"Dance Moms: An Apple a Day Keeps Abby Away" Recap
Some familiar faces in this crowd...just not the ones I wanted to see for an entire episode.
How do I love "Dance Moms"? Let me count the ways... Chloe, Maddie, Paige, Brooke, Nia, Kendall, Mackenzie. Oh, you know, just the 7 characters that weren’t even in this week’s episode of the show. Yep! That’s right. No pyramid. No solos. No groups. Nothing. Are you KIDDING me?!?
Week after week, I’m frustrated with the focus on Mama Drama versus actual dancing, but considering the show is called "Dance Moms," I really can’t complain. But after seeing tonight’s episode, I’d gladly sit through endless footage of screaming in the ALDC observation mezzanine.
Set and focused entirely on the Apple Cores, “An Apple a Day Keeps Abby Away” followed the plotline of yet another hand-picked team, lead by none other than Cathy and her new sidekick, esteemed choreographer Anthony Burrell. If Lifetime is trying to teach us the age-old lesson of “you don’t know what you’ve got ‘till it’s gone,” they’re seriously nailing it. With no more than a taunting glimpse inside the ALDC, I felt a major void during this week’s episode, so unconventional that it can’t even be categorized into awkward and awesome. Here’s a rundown of the hour’s top shocking and questionable moments.
Is this "Dance Moms"or "Abby's Ultimate Dance Competition"? With Abby hunting for studio space in L.A. (is that really going to happen? I’m not sure my heart could take it), we got to see some behind-the-scenes footage of the upcoming season of "AUDC." Undeniably a fan of any and all things Abby Lee, I’m eagerly anticipating the show’s second season…but not at the expense of my beloved "Dance Moms." Between these sneak peeks and Cathy’s utilization of both Zack and Hadley from "AUDC"’s first season, I honestly don’t know what I’m watching anymore. On the positive side, it was great to see the two performing Burrell’s choreography, both in the group number and individual solos. They’re stronger every time we see them!
The (second) return of Kaya and Nicaya. Yeah, the mother who calls herself “Black Patsy,” inspired by Patsy Ramsey, who is famous for being an overbearing, psychotic stage mother. If that’s not enough to deter you, Kaya’s uninhibited yelling, name calling and overall aggression earlier this season probably put you off. Don’t worry, Cathy personally recruits the pair and invites them to represent her own studio. Great! Can’t wait to see ya!
The moms unite. Aside from the brief, nondescript clips of the ALDC girls rehearsing a piece we never saw, the only taste of familiarity in this episode were scenes with the moms we know and love. And…they were getting along! And bonding! What a relief. While toasting to Abby’s absence over a festive lunch and gossiping about the possible studio move, the moms seemed to be enjoying each other’s company (even Kristie!). After discovering Jill’s sneaky spy skills in last week’s episode, Abby gives her the task of rounding up the troops and heading to the competition to see what Cathy and her new team have to show for themselves. Jill quickly complies, and follows through until the very end (but not without throwing a few insults in the green room.)
To sum it up, this week’s episode was a different program entirely. On the bright side, it’s great to see how the "AUDC" dancers, Apple Cores and new recruits have improved, giving the dancers and studios exposure on a primetime national platform.
Next week, it’s more Candy Apples with a side of "AUDC"—but this time, we at least see a solo from Maddie, who's awarded a special guest performance. I can’t say I expect this to go over well among the moms, but I’ll welcome the drama if it means seeing the familiar faces we know and love.
Quote of the Week:
“Cathy will enter herself in the open solo category and dance her own dance if it means competing against us.” —Mom Christi (Next week on "Dance Moms"…)
(From left) Darriel Johnakin, Diego Pasillas, and Emma Sutherland (all photos by Erin Baiano)
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Isabella Boylston in "The Bright Stream" (Rosalie O'Connor, courtesy American Ballet Theatre)
Beloved by ballet fans for her lucid technique and onstage effervescence, by her Instagram followers for the deftly curated photos and videos she shares of her glamorous life, and by fangirl Jennifer Garner for all of the above, American Ballet Theatre principal Isabella Boylston is one of the rare ballet stars who's achieved mainstream fame. A native of Sun Valley, ID, Boylston trained at the Academy of Colorado Ballet and the Harid Conservatory before joining the ABT Studio Company in 2005. She entered the main company as an apprentice in 2006, and attained principal status in 2014. In addition to her successes with ABT, where she dances nearly every major ballerina role, Boylston has served as artistic director of the annual Ballet Sun Valley Festival, which brings high-level performances and classes to her hometown. And speaking of famous Jennifers: Boylston recently appeared as Jennifer Lawrence's dance double in the film Red Sparrow. Catch her onstage with ABT as Manon, Odette/Odile, and Princess Aurora during the company's Metropolitan Opera House season this summer in NYC. —Margaret Fuhrer