Expressions Dance Alliance president Liz Ladley addressing the company (Sabrina Thadani, courtesy Liz Ladley)

Do you dream of running your student dance company or becoming captain of your dance team? Are you a triple threat eager to direct your school's next musical? If you have big ideas and the drive to make them a reality—as well as a strong rapport with your fellow performers—you might be a good fit for a leadership role. But even the most dedicated dancers can stumble during the transition from peer to peer leader. Try these tips to make the most of your tenure at the top.

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Dance Team
via @lunamontana on Instagram

It's safe to say that in 2019, social media reigns supreme. Social platforms are especially great tools for dancers, allowing them to brand and market themselves, keep up with dance friends across the world, and get noticed by people who would otherwise be impossible to get in touch with. But with all the good, it's easy to forget that most of what you see is highly filtered and heavily curated—and not even close to reality. 18-year-old ballerina Luna Montana is on a mission to change that.

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Dancer to Dancer
American Ballet Theatre principal Devon Teuscher (left) meeting with Bloch owner David Fox (right) in NYC. (Marius Bugge for Bloch)

For professional ballet dancers, the search for the perfect pointe shoe is a lifelong quest. Even the smallest adjustment in manufacturing can make the difference between a shoe that allows a ballerina to soar and a shoe that detracts from her dancing. So what goes into creating the perfect fit? A lot of hard work, patience, and masterful attention to detail. We got the inside scoop on how a Bloch pointe shoe is made from beginning to end, and went inside one of American Ballet Theatre principal Devon Teuscher's touch-up fittings with Bloch owner David Fox in NYC.

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Ballet
Paloma Garcia-Lee (center, in gold) and the cast of "Fosse/Verdon" (FX)

The extraordinary Paloma Garcia-Lee, who's danced in no fewer than five Broadway shows, can adapt to any choreographer's style. And before heading back to Broadway this spring in Moulin Rouge! (choreographed by Sonya Tayeh), she's tackling the work of one of the most iconic choreographers of all time: Bob Fosse.

Garcia-Lee plays Adrienne in the new FX limited series "Fosse/Verdon," premiering April 9, which follows the romantic and creative relationship of Fosse (Sam Rockwell) and his muse Gwen Verdon (Michelle Williams). Hamilton's Lin-Manuel Miranda, Thomas Kail, Steve Levenson, and Andy Blankenbuehler serve as executive producers, with Kail directing and Blankenbuehler choreographing.

With the exception of performing on The Tony Awards, "Fosse/Verdon" marks Garcia-Lee's TV debut. "I'm really setting my sights on more on-camera work," she says. "Getting the chance to flex my muscles as an actress in this different medium, but still have the dance part, is all really exciting." (She's got real acting chops, too: While a student at the North Carolina School of the Arts, she actually quit dance briefly to study acting instead.)

Dance Spirit spoke to Garcia-Lee about "Fosse/Verdon"'s epic final callback, how she got cast, and the transition from stage to screen.

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Dance on TV
Delgado in George Balanchine's "Tschaikovsky Piano Concerto No. 2" (Alexander Iziliaev, courtesy Miami City Ballet)

Miami City Ballet principal Jeanette Delgado's dynamic, show-stopping presence and powerful, crisp technique have been wowing audiences for well over a decade. A Miami, FL, native, Delgado began training with Vivian Tobio, Liana Navarro, and Maria Victoria Gutierrez. At age 9, she received a scholarship to Miami City Ballet School and, in 2003, she earned the Princess Grace Award. That same year, Delgado became an apprentice with Miami City Ballet. In 2004 she was promoted to the corps, and in 2006 to soloist. She became a principal dancer in 2008. Catch her this month performing in the company's spring program. —Courtney Bowers

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