state- and studio-hopping, setting dozens of solos and group dances. And as she wraps up her yearlong reign as The Dance Awards' Senior Female Best Dancer, Lucy finds herself at a unique crossroads. She's still a comp kid, yet she's also on the brink of an exciting professional career. But if there's one thing this California girl knows how to do, it's go with the flow.
It's almost 2019 and the ballroom dance scene is positively booming! From prestigious world championships to TV shows, kids are at the core of all this hip-shaking action—and we're so here for it. These eight up-and-comers in particular are shaping the field. They're the next generation of superstars to make the leap from technically exquisite ballroom-ites to bona fide celebrities.
When Hannahlei Cabanilla rolled up to her Dance Spirit cover shoot—just 36 hours after being named the "So You Think You Can Dance" Season 15 champion—she looked impossibly fresh-faced and well-rested. The Anaheim Hills, CA, native may have had "about eight blisters," as she joked, on her feet; she may barely have slept since the big win; and she may have just performed on "Live with Kelly and Ryan." But she jumped right on set, and quite literally didn't stop jumping for the next five hours. The fabulous technique, irresistible personality, and (especially) boundless energy that earned her the title of America's Favorite Dancer were all on full display.
So what was it actually like for Hannahlei to compete on the show she'd watched since she was a tiny dancer—and what's next for the now–19-year-old? Read on.
Amanda LaCount was born to move. The second the music comes on at her Dance Spirit cover shoot, the bubbly 17-year-old is shimmying her shoulders and tossing her hair. When she launches into a full-out freestyle to Whitney Houston's "It's Not Right But It's Okay," you can't take your eyes off her.
And yet with every gig she lands, Amanda is challenging some of the dance world's longest-held biases. "I'm curvy," she says, "and I like being curvy. My body is not a bad thing. It's who I am." Here's how Amanda went from talented tot to hardworking pro—and from insecure preteen to body-positive role model.
When we first met Sydney Burtis back in April, she already had a resumé most seasoned pros would covet, peppered with competition titles, choreography credits, and even the co-founding of a dance festival. Now, the 18-year-old can add Dance Spirit Cover Model Search winner to that impressive list of accomplishments.
As soon as Sydney laced up her lime-green tap shoes at our photo shoot, we knew we had a star on our hands. She can fuse tap and contemporary dance in a brilliant way thanks to her impressive musicality, but it's her joy that makes her a real standout. You feel it with every click of her candy-colored shoes: Dance isn't just Sydney's passion. It's her life.
These days, the CMS winner is starting the next part of her dance journey as a freshman in Pace University's commercial dance program and honors college. We chatted with the new NYC resident to find out everything that's happened since we last saw her.
If you closed your eyes and pictured dance paradise, what would it look like? Maybe you'd start your morning in rehearsal with a renowned contemporary choreographer, and then work on a dance driven by computer programming, and then run to a music video audition, and end the day discussing the impact of African dance styles on American pop culture.
Guess what? That dance paradise isn't just a dream. It's the University of Southern California Glorya Kaufman School of Dance, a young program that's already attracting some of the most talented dancers around—for good reason.
Click here to meet Alyssa Allen, Simrin Player, and Jake Tribus, three of USC's standout students.
Click here to get the inside scoop on the film High Strung: Free Dance!
Juliet Doherty has been at home in the studio and the spotlight since before she could walk. The 21-year-old comes from a long line of dancers: She practically grew up at the school her grandmother owned, Fishback Studio of the Dance in Albuquerque, NM, and her mom was her longtime teacher. As a young student, Doherty competed at the world's toughest ballet competitions and performed as Clara in the Radio City Christmas SpectacularRadio City Christmas Spectacular. Eventually, she left Albuquerque to train at the San Francisco Ballet School for three years, and then she danced with Phoenix Ballet for two years.
Along the way, Doherty discovered another great love: acting. In 2014, she was part of the cast of the Susan Stroman–directed musical Little Dancer (alongside Tiler Peck). And in 2017, she appeared in her first film, On Pointe—playing, naturally, an ambitious young dancer.
Now, Doherty's on the big screen again, starring as Barlow in High Strung: Free Dance. Plus, she has a new city to call home: NYC. Doherty sat down with us to talk about the film, her transition into acting, and what's next.
With several Shaping Sound tours and TV credits like "So You Think You Can Dance," "Dancing with the Stars," and "Boardwalk Empire" to her name, you wouldn't expect Kate Harpootlian to be refreshingly down-to-earth. But that's exactly how she is: As soon as you start talking to the gifted dancer and choreographer, it becomes clear that she doesn't take herself too seriously. And she's happy to tell hilarious stories to prove it. (Ask her about the time she did a Mr. Peanut impression when Mia Michaels asked her to improvise, or the time she starred in a Japanese makeup commercial and had to do grand pliés wearing one pointe shoe and one flat shoe.)
That mixture of humor and grace is evident in Harpootlian's growing body of choreographic work. Her one-act show Better Late Than Never, for example, which premiered last summer, has a jazzy, West Side Story vibe, offsetting heavier moments with touches of whimsy. "There's always a balance in my work," Harpootlian says. "I want to use humor to balance out the darker aspects. It's like one of my friends once said: 'You make me laugh, and then you make me feel bad for laughing.' "
Get in, losers. We're going to Broadway.
OK, not losers, actually—more like the bajillion die-hard fans of Tina Fey's 2004 cult hit Mean Girls, who've been wearing pink every Wednesday since a musical adaptation of the film was first teased back in 2013.
Now their world is like a cake filled with rainbows and smiles, because Mean Girls the musical, which had a trial run in Washington, DC, last fall, is set to open at Broadway's August Wilson Theatre April 8. And in a very grool twist, it turns out the show—with direction and choreography by Casey Nicholaw and a book by Fey herself—is delightfully dancey.
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Misty Copeland. Her name is synonymous with exquisite artistry and outspoken advocacy. And her visibility has made a huge impact on the ballet world. Ballet's relationship with race has always been strained at best, hostile at worst. But Copeland's persistent message and star quality have finally forced the ballet industry to start talking about racial diversity, inclusivity, and representation. "The rarity of seeing ourselves represented is sad," Copeland says. "The more we see every hue and body shape represented on the stage, the more possibilities young dancers feel they have for themselves."
Harper Watters is a ballet dancer for today's generation. A social media maestro and a charismatic performer, the Houston Ballet soloist is equally at home in front of the camera hosting his hit YouTube series, "The Pre Show"; interacting with fans on his crazy-popular Instagram account; or showing off his beautiful classical technique onstage. It's a multifaceted identity that's proven to be invaluable to his career—and it's taking him to places he never even dreamed of.
Some might say Charlize Glass' fame kicked off with a single three-letter word. In 2014, Beyoncé shared a video of the then–12-year-old dancer performing to "Yoncé" on Instagram, along with a simple caption: "WOW!"
But by that point, the hip-hop mini had already performed at the MTV Video Music Awards and on "The Ellen DeGeneres Show," and won first runner-up with her crew, 8 Flavahz, on "America's Best Dance Crew." And her Queen Bey Insta shout-out wasn't even the pinnacle of her tween career: She earned a spot on The PULSE On Tour as an Elite Protégé for the 2014–2015 season, and performed with Missy Elliott at the Super Bowl XLIX Halftime Show in 2015.
These days, the 16-year-old spends her time touring the country as Brian Friedman's assistant at Radix Dance Convention and blowing up YouTube and Instagram with her class-video cameos. And while the Char Char we fell in love with was a hip-hop cutie pie, the more mature artist we see today is sure to rock the dance world for years to come.
After 13 seasons, "So You Think You Can Dance" viewers probably thought they'd seen it all. From "Ramalama (Bang Bang)" to Bollywood, Travis Wall to tWitch, it seemed like there couldn't possibly be any room left on Mary Murphy's Hot Tamale Train.
Then came 19-year-old Lex Ishimoto. When Lex showed up at the show's Season 14 NYC auditions with an improv solo in lieu of a choreographed routine, the judges were shocked—and then brought to their feet by his show-stopping creativity. From there, the jaw-dropping moments kept coming. In week one of the live shows, Lex busted out a super-crisp tap (!) routine. In his Episode 12 solo, he pulled off a triple (!) tour en l'air. And in Episode 14, he and fellow finalist Taylor Sieve revealed that they'd been dating on the down-low (!!!).
To dance insiders, Lex's name isn't new: It first popped up in playbills when he joined the national tour of the musical Billy Elliot at age 11. Last year, he was featured in Sia's "The Greatest" music video, and he's toured with Travis Wall's critically acclaimed contemporary company Shaping Sound. But now, Lex is officially a household name as America's Favorite Dancer—and has a first-class ticket on that Hot Tamale Train.
Much of Janelle Ginestra's career has been about helping others shine. She's dedicated herself to supporting and cheerleading her partner, WilldaBeast Adams; the emerging talents in their dance company, ImmaBEAST; and the countless dancers she inspires at master classes and conventions. Her YouTube channel has become a launching pad for young talents like "Fraternal Twins" Larsen Thompson and Taylor Hatala, thanks to viral videos featuring Ginestra's creative vision.
But Ginestra's a skyrocketing success in her own right—an in-demand choreographer, a social media influencer, and a dance entrepreneur, building a legacy one eight-count at a time. It's time for her turn in the spotlight. And she's more than ready. "I want to be a legend in whatever I do," she says. We'd argue that she already is.
All of 18-year-old Kaylin Maggard's dreams—from scoring the title of National Senior Outstanding Dancer at New York City Dance Alliance Nationals to winning the 2017 Dance Spirit Cover Model Search—are coming true. And to anyone who knows the gorgeous contemporary dancer, that's no surprise.
From the moment the Dance Spirit staff met Kaylin, it was obvious her humility and talent would take her far. Not only did she go full-out during the photo shoot and class at Broadway Dance Center, but she was always cheering on, laughing with, and supporting her fellow CMS contestants Haley Hartsfield and Michelle Quiner. During the voting period, the social media world was abuzz with praise for her work ethic, positive attitude, and generosity.
Since her CMS trip to NYC, Kaylin's moved from her hometown of Columbia, MO, to the Big Apple for her freshman year at Juilliard, and is busy getting acquainted with the city. As for the future? She's taking it one opportunity at a time, but something tells us we'll be seeing this contemporary queen reach new heights every year.