5 Pros Who Chose Non-Dance Majors in College—and How It Helped Their Careers
New York Theatre Ballet's Alexis Branagan studied English at Princeton. (photo by Richard Termine, courtesy New York Theatre Ballet)
College-bound dancers sometimes feel as though a dance degree is the only path to professional success. But while majoring in dance can be a great option, it's certainly not the only one. College should be a time of self-discovery, which often means exploring a variety of academic interests. We spoke with five artists who chose college majors completely outside the dance world—without sacrificing their postgrad careers.
Ephrat Asherie, Artistic Director of Ephrat Asherie Dance; BA in Italian from Barnard College
Photo by Matthew Murphy, courtesy Asherie
Ephrat Asherie chose not to major in dance because she knew dance would be a part of her life regardless. Her love of languages, along with fond memories of her childhood in Italy, inspired her to major in Italian at Barnard College. "I wanted to reconnect with that part of my life," she says.
Since Barnard is in NYC, Asherie had plenty of dance class options. "I took some classes in the dance department, but I mainly trained in the city," she says. She also spent a year abroad in Italy studying literature and linguistics, which helped her speed through many of the requirements for her Italian major.
Seeing Rennie Harris' hip-hop opus Rome and Jewels after her sophomore year of college marked a turning point. "I grew up dancing hip hop, but when I saw this piece, I knew I had to get into breaking," she says. "In that moment, I decided I wanted to graduate early and get to dancing as soon as possible."
Asherie ended up earning her Italian degree in three and a half years, after which she began her career as a dancer and choreographer immersed in the breaking and underground dance community. As founder and artistic director of Ephrat Asherie Dance in NYC, Asherie has found that her knowledge of language helps deepen her understanding of various hip-hop styles. "I've always been drawn to finding ways to communicate with people," she says. "Learning someone else's language helps you connect with them on a different level. Different languages have different modalities, and I try to look at different forms of dance in a similar way. House dance, breaking, hip hop—they're all qualitatively different modes of human expression."
Everyone loves the multitalented Maddie and Mackenzie Ziegler. Everyone loves Olympic figure skater (and pop-culture icon) Adam Rippon. Everyone loves when dancers ice-skate, and vice versa. So what could possibly be more lovable than the latest episode of the YouTube show "Break the Ice with Adam Rippon," in which Rippon teaches the sisters Ziegler to skate? (Nothing. NOTHING is more lovable than this freakishly cute video.)
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Sage Humphries rehearsing "White" (Brooke Trisolini, courtesy Boston Ballet)
It's been an eventful few months for Sage Humphries, to say the least. Last November, the Boston Ballet company member made her (very well-received) choreographic debut with a piece called YOU, part of the company's BB@home: ChoreograpHER program. Just one week later, Humphries sustained an injury that kept her offstage for a couple of months. But she didn't have much downtime: Artistic director Mikko Nissinen soon asked Humphries to make a piece for Boston Ballet's first-ever appearance at Boston Calling Music Festival. Now that Humphries is back in the studio, Dance Spirit caught up with her to talk about making ballet rock, working with her composer brother, and what it's like to see her name next to William Forsythe's.