Top 5 Reasons to Always Have Apolla Shocks in Your Dance Bag
You may already know Apolla Shocks are able to replace your current footwear and dance shoes because of the durability, aesthetics, and traction, BUT there are many other reasons to ALWAYS keep a pair in your dance bag. BESIDES wearing them in class or onstage:
TOP 5 REASONS TO ALWAYS HAVE APOLLA SHOCKS…BEYOND DANCE CLASS:
1. Recovery: If you couldn't wear your Shocks in class or you are nursing an injury, throw them on after to aid in muscle recovery
2. Traveling: Wear them in the air to keep your feet fresh and ready to dance when you land
3. Cross-training: Wear the non-traction version in shoes to protect your dance career even when you're not dancing
4. Dancer Parents: Long days on your feet at work, competitions and conventions. Great for daily workouts!
5. Conventions: Our non-traction Shocks are amazing on carpet at conventions (ahem carpet over concrete) providing much needed protection!
While other high performance athletes strive to protect their bodies with sport science technology, dancers have been slow to adopt the same practices. Why?
It is no wonder that dancers have double the rate of injury from the knee down as football players, as dancers, we push our boundaries and ligaments further than ever before. The research is overwhelming. We know dancing barefoot will never go away. It is easier, it is freeing and you feel connected to the floor. However, it is also easier to play football without pads and a helmet…and much more dangerous. Our mission is to get dancers protecting their instruments more often than not in hopes that dancers can start to lower the excessively high injury rates.
Did You Know?
- Studies have shown 65% of dancer injuries are caused by overuse, repetitive strain, and inflammation
- Most dance footwear is inadequate for protecting the foot and could be a risk factor for injury to the foot and ankle
- Taping and bandaging assist in injury prevention, recovery, improved performance, decreased pain, and return to activity
- Compression is a form of this without the hassle of taping and bandaging
- Use of compression following eccentric exercise has been found to prevent a loss of range of motion (ROM), decrease perceived soreness, reduce swelling, and promote recovery of force production
Having a history of previous injury makes a person more susceptible to future injury and it concerns us that younger dancers don't realize the risk this is to their bodies and dance future. For dancers, our body IS our career and we know so much more now about how we can protect our bodies better. So why do we let outdated traditions continue to hurt us? Does current footwear help us dance better? Dance longer? Dance stronger? NO.
Apolla Shocks is our answer! YES they replace your dance footwear, YES they are durable, YES they have an amazing refreshable traction, & YES they provide much needed protection and support for dancers. They incorporate targeted compression and shock absorption to provide dancers a foundation of support, reduce inflammation, decrease joint shock, and increase stability. We are proud to introduce the FIRST performance footwear for dancers that utilizes sport science technology AND maintains the aesthetics that dancers and teachers love to maximize long, clean lines. There are SO many reasons to wear them in dance and beyond!
With so many different styles, fits, sizes, colors and traction options, there really is an Apolla Shock for everyone! Visit www.apollaperformance.com to find YOURS today!
Just in case you missed it: To highlight last Thursday's International Day of the Girl, The New York Times has launched a unique photographic and editorial project called #ThisIs18, all with the aim of spotlighting what life is really like for 18-year-old women around the world.
It's contest time! You could win your choice of Apolla Shocks (up to 100 pairs) for your whole studio! Apolla Performance believes dancers are Artists AND Athletes—wearing Apolla Shocks helps you be both! Apolla Shocks are footwear for dancers infused with sports science technology while maintaining a dancer's traditions and lines. They provide support, protection, and traction that doesn't exist anywhere else for dancers, helping them dance longer and stronger. Apolla wants to get your ENTIRE studio protected and supported in Apolla Shocks! How? Follow these steps:
Quinn Starner is no stranger to competitions. The 16-year-old "So You Think You Can Dance: The Next Generation" alum has been slaying the contemporary circuit for years, winning Best Teen Dancer at The Dance Awards in 2017. But lately she's been more focused on ballet, relocating from Florida to train at the Indiana Ballet Conservatory two years ago. And while she's won awards at ballet competitions like ADC|IBC and Youth America Grand Prix, in June she upped the stakes by going to the USA International Ballet Competition in Jackson, MS—an audition-only event that's one of the world's most prestigious comps. We followed Quinn on her Jackson journey.
Is there anything better than a dance convention? Frankly, we don't think so. Although we love getting a guest teacher to come to our studio for a masterclass every so often, there's just something so exciting about packing up our leotards and dance shoes and heading to a convention for the weekend. Here are 7 reasons why dance conventions are, without a doubt, the greatest things ever.
Amanda LaCount was born to move. The second the music comes on at her Dance Spirit cover shoot, the bubbly 17-year-old is shimmying her shoulders and tossing her hair. When she launches into a full-out freestyle to Whitney Houston's "It's Not Right But It's Okay," you can't take your eyes off her.
And yet with every gig she lands, Amanda is challenging some of the dance world's longest-held biases. "I'm curvy," she says, "and I like being curvy. My body is not a bad thing. It's who I am." Here's how Amanda went from talented tot to hardworking pro—and from insecure preteen to body-positive role model.
Boston Ballet principal Ashley Ellis' dancing is the perfect pairing of ethereal grace and punchy musicality. The Torrance, CA, native began training at South Bay Ballet at age 6, and attended the School of American Ballet summer program in 1998. In 2001, she was accepted into American Ballet Theatre's Studio Company, and the following year, she joined ABT's corps de ballet. In 2007, she became a founding member of Corella Ballet Castilla y León in Spain, under the direction of Angel Corella. Three years later, she headed back to the States and danced with Sarasota Ballet before joining Boston Ballet as a second soloist in 2011. In 2013, she was promoted to principal dancer. Catch her performing this season in the company's Nutcracker. —Courtney Bowers
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This story originally appeared on dancemagazine.com.
"So why did you quit?"
It's a question I've been asked hundreds of times since I stopped dancing over a decade ago. My answer has changed over the years as my own understanding of what lead me to walk away from greatest love of my life has become clearer.
"I had some injures," I would mutter nervously for the first few years. This seemed like the answer people understood most. Then it became, "I was just not very happy." Finally, as I passed into my 30s, I began telling the uncomfortable truth: "I quit dancing because of untreated depression."
It's the age-old debate: Is dance a sport? The answer is, without a doubt, YES. Of course, dance is much more than just a sport. But when we get down to the logistics of it all, it's impossible not to recognize it as the athletic endeavor it is. Here are 10 reasons why dance absolutely qualifies as a sport.
Let's take a walk down memory lane to this past September, when the #LevelUpChallenge was in full-blown viral mode. Literally thousands of videos of people dancing to Ciara's song "Level Up" flooded the Internet, but only one truly broke it: an amazing clip of the Wilson Central High School Dance Team—and their Assistant Principal, Ranesa Shipman. Never one to miss out on a viral dance challenge, Ellen DeGeneres decided to have Shipman and the team perform on "The Ellen Show"—and the fun didn't stop there.
You and your phone have more in common than you might guess, says Dr. Rafael Pelayo, pediatrician and clinical professor at the Stanford Center for Sleep Sciences and Medicine. "If you charge your phone halfway, it works for a few hours," he explains. "But it's not performing at its full potential, and you have to be careful about how you use that energy."
It'd be nice to just plug into the wall for nine hours until you hit 100 percent battery, but for (human) dancers, it's not that simple. So DS asked Dr. Pelayo and Dr. Argelinda Baroni, co-director of the Child and Adolescent Sleep Program in the department of child and adolescent psychiatry at NYU Langone Health, how to maximize your own battery life—ensuring you'll dance better and more safely in the process.
Two dancers from different studios on opposite ends of the country meeting at a dance competition may sound like the formula for a cheesy teen-rivalry movie. But it's actually real life for lots of dancers on the comp circuit. Meet four sets of adorable BFFs who found winning friendships at a competition.
We still can't get over the talent on "Dancing with the Stars: Juniors"—like how many YouTube tutorials do we have to watch to become half as good as these mini dancing machines? And just in case you forgot how skilled these prodigies are, this week's theme was sure to remind you: Last night, the ten couples performed to songs that came out the year they were born. (But let's be real, most of these songs aren't really that much of a throwback.)
It's safe to say that the bond between dancing siblings is one of the strongest out there. But for sisters Emma, 16, and Ava Blaser, 10, that bond runs deeper than most can even fathom: The pair continued to dance together throughout Ava's treatment for kidney cancer remission, and they say it helped them heal.
With cooler weather finally here, it's time to talk warm-ups. And while your dancewear drawer is probably overflowing with oversized sweaters, leggings and enough leg warmers to outfit the whole class, warm-up boots are often forgotten. To keep your feet and ankles cozy in between rehearsals, we rounded up dance warm-up boots that suit every style.