Dana Wilson may be one of New York City Dance Alliance's most popular hip-hop teachers, but it's hard to put her in just one stylistic box. Yes, she knows how to hit it—hard—but she can also be playful and girly. Sometimes she'll even go full-on lyrical, composing lush, fluid phrases.
Wilson was born in Aurora, CO, and trained in multiple styles at Michelle Latimer Dance Academy. At 18 she moved to L.A., and before long she was touring with Justin Timberlake and performing with Cirque du Soleil. Wilson also caught the choreography bug, assisting the likes of Wade Robson and Andy Blankenbuehler as well as creating her own work. Today you can catch her classes on the NYCDA convention circuit. —Margaret Fuhrer
As a youngster (courtesy Dana Wilson)
You know that Justin Timberlake CD jacket you kiss every day? You'll tour with him. That Wade Robson VHS you wore out? You'll assist him. That silver screen? You'll light it up. You're doing everything right. So you have my complete permission to continue to do exactly what you're doing. But I also want to share a few truths, to save you some time and heartache.
People say: “Party too much, show up late—people won't work with you." Unfortunately, this simply isn't true. Some of the most successful dancers I know are always late. They smoke and drink backstage; they fool around with the boss. But you will be rewarded for following the rules. Don't be hurt when others are rewarded for breaking them.
Nobody is looking for a dancer who is “decent" at all styles. They're always looking for the best. Don't stop training in many genres, but master your own style, which is a combination of all of them. Take time to practice freestyling, and you will be unstoppable.
This last one is tough, because you're a “pleaser." You want people to like you; you hate conflict. But don't round off your corners to fit in. You'll lose your edge—and edge is what makes you a leader. That role will please you more than you could ever please anyone else.
(From left) Darriel Johnakin, Diego Pasillas, and Emma Sutherland (all photos by Erin Baiano)
Dance Spirit's 2019 Cover Model Search finalists: Darriel Johnakin, Diego Pasillas, and Emma Sutherland! One of them will win a spot on Dance Spirit's Fall 2019 cover. Learn more about the dancers on their profile pages, and then vote for your favorite below. You can vote once a day now through July 15.
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Imagine attending American Ballet Theatre's prestigious NYC summer intensive, training among classical ballet legends. Imagine taking the stage at New York City Dance Alliance Nationals, competing against some of the country's best contemporary dancers. Now, imagine doing both—at the same time.
Welcome to Madison Brown's world. This summer, she's in her third year as a National Training Scholar with ABT, while also competing for NYCDA's Teen Outstanding Dancer title. (She's already won Outstanding Dancer in the Mini and Junior categories.) The logistics are complicated—ABT's five-week intensive overlaps with the weeklong NYCDA Nationals, which translates to a lot of cabs back and forth across Manhattan—but Maddie is committed to making the most of each opportunity. "I love contemporary and ballet equally," she says. "While I'm able to do both, I want to do as much as I can."
Maddie has an expressive face, endless extensions, and a quiet command of the stage. She dances with remarkable maturity—a trait noted by none other than Jennifer Lopez, one of the judges on NBC's "World of Dance," on which Maddie competed in Season 2. Although Maddie didn't take home the show's top prize, she was proud to be the youngest remaining soloist when she was eliminated, and saw the whole experience as an opportunity to grow. After all, she's just getting started. Oh, that's right—did we mention Maddie's only 14?
Corbin Bleu in rehearsal for "Kiss Me, Kate" (Jenny Anderson, courtesy Roundabout Theatre Company)
If you're a hardcore Broadway baby, today is the worst Sunday of the year. Why, you ask? The Tony Awards were last Sunday, so basically there's nothing to look forward to in life anymore—no James Corden being James Corden, no teary acceptance speeches from newly minted stars, no thrilling excerpts from the hottest new shows. Oh yeah, and there are 50 more Sundays to go before our humdrum lives are once again blessed with the next annual iteration of Broadway's biggest night.