It's week three of "DWTS"! After KateGate last week, we were curious to see if there'd be more drama--and oh, was there ever. The pros and stars tackled the quickstep, the waltz, and the paso doble, with an added twist: Each dance had to tell a story. And apparently that challenge was just enough to put a few of the stars over the edge.
The Good
-We love love loved Evan Lysacek and Anna Trebunskaya's quickstep, set to an oh-so-familiar song from the musical Chicago! Evan, playing a husband mad at his wife for running late before a night out, was a little stiff at the outset, but soon eased into the upbeat, high-energy routine. And he topped it off with a cartwheel--adorbs! With 26 points, this was the highest-scoring number of the night.
-Despite the judges' complaints, we were also impressed by Nicole Scherzinger and Derek Hough's hugely entertaining quickstep. As two sailors slacking off, the couple had a grand old time hamming it up, vaudevillian-style. A grouchy Len whined that there wasn't much actual quickstep involved, but c'mon, dude--the routine was awesome! (And we loved that Nicole toned down the sexy for a week--well, besides the cleavage.)
The Not-So-Good
-All of the judges LOVED Erin Andrews and Maksim Chmerkovskiy's "blind waltz," in which Erin demonstrated her trust in her partner by dancing blindfolded. But we just didn't get it. Her waltz step seemed jerky and stuttery, and girl needs to eat a sandwich--or 50. Also, the solid 10 seconds it took for Maks to tie on her blindfold? Totes awk.
-We want to root for Pam Anderson--really, we do. How weird/awesome is it that the woman often criticized for being totally fake has somehow been the most sympathetic, real member of this "DWTS" cast? And we had a mini hissy fit when Charo showed up in rehearsal to help Pam get her flamenco on--CHARO!! OMG! Coochi coochi! But it looked like Pam stumbled a little during the dramatic supported drop at the beginning of her flamenco dancer-vs.-matador routine with Damian Whitewood, and she seemed distracted afterwards. Better luck next week, Pammy.
The Ugly
-Oh, Kate. We almost felt bad for you this week--almost. When your partner Tony Dovolani brought in an acting coach to help you during rehearsals for your paparazzi-themed routine, we nearly bought your teary meltdown--you have been through a lot recently (we won't talk about whether you've deserved it or not), and you did seem "bottled up." But honestly, the extra coaching didn't help your either your acting or your dancing much. Watching you literally walk your way, blank-faced, through what should have been a super-intense paso doble was just uncomfortable. And the magazine covers at the beginning? "Kate Strikes Back"? Ew.
-OK. We've all been in rehearsal situations that devolve rapidly from "intense" to just "tense." And we understand that these dancers are under a lot of pressure. But some of the backstage drama this week seemed downright manufactured. Jake Pavelka "storming out" on Chelsie Hightower? Really? She may be a tough coach, but we know from experience that she is the sweetest girl ever, and Jake never really looked all that angry. Chad Ochocinco and Cheryl Burke's little rehearsal tiff seemed equally fake. Manipulative editing = not classy, DWTS.
Do you agree with us? Who were your favorites? Let us know! And check back tomorrow for our rehash of the results show...
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Feb 05, 2021
Meet the dancers of MDC3: Madi Smith, Diego Pasillas, and Emma Mather (left to right). Photo by Joe Toreno. Hair by Marina Migliaccio and makeup by Lisa Chamberlain, both for the Rex Agency.
Meet MDC3: The "World of Dance" Winners Who Defied the Odds
In March 2020, the same day the "World of Dance" cast got word that production would be shutting down due to a global pandemic, MDC3 artists Madison (Madi) Smith, Diego Pasillas and Emma Mather stood shoulder to shoulder onstage, bracing to hear the final results of the competition. The champion title and $1 million prize money were within reach, decided entirely by the three celebrity judges sitting in front of them. As their competitor's scores dropped from the lips of Derek Hough, Jennifer Lopez and Ne-Yo at roughly 2 percentage points below their own, viewers watched realization dawn. MDC3's mouths dropped into gigantic Oh's before their hands slapped over their faces in disbelief. Sparklers shot up while confetti rained down, and the announcer shouted, "MDC3, you are the winner of 'World of Dance'!"
It was an impressive accomplishment for any group of dancers, let alone three teenagers who'd faced rejection from the show three times over. Despite their youth (Madi is 18, Diego is 17 and Emma is 16), this moment was hard earned through years of dedicated patience.
<img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yNTcwNjY2Ni9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTY0MjI4ODI0Mn0.DnDBQ2cIEvH4Rq_O5ecQndl6rPFT4YyLPaxqekatZgY/img.jpg?width=980" id="66961" class="rm-shortcode" data-rm-shortcode-id="934fb69131cb13420af67a3384a853c3" data-rm-shortcode-name="rebelmouse-image" alt="Madi, Diego, and Emma face to the side. They are clearly in motion, as the girls' long hair moves through the air. All three are dressed in white, set against a blue background." data-width="1771" data-height="958" />
Photo by Joe Toreno
The Team
<p>MDC3 was established seven years ago under the direction of Mather Dance Company artistic director and industry choreographer, <a href="https://www.instagram.com/shannonmather1/?hl=en" target="_blank">Shannon Mather</a> (yes, Emma's mother). They were an unlikely trio—all different ages (then 9, 10 and 11), heights and strengths. Yet something told Mather their differences were exactly what would make them succeed. "From the first year I put them together, they were making people cry," Mather says. "It's chemistry you can't touch."</p><p><a href="https://www.instagram.com/1emmamather/?hl=en" target="_blank">Emma,</a> the youngest of the three, has trained under her mother's direction her entire life. At 5 years old she began partnering at MDC, and developed a knack for tricks, lifts and connection. "She was a young little pup who wanted to be thrown in the air," Mather says. "She'd been doing acro from a young age, and loved the ultra-physical side of dancing."<strong> </strong>It's unsurprising to learn of Emma's fearlessness. In her work with the trio she's often soaring above the heads of the others, twisting and turning in unexpected patterns. In terms of movement, Emma's dancing can be described as feminine, innocent and clean. Her lines are long and smooth, curving and extending as if gliding through honey butter. Injuries (three broken fingers) and medical challenges (unexplainable stomach issues) have peppered Emma's training experience, forcing her to exhibit extra diligence. "I have accepted that you're gonna deal with some injuries in dance," Emma says. "Now, I focus on how to catch myself when falling, and I take lifts more seriously so I don't get hurt."</p><p><a href="https://www.instagram.com/diegopasillas_/?hl=en" target="_blank" rel="noopener noreferrer">Diego</a> joined Mather Dance Company just one year before MDC3 was established, and his potential was immediately evident—even if his muscles had not quite developed. To Mather, his greatest strength was his vulnerability. "He's never had a problem getting in there, opening up and telling a story," she says. "He's not afraid to cry." Mather says there was one number in which, when the music ended, you could hear him crying in his final position. "He didn't care—he was connecting," Mather says. Diego began his training as a competitive gymnast from ages 5 to 7. Then, his mom put him in his first hip-hop classes at Beach Cities Dance Studio in Huntington Beach, CA. He quickly fell in love and began adding other styles to his toolbelt. After three years his agency, Go 2 Talent, recommended he make the switch to MDC. Since the transition, he's gone on to become a competition darling, winning both the 2014 Junior and 2016 Teen National Maximum Velocity Artist titles, and the 2019 Radix Core Performer title. Since MDC3's inception, Diego's physical strength has caught up with his storytelling, making him an <a href="https://www.youtube.com/watch?v=BFXHAez9r9E" target="_blank">athletic, dynamic mover</a> and partner. Despite his success, Diego has faced his fair share of challenges, as well, namely bullying. "Male dancers get bullied a lot," Diego says. "I just try not to listen to rude comments and use dance as an escape. It's my happy place, my safe space."</p><p><a href="https://www.instagram.com/madisonsmithhh_/?hl=en" target="_blank" rel="noopener noreferrer">Madi </a>started dancing at 2 years old at a studio in Temecula Valley, CA, called Cathy's Dance. After a few years of training in ballet and hip hop, she began bouncing around a few other studios in the area. At 7, she settled down at MDC, where she would spend the next decade of her life perfecting her craft before graduating in the spring of 2020 (just in time for the professional dance world to be shuttered by COVID-19.) "Madi brings fire," Mather says. "She has a strong hip-hop background and excellent musicality. She leads the group as a mama bear. Before they would go onstage I would turn to her and say, 'Madi, you've gotta have this.'" <a href="https://www.youtube.com/watch?v=jUl_G2omjto" target="_blank" rel="noopener noreferrer">Madi's dancing</a> matches Diego's and Emma's in clean lines, seamless transitions and solid technique. Where she stands out is maturity. Her movement, gaze and expression demand that you watch, without coming off insincere—a difficult tightrope to walk. As she heads into the professional world, Madi says the biggest challenge she's faced as a dancer thus far is body image. "I struggle with it still," she says. "To help, I try not to compare myself to others, and fuel my body with healthy foods because it makes me feel better."</p><img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yNTcwNjczNi9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTY0MTMyOTY4N30._N7ugi33nj1GxerHCMTgychoThVYPLKWAm1YKNmdJho/img.jpg?width=980" id="51351" class="rm-shortcode" data-rm-shortcode-id="f72ca86daf401d28900f10d9a2e359fa" data-rm-shortcode-name="rebelmouse-image" alt="All three members of MDC3 are dressed in black, against a white background. Madi is on the floor, pressing into a bridge. Emma is lifted by Diego, who stretches one arm above his head. Diego stares at the camera." data-width="1000" data-height="1778" />
Photo by Joe Toreno
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The Creative Process
<p>MDC3's works always begin with a concept. "We never do anything without a purpose," Mather says. "It's not just a dance. We want people to feel something." Mather works to find a song everyone loves, that fits all three dancers' movement qualities and has a storyline. From there, they workshop lifts. "We try to find cool ways for them to move through one another with seamless partner work," Mather says. "It's so hard to do with three people. I often have to find a way to incorporate the third person into the lift, or have them do separate movements that thread through it." Once they have lifts down, they go into endless hours of rehearsals. "It can take us three hours to get through eight counts," Mather says. In each piece of choreography she sets, Mather's goal is to create something unique that audiences and judges haven't seen before.</p><p> Just like any other team, disagreements come up while working through this creative process. "We've been together so long, we're like siblings," Madi says. "We bicker about little things." Still, they've found ways to mitigate relational challenges. "We've come to know each other's boundaries, and we work to not overstep," she adds. "Plus, we tend to brush things off pretty fast and not get too upset." Emma says they often use Mather, their director, as a mediator. "She'll watch and say, 'Ya, that was Emma's fault, she missed a hand,' and then we can move on," Emma says.</p><img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yNTcwNjc4NS9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYyNTQwNTI1Mn0.pmN9JR9aaHaaZ-0c22VFvMvFXK4azfHhWoF-a5V4DIc/img.jpg?width=980" id="7f8e4" class="rm-shortcode" data-rm-shortcode-id="f15ca12e2f6e9eb2f7bf615c7e54299c" data-rm-shortcode-name="rebelmouse-image" alt="All three members of MDC3 are dressed in black, against a white background. They stare at the camera, in a line, holding each others hands, with their arms interlaced. All three wear soft but serious expressions." data-width="1771" data-height="958" />
Photo by Joe Toreno
The Road to "WOD"
<p>When "WOD" ran auditions for its first season in 2017, the show reached out to Mather about one of her <a href="https://www.youtube.com/watch?v=kfuHlRuzmpc" target="_blank">older trio</a>s who'd seen recent success on the competition circuit. One of the dancers (<a href="https://www.instagram.com/madelyne_spang/?hl=en" target="_blank">Madelyne Spang</a>) was on tour with P!nk at the time, so Mather offered to send her younger trio, MDC3, instead. It didn't pan out. "We were just too young," Emma says. "We were still growing both physically and mentally, and needed time to get better. On top of that, we only started rehearsals, like, a week before the audition. We weren't prepared." So they returned the next year to audition for Season 2, where they were better received but once again cut. When they later watched that season's cast perform on air, it became clear to them what they were missing. </p><p>"<a href="https://www.instagram.com/p/B8rLKRvFnPy/" target="_blank">Charity and Andres</a> really understood how to feature the big moments of their pieces with 'wow' factors that season," Diego says. "We couldn't do that yet." Emma agrees, stating she and Diego were roughly the same height at the time, making lifts difficult. "We could barely get off the floor—not even close to what we can do now," she says. Season 3 followed the same pattern of rejection, but this time, everyone was pretty surprised. "We really thought we had a good chance," Madi says. Even casting from the show called to communicate their surprise. "I knew we were getting closer, but they just still weren't ready," Mather says.</p><p>When Season 4 came knocking, the group told producers they didn't think they were what the show was looking for. The "WOD" team promptly called back, and explained that they did, in fact, want to see the dancers again, but they had some notes for improvement. Namely, new music choices that favored popular sounds rather than songs audiences were unfamiliar with, the incorporation of avant-garde lifts, and how to maximize camera angles. (For example, avoid busy dancing around lifts that might distract from the "wow" factor within the frame.) The dancers<strong> </strong>took the corrections, studied old footage to learn the judges' preferences, and decided to try one last time. Rehearsals began one month before auditions and the three poured everything they had into emphasizing storytelling and bold movement.</p><p>MDC3's commitment to giving the judges what they wanted paid off. On October 21, 2019, the trio got the call saying they had made the show. Mather immediately told the dancers to jump on a group FaceTime so she could share the good news. Mather was on the East Coast at the time, so all Diego was just waking up and still in bed when they got the call. Madi and Emma were still in school, and had to slip away from class to speak with Mather. "It was a moment of total disbelief," Madi says. "We had tried for so many years that we were losing hope. We were so excited!" Emma remembers walking back to class in a daze. "I had to act like nothing happened because we weren't allowed to tell anyone," she says. "It was so crazy." </p><p>From the second they stepped onstage, MDC3 was a clear showstopper. After their performance in the Duels, the judges couldn't contain their praise. According to the dancers, some of the excitement was even cut in post. "Derek was smacking on the floor, all of the judges stood up and came toward us, and the crowd was jumping up and down," Emma says. According to Mather, at this point, other choreographers began to communicate to her their confidence in the group, even confessing they thought they had a chance to win the whole thing.</p><div style="padding: 20px 0 40px;">
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<img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yNTcwNjgwNi9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTY1MjU1NTA1NX0.bi-OqRhl5FEhCtuWvyKTGPd6BeAHfB2vng334qQuI3U/img.jpg?width=980" id="4fe4e" class="rm-shortcode" data-rm-shortcode-id="65d34a5d3545a4139f52a96239e9f972" data-rm-shortcode-name="rebelmouse-image" alt="All three members of MDC3 wear white, on a blue background. Madi looks at the camera, in an attitude pench\u00e9. Diego stands in pli\u00e9, facing to the side. Emma is lifted with Diego, with her knees pressed against his chest. She presses herself to an upright position, one arm looped behind Diego's neck, and the other extended behind her in a soft curve." data-width="1000" data-height="1000" />
Photo by Joe Toreno
The Win
<p>Throughout their entire "WOD" process, winning was not on MDC3's radar. "Our goal was just to make it to the big stage for semifinals," Diego says. After watching ballroom couple <a href="https://www.instagram.com/jeffersonyadrianita/?hl=en" target="_blank">Jefferson and Adrianita</a> perform for the first time in the final round, their certainty about the performance shrunk even more. "We didn't think we were going to win after seeing them," he says. "When we beat them, it was a complete shock." Then, it was down to the final act, Géométrie Variable, a group MDC3 had never watched perform before. "We knew they were older than us, and very different from us, and we were nervous," Emma says. "I just had to hope that our big lifts and technique would be enough. We really thought anything could happen at that point."</p><p> Despite their fears, and after years of hard work, MDC3 was announced the winner. "It felt like everything went silent around us," Madi says of that thrilling moment. "All of the cannons were going off, but it felt like it was just the three of us standing there. Me and two of my best friends, soaking in this crazy experience." "It changed us," Emma says of the opportunity. "It pushed each of us to levels we had never been before."</p><div id="e61ad" class="rm-shortcode" data-rm-shortcode-id="bc13f040c47b77a3a23c71696047b344"><blockquote class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/CHf_qxgBQ06/"
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The Future
<p>The end of filming "WOD" coincided with shutdowns and shelter-in-place orders mandated due to the COVID-19 pandemic. Though MDC3 walked away with the title and their prize money, they're still anxiously awaiting the chance to open new industry doors provided by their win. They each dream of world tours, award shows and concept videos. When the time is right, they plan to chase their dreams together. "We hope to work together in the industry," Emma says. "If it weren't for COVID we would be doing more of that already. We want to make good work that can speak to people."<strong> </strong>In a world of so much tumult and uncertainty, one thing is abundantly clear: The artists who make up MDC3 are just getting started.</p>Fast Facts
<img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yNTcxMTA0OC9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTY0NDMxMjM0Nn0.w3qJpN-v6m654GS5AWbIAPtS4lwwCrxR8N2Oryj3ndQ/img.jpg?width=980" id="d7370" class="rm-shortcode" data-rm-shortcode-id="47792e9280bd646674d63c86195e30b3" data-rm-shortcode-name="rebelmouse-image" alt="Madi Smith is dressed in sheer white pants, a white sports bra, and a sheer white tank. She faces the camera, with one leg in a deep pli\u00e9, the other crossed over her knee. She grasps her lifted foot with one hand, and extends her other arm softly to the side. Her long blonde hair is curled and flows over her shoulders." data-width="1000" data-height="1778" />
Photo by Joe Toreno
<h5>Madi Smith</h5><p><strong>Most-used emoji:</strong> 💀</p><p><strong>Go-to improv song:</strong> "Anything James Arthur"</p><p><strong>Favorite dancewear company:</strong> <a href="https://honeycutofficial.com/" target="_blank" rel="noopener noreferrer">Honeycut</a></p><p><strong>Favorite food:</strong> Steak</p><p><strong>Pre-performance ritual:</strong> Prayer</p><p><strong>What the "World of Dance" audience at home didn't know about her:</strong> "I like to cook!"</p><p><strong>Favorite judge:</strong> "Derek was super nice to us on the show. He really expressed that he was rooting for us."</p>
<img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yNTcxMTA1My9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTY2Nzc0NzIxN30.7EKUm26M0JPj_MQUpfnRcxT9P0UTOJnuvCgZCH7sD-Q/img.jpg?width=980" id="b50ce" class="rm-shortcode" data-rm-shortcode-id="95b6596ea4e0ed44b2610fa103011f4b" data-rm-shortcode-name="rebelmouse-image" alt="Diego Pasillas is dressed in a white button down and white pants, against a blue background. He leaps through the air, both legs bent. He grasps his back ankle with one hand, and extends the other arm above his head. His body and his gaze are to the side." data-width="1000" data-height="1778" />
Photo by Joe Toreno
<h5>Diego Pasillas</h5><p><strong>Most-used emoji:</strong> ❤️</p><p><strong>Go-to improv song:</strong> "Any song by James Arthur"</p><p><strong>Favorite dancewear company:</strong> Nike</p><p><strong>Favorite food:</strong> Sushi</p><p><strong>Pre-performance ritual:</strong> Prayer</p><p><strong>What the "World of Dance" audience at home didn't know about him:</strong> "I hate bananas." </p><p><strong>Favorite judge:</strong> "Derek, because he has such a strong understanding of dance."</p>
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<img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yNTcxMTA3My9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTY0MDQ1NDg3NH0.LhRWZ-DDnhSPTYYiekj0IAtY882xMsev0G0XrupeLw4/img.jpg?width=980" id="6b7d6" class="rm-shortcode" data-rm-shortcode-id="ead83d425c318cbac7084db4fb3ee66f" data-rm-shortcode-name="rebelmouse-image" alt="Emma Mather wears sheer white pants and a white, patterned sports bra with a cutout. She is on the floor, mid-motion. Both her legs are bent, and her upper body reaches towards the ground, though she is facing towards the camera." data-width="1000" data-height="1778" />
Photo by Joe Toreno
<h5>Emma Mather</h5><p><strong>Most-used emoji:</strong> 😝</p><p><strong>Go-to improv song:</strong> "Lasting Lover," by James Arthur</p><p><strong>Favorite dancewear company:</strong> <a href="https://fivedancewear.com/?gclid=Cj0KCQiAk53-BRD0ARIsAJuNhpsk4sM1pNRGB4URGs6zErFeJLpMzZwMgCe5lwndvcD3EUWf16D9LeYaAlNwEALw_wcB" target="_blank" rel="noopener noreferrer">Five Dancewear</a></p><p><strong>Favorite food:</strong> Caesar salad</p><p><strong>Pre-performance ritual:</strong> Prayer</p><p><strong>What the "World of Dance" audience at home didn't know about her:</strong> "People were surprised to learn that my mom was our choreographer. Oh, and I have dual citizenship in the U.S. and Canada."</p><p><strong>Favorite judge:</strong> "I love Derek. He's such a big inspiration to me."</p>
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Mar 01, 2021
Mason Evans assisting at New York City Dance Alliance in Orlando, FL (Evolve Photo & Video, courtesy Mason Evans)
5 Dancers Share What It's Really Like to Return to Competitions Right Now
For the first time since the coronavirus hit the U.S., competitions and conventions are meeting in-person once again (brimming with safety precautions, of course), and dancers couldn't be more thrilled.
We asked five standout comp kids about their recent experiences attending competitions around the country—and how they're taking advantage of these long-lost opportunities.
Hailey Bills
<div id="5194e" class="rm-shortcode" data-rm-shortcode-id="de20762d8220bf52adb7d02a35b887b3"><blockquote class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/CKJxIiuhZz0/" data-instgrm-captioned data-instgrm-version="4" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:658px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"> <div style="padding:8px;"> <div style=" background:#F8F8F8; line-height:0; margin-top:40px; padding:50% 0; text-align:center; width:100%;"> <div style=" background:url(data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAAGFBMVEUiIiI9PT0eHh4gIB4hIBkcHBwcHBwcHBydr+JQAAAACHRSTlMABA4YHyQsM5jtaMwAAADfSURBVDjL7ZVBEgMhCAQBAf//42xcNbpAqakcM0ftUmFAAIBE81IqBJdS3lS6zs3bIpB9WED3YYXFPmHRfT8sgyrCP1x8uEUxLMzNWElFOYCV6mHWWwMzdPEKHlhLw7NWJqkHc4uIZphavDzA2JPzUDsBZziNae2S6owH8xPmX8G7zzgKEOPUoYHvGz1TBCxMkd3kwNVbU0gKHkx+iZILf77IofhrY1nYFnB/lQPb79drWOyJVa/DAvg9B/rLB4cC+Nqgdz/TvBbBnr6GBReqn/nRmDgaQEej7WhonozjF+Y2I/fZou/qAAAAAElFTkSuQmCC); display:block; height:44px; margin:0 auto -44px; position:relative; top:-22px; width:44px;"> </div></div><p style=" margin:8px 0 0 0; padding:0 4px;"> <a href="https://www.instagram.com/p/CKJxIiuhZz0/" style=" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;" target="_top"></a></p> </div></blockquote></div><p><strong></strong><strong>Studio:</strong> Center Stage Performing Arts Studio</p><p><strong>Age:</strong> 14</p><p><strong>Competition:</strong> 24 Seven Dance Convention, Provo, UT</p><p><strong><em>Dance Spirit</em>: What did it feel like to attend your first in-person competition since March 2020?</strong></p><p>Hailey Bills:<strong> </strong>"It was so amazing. I don't think any of us realized how much we missed being onstage. It's what we train for, and we hadn't been there in a year."</p><p><strong><em>DS</em>: What were some of the differences you noticed about this competition versus those pre-pandemic?</strong></p><p>HB: "Socially distanced squares to dance in, which were surprisingly nice. Everyone had a spot to dance in, and it was much more organized than usual. I also saw a change in my studio: We all seemed happier to be there, and we had more gratitude."</p><p><strong><em>DS</em>: Were there any unexpected nerves from being out of performance practice? How did you work through them?</strong></p><p>HB: "I will always be nervous to compete. That's just how it goes. More than anything, though, I was just excited to be there. That kinda blew away the stress so I could be stoked."</p><p><strong><em>DS</em>: How did your competition preparation differ from before?</strong></p><p>HB: "We had a dress rehearsal, but nobody could watch us, and we had to be in a different room when other groups danced. It's always fun watching other dances at your studio, so that was sad."</p>Mason Evans
<div id="23b81" class="rm-shortcode" data-rm-shortcode-id="a96fcbb113891b6168a038d3e49dcac6"><blockquote class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/CKPYHOdslsr/" data-instgrm-captioned data-instgrm-version="4" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:658px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"> <div style="padding:8px;"> <div style=" background:#F8F8F8; line-height:0; margin-top:40px; padding:50% 0; text-align:center; width:100%;"> <div style=" background:url(data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAAGFBMVEUiIiI9PT0eHh4gIB4hIBkcHBwcHBwcHBydr+JQAAAACHRSTlMABA4YHyQsM5jtaMwAAADfSURBVDjL7ZVBEgMhCAQBAf//42xcNbpAqakcM0ftUmFAAIBE81IqBJdS3lS6zs3bIpB9WED3YYXFPmHRfT8sgyrCP1x8uEUxLMzNWElFOYCV6mHWWwMzdPEKHlhLw7NWJqkHc4uIZphavDzA2JPzUDsBZziNae2S6owH8xPmX8G7zzgKEOPUoYHvGz1TBCxMkd3kwNVbU0gKHkx+iZILf77IofhrY1nYFnB/lQPb79drWOyJVa/DAvg9B/rLB4cC+Nqgdz/TvBbBnr6GBReqn/nRmDgaQEej7WhonozjF+Y2I/fZou/qAAAAAElFTkSuQmCC); display:block; height:44px; margin:0 auto -44px; position:relative; top:-22px; width:44px;"> </div></div><p style=" margin:8px 0 0 0; padding:0 4px;"> <a href="https://www.instagram.com/p/CKPYHOdslsr/" style=" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;" target="_top"></a></p> </div></blockquote></div><p><strong></strong><strong>Studio:</strong> Performance Edge 2</p><p><strong>Age:</strong> 16</p><p><strong>Competition:</strong> New York City Dance Alliance, Orlando, FL</p><p><strong><em>Dance Spirit</em>: What did it feel like to attend your first in-person competition since March 2020?</strong></p><p>Mason Evans:<strong> </strong>"It was nice to just be there, around people with the same passions after being away for so long. Over quarantine I did a lot of self-reflection about both my dancing and myself. Now, I have the urge to get out and show what I have discovered creatively, so being back onstage was really fun."</p><p><strong><em>DS</em>: What were some of the differences you noticed about this competition versus those pre-pandemic?</strong></p><p>ME: "You could feel the difference in the energy from the audience while competing. There were a lot less people than usual, and I felt it lacking."</p><p><strong><em>DS</em>: What were some of the things you missed about in-person competition/convention while you were away?</strong></p><p>ME: "I really missed the chance to observe others in person. As a dancer, we get to watch, analyze and adopt things we like. Not doing that for a while was really hard. But seeing people now, it's like we never skipped a beat. We still have that same connection."</p><p><strong><em>DS</em>: Were there any unexpected nerves from being out of performance practice? How did you work through them?</strong></p><p>ME: "Actually, no: I felt the opposite. Being locked away in my mind for so long, I gained a lot of confidence and stopped being nervous about the stage. I was looking forward to it because it had been taken away from me. It's not a burden—I don't dread it, I'm just excited."</p>Selena Hamilton
<div id="dfd57" class="rm-shortcode" data-rm-shortcode-id="c61142343c4fdcff501936ad3567d0f3"><blockquote class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/CLe5ktsjVb2/" data-instgrm-captioned data-instgrm-version="4" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:658px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"> <div style="padding:8px;"> <div style=" background:#F8F8F8; line-height:0; margin-top:40px; padding:50% 0; text-align:center; width:100%;"> <div style=" background:url(data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAAGFBMVEUiIiI9PT0eHh4gIB4hIBkcHBwcHBwcHBydr+JQAAAACHRSTlMABA4YHyQsM5jtaMwAAADfSURBVDjL7ZVBEgMhCAQBAf//42xcNbpAqakcM0ftUmFAAIBE81IqBJdS3lS6zs3bIpB9WED3YYXFPmHRfT8sgyrCP1x8uEUxLMzNWElFOYCV6mHWWwMzdPEKHlhLw7NWJqkHc4uIZphavDzA2JPzUDsBZziNae2S6owH8xPmX8G7zzgKEOPUoYHvGz1TBCxMkd3kwNVbU0gKHkx+iZILf77IofhrY1nYFnB/lQPb79drWOyJVa/DAvg9B/rLB4cC+Nqgdz/TvBbBnr6GBReqn/nRmDgaQEej7WhonozjF+Y2I/fZou/qAAAAAElFTkSuQmCC); display:block; height:44px; margin:0 auto -44px; position:relative; top:-22px; width:44px;"> </div></div><p style=" margin:8px 0 0 0; padding:0 4px;"> <a href="https://www.instagram.com/p/CLe5ktsjVb2/" style=" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;" target="_top"></a></p> </div></blockquote></div><p><strong></strong><strong>Studio: </strong>Project 21</p><p><strong>Age: </strong>16</p><p><strong>Competition: </strong>Radix Dance Convention, Phoenix, AZ</p><p><strong><em>Dance Spirit</em>: What did it feel like to attend your first in-person competition since March 2020?</strong></p><p>Selena Hamilton:<strong> </strong>"It was pure joy. I felt like everyone could finally see what my teachers and friends and I have been working so hard on over these difficult months."</p><p><strong><em>DS</em>: What were some of the differences you noticed about this competition versus those pre-pandemic?</strong></p><p>SH: "The changes to competition weren't my favorite. We had time blocks where we only had five dances between each performance. There was no catching our breath, just changing and running back to the stage. By the time we got to the last dance we were all really low-energy, and we had to push through." </p><p><strong><em>DS</em>: What were some of the things you missed about in-person convention/competition while you were away?</strong></p><p>SH: "I attended Nationals online, which just wasn't the same. Teachers couldn't correct us one-on-one. I lose focus easily, so staring at my laptop was hard for me. It was great to come back."</p><p><strong><em>DS</em>: Were there any unexpected nerves from being out of performance practice? How did you work through them?</strong></p><p>SH: "Definitely—I was so stressed out. I hadn't learned choreography from these challenging teachers in such a long time. I was getting comfortable at my studio, and I knew the weekend would be tough."</p><p><strong><em>DS</em>: How did your competition preparation differ from before?</strong></p><p>SH: "It was harder to have outside choreographers come in. To protect our team members, we didn't go outside of our studio bubble. We had to keep masks on and stay six feet away from them the whole time they were there. We don't want to ruin things for each other, so we stay safe."</p><div style="padding: 20px 0 40px;">
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Ruby Castro
<div id="6cfe1" class="rm-shortcode" data-rm-shortcode-id="797486dbc950425b02be97690f5aea3d"><blockquote class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/CK2pIDoBxLf/" data-instgrm-captioned data-instgrm-version="4" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:658px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"> <div style="padding:8px;"> <div style=" background:#F8F8F8; line-height:0; margin-top:40px; padding:50% 0; text-align:center; width:100%;"> <div style=" background:url(data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAAGFBMVEUiIiI9PT0eHh4gIB4hIBkcHBwcHBwcHBydr+JQAAAACHRSTlMABA4YHyQsM5jtaMwAAADfSURBVDjL7ZVBEgMhCAQBAf//42xcNbpAqakcM0ftUmFAAIBE81IqBJdS3lS6zs3bIpB9WED3YYXFPmHRfT8sgyrCP1x8uEUxLMzNWElFOYCV6mHWWwMzdPEKHlhLw7NWJqkHc4uIZphavDzA2JPzUDsBZziNae2S6owH8xPmX8G7zzgKEOPUoYHvGz1TBCxMkd3kwNVbU0gKHkx+iZILf77IofhrY1nYFnB/lQPb79drWOyJVa/DAvg9B/rLB4cC+Nqgdz/TvBbBnr6GBReqn/nRmDgaQEej7WhonozjF+Y2I/fZou/qAAAAAElFTkSuQmCC); display:block; height:44px; margin:0 auto -44px; position:relative; top:-22px; width:44px;"> </div></div><p style=" margin:8px 0 0 0; padding:0 4px;"> <a href="https://www.instagram.com/p/CK2pIDoBxLf/" style=" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;" target="_top"></a></p> </div></blockquote></div><p><strong></strong><strong>Studio:</strong> Dancetown Miami</p><p><strong>Age:</strong> 17</p><p><strong>Competition:</strong> JUMP Dance Convention, Miami, FL</p><p><strong><em>Dance Spirit</em>: What did it feel like to attend your first in-person competition since March 2020?</strong></p><p>Ruby Castro:<strong> </strong>"I was really excited to be on a stage and get ready for a competition again. In a way, it was a good wake-up call to really appreciate what I had before."</p><p><strong><em>DS</em>: What were some of the differences you noticed about this competition versus those pre-pandemic?</strong></p><p>RC: "Doing everything in a mask is not ideal because breathing is so important for dance. Still, I would rather it be that way than not compete at all."</p><p><strong><em>DS</em>: What were some of the things you missed about in-person convention/competition while you were away?</strong></p><p>RC: "More than anything I missed being inspired by dancers standing next to me. When I came back, I realized how much the energy of others rubs off on me—in both good ways and bad."</p><p><strong><em>DS</em>: Were there any unexpected nerves from being out of performance practice? How did you work through them?</strong></p><p>RC: "Yes. When we first started rehearsing again for competition, I was overwhelmed. I didn't realize how much I was dancing before the pandemic until I tried to get back into it. Doing hard numbers back-to-back is really difficult, and this was a wake-up call."</p>Ella Horan
<div id="1a39b" class="rm-shortcode" data-rm-shortcode-id="8f77eee264f0c7939a982c76a7b9b24a"><blockquote class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/CKeqTJ6hbJm/" data-instgrm-captioned data-instgrm-version="4" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:658px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"> <div style="padding:8px;"> <div style=" background:#F8F8F8; line-height:0; margin-top:40px; padding:50% 0; text-align:center; width:100%;"> <div style=" background:url(data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAAGFBMVEUiIiI9PT0eHh4gIB4hIBkcHBwcHBwcHBydr+JQAAAACHRSTlMABA4YHyQsM5jtaMwAAADfSURBVDjL7ZVBEgMhCAQBAf//42xcNbpAqakcM0ftUmFAAIBE81IqBJdS3lS6zs3bIpB9WED3YYXFPmHRfT8sgyrCP1x8uEUxLMzNWElFOYCV6mHWWwMzdPEKHlhLw7NWJqkHc4uIZphavDzA2JPzUDsBZziNae2S6owH8xPmX8G7zzgKEOPUoYHvGz1TBCxMkd3kwNVbU0gKHkx+iZILf77IofhrY1nYFnB/lQPb79drWOyJVa/DAvg9B/rLB4cC+Nqgdz/TvBbBnr6GBReqn/nRmDgaQEej7WhonozjF+Y2I/fZou/qAAAAAElFTkSuQmCC); display:block; height:44px; margin:0 auto -44px; position:relative; top:-22px; width:44px;"> </div></div><p style=" margin:8px 0 0 0; padding:0 4px;"> <a href="https://www.instagram.com/p/CKeqTJ6hbJm/" style=" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;" target="_top"></a></p> </div></blockquote></div><p><strong></strong><strong>Studio: </strong>Westside Dance Project</p><p><strong>Age:</strong> 16</p><p><strong>Competition:</strong> Radix Dance Convention, Phoenix, AZ</p><p><strong><em>Dance Spirit</em>: What did it feel like to attend your first in-person competition since March 2020?</strong></p><p>Ella Horan:<strong> </strong>"There was magic that happened when everyone came together. I can't really explain it. The whole weekend was a dream. We got to indulge in the in-person, live experience, which was so missed. Dance connects us in such a beautiful way."</p><p><strong><em>DS</em>: What were some of the differences you noticed about this competition versus those pre-pandemic?</strong></p><p>EH: "The room had a big transformation in energy. Honestly, we had all taken for granted how special it is to be together."</p><p>"Beyond that, Radix requires masks for everyone at all times. Temperatures were taken before walking in. If you wanted to grab a drink of water, you could step outside. They taped squares on the floor and advised us to dance within them. Other than that, it was as normal as you could get right now."</p><p><strong><em>DS</em>: Were there any unexpected nerves from being out of performance practice? How did you work through them?</strong></p><p>EH: "Nerves definitely got the best of me. I went into this extreme mode where I was like, 'OK, first convention back—gotta be on my A game.' Thankfully for me, nerves are something that help me improve. I do better under pressure." </p><p><strong><em>DS</em>: How did your competition preparation differ from before?</strong></p><p>EH: "The pandemic caused changes to space, time and room availability, which affected my preparation. You have to take advantage of every bit of time you have. Before I left for Radix, I stayed after my ballet class for five hours to rehearse my solo and technique. I indulged because I didn't know when I could again."</p>
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Feb 26, 2021
Because the future of Black dance is happening right now (Braylon Browner photographed by Rhiannon Lee, courtesy Braylon Browner)
Celebrating Black Futures Month: 4 Up-and-Coming Black Dancers Making History Right Now
Throughout the month of February, many Americans celebrate Black History Month, a period of the year dedicated to honoring the contributions of Black figures to American culture and society.
The lesser-known Black Futures Month, which is also celebrated in February—and often in conjunction with BHM—looks to art and artists to envision an equitable future for Black Americans. At Dance Spirit, we're celebrating #BlackFuturesMonth by spotlighting four young Black dancers whose dance journeys are proving that the future of Black dance is bright.
Jada Walker
<img lazy-loadable="true" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yNTY5MzkxMS9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYyNTY0ODk2NX0.kg3rDFXXDbEYWVnTAc2Ch-21ztaOhGeRSPysy1NAG7g/img.jpg?width=980" id="0b905" class="rm-shortcode" data-rm-shortcode-id="a1f652462cfc1667e11430dafca78c2c" data-rm-shortcode-name="rebelmouse-image" alt="Jada Walker poses in a photo studio. She wears brown pointe shoes, and a black leotard with a black long-sleeved turtleneck over it. Her long brown hair is in one braid, pulled in front of her shoulder and braided with bright yellow flowers, which match her large, yellow earrings. She wears dramatic yellow eyeliner, and her eyes are closed. She poses off balance, with one leg extended in a tilt position, both feet flexed. Her arms are bent." data-width="1000" data-height="1329" />Photo by Lee Gumbs, courtesy Jada Walker
<p>You may recognize <a href="https://www.instagram.com/jadaa.walker/" target="_blank">Jada Walker</a> as <a href="https://radixdance.com/" target="_blank">RADIX Dance Convention</a> 2020–21 Senior Female Core Performer winner, but the 20-year-old <a href="https://kaufman.usc.edu/" target="_blank">USC Glorya Kaufman School of Dance</a> sophomore is a versatile talent who says she's determined to make her mark—on more than just the competition-dance world. In fact, the Houston, TX, resident, who takes her college courses remotely, has already started branching out: She was recently featured in R&B superstar <a href="https://www.youtube.com/watch?v=exKC1W-Tu_U" target="_blank">Brandy's official music video for the single "Baby Mama,"</a> directed by Derek Blanks and creative directed by Frank Gatson Jr., and choreographed by Jakevis Thomason.</p><p>But Walker's journey to this point in her career hasn't been without its challenges. "I have faced much discrimination," she says, "simply because of my body type, which to others reads: 'She must be about to bust a hip-hop move or a jazz routine onstage' or 'She doesn't look like she has the technique, feet or facility to execute a contemporary dance.' "</p><p>Such judgments have only fueled Walker to train harder—and to look towards her promising future. Walker says she eventually sees herself touring with major recording artists, owning a dance convention or studio, and choreographing—and starring in—movies and music videos. But she also has dreams outside the dance realm, which she sees as an extension of her creativity. "I have so many aspirations that start with my dance career that I can see taking me in many different directions, such as fashion and makeup," Walker says. "I'd love to have my own production company that represents makeup artists, stylists and more."</p><h4>Fast Facts</h4><p><strong>Favorite TikTok dance/challenge?</strong> #UpChallenge</p><p><strong>Favorite song to dance to right now?</strong> "All Good," by Jhené Aiko</p><p><strong>Favorite dancer/choreographer at the moment?</strong> "There are so many, but some of the dancers include Briana Morrison, Selena Hamilton, and Tyrik Patterson. Choreographers include Diana Matos, JaQuel Knight and William Forsythe."</p><p><strong>Favorite style of dance?</strong> "I don't have a favorite. I work equally hard in every style, so I can be as versatile as possible."</p><p><strong>Favorite convention/intensive/summer program?</strong> "Any Break the Floor production."</p>Keenan Mentzos
<img lazy-loadable="true" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yNTY5MzkyMy9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTY2MzI1ODEzMn0.v-akTnIJd1WQyIPG3qkEeOfWC8UYlgeLFXOvjPMKhzs/img.jpg?width=980" id="98582" class="rm-shortcode" data-rm-shortcode-id="67f86a1af272ee200ec32009dfb54fda" data-rm-shortcode-name="rebelmouse-image" alt="Keenan Mentzos dances on a sandy beach next to a lake. He wears orange dance tights, and is bare-chested. He is in a dramatic split jump, his arms extended behind him, his head tilted back towards the sky. He is surrounded by pine trees, blue skies, and sunshine." data-width="1000" data-height="667" />Photo by Meghan Purdy, courtesy Keenan Mentzos
<p>When 11-year-old <a href="https://www.instagram.com/keenan_mentzos/" target="_blank">Keenan Mentzos</a> isn't training at his home studio, PULSE Dance Centre, the Vancouver native is busy scoring big at some of the most prestigious competitions. In fact, it was just last year the dance prodigy was awarded the national title of Mini Male Best Dancer at <a href="https://thedanceawards.com/" target="_blank">The Dance Awards</a>. Equally exciting, he says? Competing at a regional <a href="https://yagp.org/" target="_blank">Youth America Grand Prix</a> event for the first time in 2020 and being awarded 1st and 3rd places for his solos—a feat for <em>any</em> dancer, but especially for a first-timer.</p><p>Keenan loves being able to express his feelings through movement. But the pandemic has limited his access to dance classes and performance opportunities. "I think my biggest obstacle so far, like most dancers, has been COVID-19 restrictions and not being able to go to the studio for classes—<em>and</em> having most dance competitions canceled," he says. "I had also qualified for the YAGP finals in New York, but, unfortunately, that event was postponed. It would have been amazing to travel to NYC."</p><p>Luckily, Keenan isn't letting any of that keep him down. He has high hopes for the future, including one day dancing with the world-renowned <a href="https://www.roh.org.uk/about/the-royal-ballet" target="_blank">Royal Ballet</a> in London.</p><h4>Fast Facts</h4><p><strong>Favorite TikTok dance/challenge?</strong> "I have done some challenges with friends, but I don't have TikTok, so I can't remember!" </p><p><strong>Favorite song to dance to right now?</strong> "Hold Me While You Wait," by Lewis Capaldi</p><p><strong>Favorite dancer/choreographer at the moment?</strong> Dancer: Brady Farrar; choreographer: "It's hard to choose one because I love all of my teachers at PULSE Dance Centre. They create beautiful pieces of art for us to perform!"</p><p><strong>Favorite style of dance?</strong> "My two favorite styles of dance are ballet and contemporary. I love ballet music, and I love that in contemporary we get to tell stories through our dances."</p><p><strong>Favorite convention/intensive/summer program?</strong> "I love doing Break the Floor conventions. I also hope to attend the Royal Ballet summer intensive when we can travel again."</p>Rebecca Stewart
<img lazy-loadable="true" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yNTY5MzkzMi9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYzMzM3MjkyNn0.DqoH3hVa5F85RyNai64sTpBZU2yeqalynkIDdKdAoHc/img.jpg?width=980" id="2e6b8" class="rm-shortcode" data-rm-shortcode-id="0845e515f8b94502dad0c5387296883e" data-rm-shortcode-name="rebelmouse-image" alt="Rebecca Steward performs onstage. She wears brown ballet shoes, black dance shorts, and a high-necked black leotard. She stands on one leg, her other leg extended in a high developp\u00e9 to the side. One art stretches towards her raised foot, and the other is soft beside her ear, as though she is listening. Her eyes gaze slightly upwards. She is surrounded by a purple backdrop and light." data-width="1000" data-height="667" />VAM Productions, courtesy Rebecca Stewart
<p>In July 2019, while attending <a href="http://nycdance.com/" target="_blank">New York City Dance Alliance's</a> national finals, Rebecca Stewart auditioned for the role of Clara in the world-famous <em><a href="https://www.rockettes.com/christmas/" target="_blank">Christmas Spectacular Starring the Radio City Rockettes</a></em>. After a long audition process, she was selected as one of three dancers to perform the role. And that October, Rebecca says, "My mom and I began our three-month stay in NYC, while I rehearsed and then performed almost daily in the show." The experience, which included dancing alongside the legendary Rockettes, was unforgettable for Rebecca.</p><p>While the Maryland-based dancer, who trains at <a href="https://www.citydance.net/Training-Classes/School-and-Conservatory/Conservatory/Auditions-Registration" target="_blank">CityDance School & Conservatory</a> in North Bethesda, has a number of successes under her belt, she says there are still times she's confronted with the reality of being Black in the dance community. "Due to underrepresentation that occurs in various pockets of the dance world," she says, "I have to remind myself that I truly belong in the spaces in which I have danced. Being confident in my ability in any environment and in any circumstance has been crucial to my dance journey as a Black artist."</p><p>When asked about her favorite part about dancing, Rebecca cites a dancer's ability to stir emotion and create change through their work. "And I think it's so important to cherish that," she says, "because it's not something that everyone can do."</p><p>She adds: "Dancing is a real power, and I'm so blessed to have it in my life."</p><h4>Fast Facts</h4><p><strong>Favorite TikTok dance/challenge?</strong> #CorvetteDance</p><p><strong>Favorite song to dance to right now?</strong> "I really love 'Self,' by Khalid!"</p><p><strong>Favorite dancer/choreographer at the moment?</strong> "My favorite choreographer right now is Wayne McGregor. His work is so mesmerizing!"</p><p><strong>Favorite style of dance?</strong> "Ballet is my favorite style of dance, but I love contemporary and lyrical, as well."</p><p><strong>Favorite convention/intensive/summer program?</strong> "NYCDA is my favorite dance convention, and I have been going there ever since I was 9. I also had the opportunity to participate in the American Ballet Theatre and Royal Ballet School virtual summer intensives this past year, both of which I enjoyed immensely!"</p><div style="padding: 20px 0 40px;">
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Braylon Browner
<img lazy-loadable="true" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yNTY5MzkzOC9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYyNTE1NTc0M30.OxfeohknGHDHzMDP4CGePYvhH0zMHhx2V8dU5e4sf2k/img.jpg?width=980" id="90748" class="rm-shortcode" data-rm-shortcode-id="73d667ab94bd3592ab871596c5196a83" data-rm-shortcode-name="rebelmouse-image" alt="Braylon Browner dances in the midst of a patio, columns in the background. He wears black socks, black pants, a black belt, and a black long-sleeved turtleneck. He jumps, his legs and arms extended behind him, and seems to be suspended in the air." data-width="1000" data-height="1250" />Photo by Rhiannon Lee, courtesy Braylon Browner
<p>Braylon Browner is a choreographer's dream: He's proficient in a range of dance techniques, has gorgeous extensions (just check out his Instagram!) and <em>soars</em>, holding space for what seems like forever, when he leaps through the air. And all that talent has helped him snag some of the highest honors for a young dancer, from being a top competitor at dance conventions to working with TV personality and dance teacher Abby Lee Miller.</p><p>But as the 10th-grade student, who trains at <a href="https://www.txdanceworksplus.com/" target="_blank">Dance Works +Plus</a> in Texas, has continued to explore his artistry, he's found a new love: creating his own work. "I'm proud of my transition to choreography—finding and growing in my own unique style," Braylon says.</p><p>With hopes of someday choreographing for a major recording artist—and winning an Emmy, too!—Braylon says he loves all the incredible people he gets to connect with on his dance journey. "I also love the fact that you can never be 'perfect' as a dancer, so you constantly learn and grow," he says. "It's just what I love to do!"</p><h4>Fast Facts</h4><p><strong>Favorite TikTok dance/challenge?</strong> "I love 'comedy TikTok'—anything that makes me laugh."</p><p><strong>Favorite song to dance to right now?</strong> "Cherry Hill," by Russ</p><p><strong>Favorite dancer/choreographer at the moment?</strong> Taylor Tsvyetkov and Travis Wall</p><p><strong>Favorite style of dance?</strong> Contemporary</p><p><strong>Favorite convention/intensive/summer program?</strong> Break the Floor and NYCDA</p>
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