Definitive Proof that Isabella Boylston Is A Fairy Princess
Dance celebs are having quite a moment in the mainstream media right now, and let me tell you: I am ALL about it. The entire DS team has been living for Elle magazine's "The Movement" video series, not to mention Kween Misty's presence in just about every print or online media outlet.
My current dancers-in-the-non-dance-world obsession is SELF's video chronicling "Beauty Lessons We Can All Learn From Ballet Dancer Isabella Boylston." In addition to the American Ballet Theatre principal dancer's practical advice on what kind of makeup works for class and rehearsal (#blessup), this is basically a flawless minute of Boylston swirling around a sunlit studio, clad in 3.1 Phillip Lim and Fendi, all the while casually dropping major truth bombs about inner beauty and ballet. Yeah, you're welcome.
(From left) Darriel Johnakin, Diego Pasillas, and Emma Sutherland (all photos by Erin Baiano)
Dance Spirit's 2019 Cover Model Search finalists: Darriel Johnakin, Diego Pasillas, and Emma Sutherland! One of them will win a spot on Dance Spirit's Fall 2019 cover. Learn more about the dancers by clicking on their names here:
vote for your favorite below. You can vote once a day now through July 15.
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get social! We'll be factoring social media likes and shares into our final tallies. Be sure to show your favorite finalist some love on Facebook, Instagram, and Twitter, sharing their profile pages and using the hashtag #DanceSpiritCMS.
When it comes to injury-prone body parts, knees reign supreme for dancers. But a little strengthening can go a long way in preventing painful outcomes. We turned to Dirk Hartog, a physical therapist with Westside Dance Physical Therapy in NYC, for three exercises that'll support and stabilize your knees.
James Whiteside (Jayme Thornton for Dance Magazine)
Say you're perpetually impeccable designer Thom Browne. Say you're planning your Spring 2020 Paris menswear show along a "Versailles country club" theme. Say you want a world-class danseur to open the show with some kind of appropriately fabulous choreography.
Who do you call? James Whiteside, of course. On Saturday, the American Ballet Theatre principal—wearing pointe shoes and a glorious pinstriped tutu—kicked off Browne's presentation at the École des Beaux-Arts with a 15-minute, show-stealing solo. Whiteside choreographed the piece himself, with the help of detailed notes from the designer.