Dance Superstars Collide in Lindsay Nelko's Awakening
Last night at the Alvin Ailey Citigroup Theater, Lindsay Nelko—the Second Runner Up at the 2013 Capezio A.C.E. Awards—premiered her show Awakening as a part of the A.C.E. Awards Winners Festival. I count myself as lucky to have been in the audience, witnessing the next big step for this up-and-coming choreographer.
Joseph Kudra and Acacia Schachte appearing courtesy of Cedar Lake Contemporary Ballet (photo by Matthew Murphy)
Nelko has had an envious career so far as a freelance choreographer, and producing Awakening is another feather in her cap. Her absurdly talented and accomplished cast— with dancers from Cedar Lake Contemporary Ballet (oh hey, Ida Saki), Complexions Contemporary Ballet, Broadway and beyond—came together as a pickup company par excellence and delivered the evening, despite their stylistic differences.
I especially loved the section "Dysmorphia," which featured the women confronting and cowering from a mirror, and the section "Lifeline," which featured three lovely duets and bright, colorful banners stretched across the stage.
To be completely honest, I wasn't quite as thrilled with the piece's approach to partnering, which was traditional and bordered on basic. We know these dancers are crazy amazing, and I would have loved to see a little bit more inventiveness in the way they interacted with each other.
That said, the show was certainly an impressive accomplishment. Way to go Lindsay! We can't wait to see what you're up to next.
(From left) Darriel Johnakin, Diego Pasillas, and Emma Sutherland (all photos by Erin Baiano)
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When it comes to injury-prone body parts, knees reign supreme for dancers. But a little strengthening can go a long way in preventing painful outcomes. We turned to Dirk Hartog, a physical therapist with Westside Dance Physical Therapy in NYC, for three exercises that'll support and stabilize your knees.
James Whiteside (Jayme Thornton for Dance Magazine)
Say you're perpetually impeccable designer Thom Browne. Say you're planning your Spring 2020 Paris menswear show along a "Versailles country club" theme. Say you want a world-class danseur to open the show with some kind of appropriately fabulous choreography.
Who do you call? James Whiteside, of course. On Saturday, the American Ballet Theatre principal—wearing pointe shoes and a glorious pinstriped tutu—kicked off Browne's presentation at the École des Beaux-Arts with a 15-minute, show-stealing solo. Whiteside choreographed the piece himself, with the help of detailed notes from the designer.