Dear Katie: How Can I Practice Partnering When There Are No Boys at My School?
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email email@example.com for a chance to be featured!
I really want to improve my pas de deux skills, but there are no boys at my studio—or at any of the studios nearby! How can I practice partnering without a partner?
You're not alone! Many girls, myself included, grow up at a studio without boys. But the first rule of partnering is not to depend on the guy to do everything for you. There's plenty you can work on independently that will make you the best partner you can be once your prince appears.
It's especially critical to find and hold your center, so that you can get on your leg without a partner's help. Try out balances and get a feel for proper promenade positions at the barre. To prep for arabesque promenades, for example, face the barre as if it were your partner, piqué up to arabesque on your right leg, and place only your right hand on the barre. Make sure to stay square and keep your back lifted. Stay there for as long as you can, attempt to balance without holding on to the barre, and then repeat on the other side.
You can also prepare for pirouettes by being careful to stay forward in your turns, since falling backwards is the number-one thing that kills partnered pirouettes. And think about going straight up into the turn and straight down out of it. Any leaning or twisting could pull the (currently imaginary) guy over.
For more of Katie's helpful tips and advice, click here.
Kyle Van Newkirk is a tap dancer you probably remember from the premiere season of NBC's World of Dance. In case you missed it, he is also one of Showstopper's incredible convention teachers. What makes Kyle stand apart from some of today's other incredible tappers? He isn't afraid to change what tap means to his audience and even himself. This modern view of tap dancing is important because it shows us that tap dancers are just as versatile and dynamic as dancers of any other genre. We sat down with Kyle to get his advice on bringing tap dancing into the 21st century.
Sure, dancers definitely have some unique identifying characteristics. (We're all obsessed with Center Stage? FACT.) But we're also subjected to all kinds of annoying, inaccurate stereotyping. Here are 10 dancer stereotypes that we never want to hear again.
They say there's no "I" in "team"—and nowhere is that truer than the world of college dance teams, where precision reigns, uniformity is key, and a single misstep from any given "I" can cost a group a championship trophy. So it's unsurprising that securing a spot on one of the best dance teams in the country is no easy feat.
Members of these highly athletic teams rehearse for hours every week—on top of academic classes and commitments—and perform at football and basketball games, annual concerts, and nationally televised competitions (hi, ESPN). And "no I" rule notwithstanding, each of these top teams is made up of highly trained, highly technical, highly hard-core individuals, who come together to create a ready-for-victory pack.
These six teams aren't one-off success stories—they're consistently strong, and earn the top spots at major competitions like UDA and NDA nearly every year. Up for the challenge? Here's what to know before you go to auditions.
When Janet Jackson puts out a call for new dancers, basically the ENTIRE WORLD responds. More than 75,000 people entered Jackson's epic #DanceWithJanet contest, announced earlier this spring, which let hopefuls from around the globe audition via social media for a chance to perform with the icon.
So, out of those tens of thousands, who became the newest members of the #JTribe? Meet Phillip Galbert and L'Vala "Lala" Moss, the winners of the competition. Last night, they joined Janet onstage at the Billboard Music Awards. And they more than earned their place in the spotlight.
The Glorya Kaufman International Dance Center is the 54,000 square foot home of the USC Glorya Kaufman School of Dance, one of the largest facilities dedicated to dance on a private university campus. Designed for their innovative new curriculum, that supports a range of dance styles, the school's staff designated Harlequin to provide wall-to-wall flooring for the large 3,500 square foot Performance Studio as well as five dance studios in their new state-of-the-art building.
Last May, we told you about a special exhibition of the Mark Ryden artwork that sparked Alexei Ratmansky's sweet-treat of a ballet, Whipped Cream. Well, hold on to your tiaras, bunheads, because there's a brand-new exhibit featuring actual costumes from this megahit production. The Nutcracker's Land of Sweets has some serious competition!
DancerPalooza, America's Largest Dance Festival, is moving to sunny SAN DIEGO, California from July 24-29, 2018.
Check out all of the NEW Intensives DancerPalooza has to offer this year!
Picture this: You've scored tickets to Ellen DeGeneres' hit show, "Ellen." The day has come, the show is as hysterical as ever, Ellen is debating the biggest hot-button issue since the blue/black or white/gold dress, "Laurel vs. Yanny" (side note: it's LAUREL, people), and tWitch is killing it over at the DJ booth, as always. Ellen decides it's the perfect time to single out an audience member and, lo and behold, that person is "SYTYCD" champ ( and December 2017 cover star!) Lex Ishimoto.
If diamonds are a girl's best friend, it's safe to say that faux-diamond earrings are a dancer's best friend. A fixture onstage at just about every competition weekend, these blinged-out baubles are also the surest sign that recital season is upon us again. And what better way to get into the sparkly spirit than by drooling over these 5 diamonds in the rough? (Sorry not sorry!)