Dance Against Cancer Raised More than $243,000 for the American Cancer Society

"I'm dancing for my mother; performing for a cure." Those were the words that began Dance Against Cancer's 5th annual benefit on Monday night, before New York City Ballet principal Maria Kowroski took center stage. While brief, her performance of George Balanchine's Mozartiana (an excerpt) left barely a dry eye in the theater—including a grieving Kowroski herself.

Alvin Ailey American Dance Theater's rehearsal director Matthew Rushing paid tribute to the late Denise Jefferson (Photo by Cherylynn Tsushima, courtesy Michelle Tabnick Communications)

Kowroski, however, wasn't the only artist onstage whose family had been affected by cancer. Almost all the dancers—more than 50 in total—named a loved one who'd left the world too soon, and to whom they'd dedicate their performance. Dance Against Cancer producers Daniel Ulbricht and Erin Fogarty also have personal ties to the cause. Fogarty's father passed away in 2011 from colon cancer; Ulbricht's mother is living with uterine cancer. And while all the dancers who performed were some of the most incredible in the world, their performances were further heightened by the intention and dedication behind them.

Erin Fogarty and Daniel Ulbricht at Dance Against Cancer (Photo by Kyra Neeley, courtesy Michelle Tabnick Communications)

Not all of the evening was solemn in tone—many of the performances, like NYCB principal Robert Fairchild's rendition of Gene Kelly's Ballin' in the Jack, were a celebration of life and its joys. Futhermore, the benefit was a phenomenal success: Over the last five years, Dance Against Cancer has raised more than $550,000 for the American Cancer Society, and this year alone raised more than $243,000. The money aids in funding Hope Lodges across the country, which provide housing for families receiving outpatient treatment away from home.

Take a look at some more photographs from the event below, and visit Dance Against Cancer's 2015 event page to learn more or make a donation.

NYCB principal Robert Fairchild in Gene Kelly's Ballin in the Jack (Photo by Cherylynn Tsushima, courtesy Michelle Tabnick Communications)

American Ballet Theatre soloist Stella Abrera with former ABT soloist Sascha Radetsky in Antony Tudor's Leaves Are Fading (Photo by Cherylynn Tsushima, courtesy Michelle Tabnick Communications)

NYCB principals Tyler Angle and Tiler Peck in Christopher Wheeldon's This Bitter Earth (Photo by Cherylynn Tsushima, courtesy Michelle Tabnick Communications)

ABT corps member Skylar Brandt with Boston Ballet principal Jeffrey Cirio in Vasily Vainonen's Flames of Paris (Photo by Cherylynn Tsushima, courtesy Michelle Tabnick Communications)

ABT principal Herman Cornejo with Carrie Walsh in Cornejo's Two Sunsets (Photo by Cherylynn Tsushima, courtesy Michelle Tabnick Communications)

 

Pennsylvania Ballet principal Lauren Fadeley and soloist James Ihde in Wheeldon's Polyphonia (Photo by Cherylynn Tsushima, courtesy Michelle Tabnick Communications)

 

Latest Posts


Kennedy George and Ava Holloway pose in front of Richmond, Virginia's Robert E. Lee statue (Chris George, courtesy Kennedy George and Ava Holloway)

9 Dancers Using Their Art to Advocate for Change

Dance and activism can go hand in hand in a number of ways. Over the past few months, many dancers have turned to their art not only to advocate in support of the Black Lives Matter movement, but to highlight injustice within the dance world itself. Whether it's incorporating dance into protests, starting conversations with other members of the dance community, or expressing themselves through personal creative projects, dancers are finding ways to speak out.

Keep Reading SHOW LESS
Nick Silverio (Kevin Wang, courtesy Silverio)

Meet the Dance Competition Judge Behind the Most #Relatable Dancer TikToks

If you're on #compkid TikTok, odds are you've seen a post by Nick Silverio (@nicksilverioo). Silverio was a competitive dancer with Elite Academy of Dance in Shrewsbury, MA, before studying business at the University of Pennsylvania and continuing to dance throughout college. Now he works as a professional dancer, choreographer, and competition judge in NYC, and—like so many of us—turned to TikTok to fight quarantine boredom. His account has grown to almost 40k followers and has garnered over a million likes.

We asked Silverio to tell us a bit about his new creative outlet.

Keep Reading SHOW LESS
Here's a round of applause for all the former comp kids who made it big. (Courtesy Fusion Dance Competiton)

Getting a Leg Up: How Growing Up as a Comp Kid Prepares You to Go Pro

Commercial dancer Kaitlynn Edgar was in Travis Wall's class at NUVO when she realized that competitions and conventions could lead to big things. Like joining-Shaping-Sound big. "After class, Travis started asking me all these questions, like when I was graduating," she recalls. "Everything fell into place, just because I happened to be a senior that year—and because I went to that convention. Soon after, I ended up joining the company."

There are all kinds of natural bridges between the competition world and the professional-dance world. We spoke to the experts about how life on the comp circuit can benefit your future career.

Keep Reading SHOW LESS

Editors' Picks

contest
Enter the Cover Model Search