Bodies soar through the air, bend at unnerving degrees and appear to lose limbs without warning—and this is all just in the first act! For the past 25 years MOMIX, a company comprised of dancer-illusionists, relies on the combination of black lights and fluorescent costumes to put forth visual images which can only be described as animation. Dance takes on a truly unique form of art in director Moses Pendleton’s “Lunar Sea Performance”—in which the actual choreography is just one part of the many aspects that make it a piece of art.
From May 27th to June 8th, audience members packed the Joyce Theater to experience this surreal magic, I rushed in to the theater June 4th to grab my seat and wait for a piece of the magic. The show began in complete darkness, with half of each dancer’s body illuminated by the black light. In a powerful piece that started with original partnering and complex choreography, I found my senses immediately heightened. The show continued as I tried to make sense of the unnatural shapes on stage. I attempted to see the other half of the body that was kept in darkness as well as the extra person that must have been supporting the dancer as she spiraled through the air at an impossibly high height.
As the second act began, I put my need for logic on the backburner and became truly immersed in a world of magic in which dancers fly and objects transform from dancing screws to vindictive spiders. My decision was rewarded as later on in the second act dancers clad in bright green costumes with yoga exercise balls graced the stage (with al of the stage lights on)! For the first time, we could clearly witness each dancers’ bright smiles, effortless movement and soaring confidence. Perhaps the magic isn’t just in the illusion but, rather, in these dancers who exhibited uncharacteristic physical strength and creativity.
During the show my fellow MOMIX attendees may have given in and put their need for explanation behind them (just as I did in the second act). Or they may have chose to tap their feet anxiously while trying to uncover how a dancer can swim mid-air from stage right to stage let. Whatever path they took, I assure you they came out with a lasting impression. The constant use of lighting effects coupled with the sheer physical strength of the MOMIX dancers leave audience members with what can only be described as an eye-popping, mind-tripping experience.
(From left) Darriel Johnakin, Diego Pasillas, and Emma Sutherland (all photos by Erin Baiano)
Dance Spirit's 2019 Cover Model Search finalists: Darriel Johnakin, Diego Pasillas, and Emma Sutherland! One of them will win a spot on Dance Spirit's Fall 2019 cover. Learn more about the dancers by clicking on their names here:
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Madison Jordan and Jarrod Tyler Paulson brought their real-life romance to the audition stage. (Adam Rose/FOX)
It's usually right around the third or fourth week of "So You Think You Can Dance" audition rounds that we start itching for the live shows. Sure, the auditions are fun, inspiring, and entertaining, but at a certain point, we reach audition saturation. (And the live shows are just so good and feature so much more Cat Deeley.)
All that said, Nigel and co. kept things spicy this week, so our attention remained firmly glued to the screen. (It's been 16 seasons—who are we to doubt Nigel Lythgoe, sir?) Here's how it all went down.
When it comes to injury-prone body parts, knees reign supreme for dancers. But a little strengthening can go a long way in preventing painful outcomes. We turned to Dirk Hartog, a physical therapist with Westside Dance Physical Therapy in NYC, for three exercises that'll support and stabilize your knees.