"DWTS" Week 4 Recap: Most Memorable Year
ABC might as well re-name this episode "All The Feels." Just about every dance was a genuine tearjerker—and, as a rule, I am so not a crier, y'all. That said, certain numbers stood out for amaaaaaaazing or awkward reasons. In keeping with the emotional roller coaster theme of last night, here are our (highly subjective) highs and lows from Week 4.
Low: Nick and Peta's rumba. Major props to Ms. Murgatroyd, not only for providing every last smidgen of the technique and sparkle in this bizarre Bachelor-themed version of "Shape of You," but also for putting up with Nick's gaze firmly fixed on the floor. Just when you thought things couldn't get more palpably awkward, Nick's fiancée Vanessa Grimaldi appeared at the end for a very long, very graphic smooch. No one wants to see that much PDA, "DWTS" producers. (But we love you, Peta. Keep fighting the good fight.)
High: Heather and Alan's cha cha. This number had all the ingredients for a perfect "Most Memorable Year": touching backstory all about family (cue the awwwwwww's), a deep connection to the song and—oh yeah—some seriously flawless fancy footwork! Plus the brief cameo appearance by Morris's real-life husband was more natural than some others on the episode. (Yes, I am giving you serious side eye right now, Nick.)
- Rashad and Emma's contemporary (I'm not crying, you're crying!)
- Bonner and Sharna's foxtrot. Dance heals, y'all. For proof, check out the full video:
- Erika and Gleb's disappointing cha cha. Spacey "stage presence" and a general lack of confidence doomed what could have been an AMAZING Madonna tribute number.
- Mr. T getting sent home. I know he wasn't exactly slaying the competition, but what a cutie! I'll miss his enthusiasm and good-natured presence.
Rapping, dance duo Ayo & Teo may still want "ice on their wrists so (they) look better when (they) dance," as they're 2017 chart topping song, "Rolex" says, but the two are featuring a more unusual accessory in their recent dance routine: The cotton swab. After teaming up with DoSomething.org for the Give A Spit About Cancer campaign, Ayo & Teo are encouraging people to join the national bone marrow registry and donate marrow for those suffering from blood cancer.
Looking for your next audition shoe? Shot at and in collaboration with Broadway Dance Center, Só Dança has launched a new collection of shoes working with some pretty famous faces of the musical theater world! Offered in two different styles and either 2.5" or 3" heels, top industry professionals are loving how versatile and supportive these shoes are! Pro tip: The heel is centered under the body so you can feel confident and stable!
As a teenager, contemporary dancer Eveline Kleinjans felt like nothing she did was good enough. Auditioning for university dance programs paralyzed her: “I was so focused on every move I made and what people would think that I wasn't able to be free, to be myself," she says. And her intense perfectionism had real repercussions. “I'd get negative feedback saying, 'We don't see you.' "
Perfectionism is extremely common in the dance world, because dancers hold themselves to terrifically high standards. It's easy to get a little discouraged when you aren't improving as quickly as you want. But there's a difference between healthy self-criticism and an unhealthy obsession with perfection. How can you tell when your drive to be better has crossed the line—and what can you do to get back on track?
Partnering is hard enough as it is: You're trying to untangle technical snafus and synchronize your movements with those of another dancer, not to mention building the delicate trust required to catch and be caught, lift and be lifted. Throw a hostile or uncooperative partner into the mix, and you might wish you could take a pass on pas de deux. But don't give up! We asked the experts for tips on how to solve partnering's "relationship problems" as gracefully as possible.
Yes, they're quite possibly the cutest dance duo since, well, ever. But put Paige Glenn and Artyon Celestine onstage, and it's immediately clear they mean business. That was apparent to millions across the country last summer, when Artyon and Paige's unbelievable extensions, fearless turning, and infectious energy propelled them to the quarterfinals of "America's Got Talent." They've also appeared (together or individually) on "Little Big Shots," "Lip Sync Battle Shorties," "The Ellen DeGeneres Show," and "Access Hollywood Live"—not to mention the competition titles they've won as a pair.
"Simon Cowell came backstage during 'AGT' and told us, 'Go out there and do your best. They're going to like you.' "—Artyon
Showstopper has been making its impact on the dance world since 1978. Before then, dancers didn't have a stage to perform on, the opportunity to learn from peers, or a competitive outlet like most sports. Debbie Roberts recognized this missing piece in the dance community and that is how America's first and longest running dance competition, Showstopper, was born. Debbie taught dance for over 26 years and owned and operated her own dance studio for 20 years. She is now the owner and National Director of Showstopper, along side her husband, Dave Roberts. Dancer, teacher, business owner, author, and mother, Debbie has made dance her life's career.
With several Shaping Sound tours and TV credits like "So You Think You Can Dance," "Dancing with the Stars," and "Boardwalk Empire" to her name, you wouldn't expect Kate Harpootlian to be refreshingly down-to-earth. But that's exactly how she is: As soon as you start talking to the gifted dancer and choreographer, it becomes clear that she doesn't take herself too seriously. And she's happy to tell hilarious stories to prove it. (Ask her about the time she did a Mr. Peanut impression when Mia Michaels asked her to improvise, or the time she starred in a Japanese makeup commercial and had to do grand pliés wearing one pointe shoe and one flat shoe.)
That mixture of humor and grace is evident in Harpootlian's growing body of choreographic work. Her one-act show Better Late Than Never, for example, which premiered last summer, has a jazzy, West Side Story vibe, offsetting heavier moments with touches of whimsy. "There's always a balance in my work," Harpootlian says. "I want to use humor to balance out the darker aspects. It's like one of my friends once said: 'You make me laugh, and then you make me feel bad for laughing.' "
Winter is drawing to a close and you know what that means -- It's time to really kick this year into gear! Move U has done the research so you can find your best match, look good, and feel great this season with a twist unique to your team! Here are five looks to put your performance on the map in 2018.
We already knew Taylor and Reese Hatala can do anything. After all, they're both incredibly versatile dancers capable of serving up some serious face. And now the super siblings can add another title to their resumé: that of fashion magazine cover stars.
Last week Disney Channel star Sofia Wylie released a behind-the-scenes look at the making of her YouTube dance series. Along with some stellar dancing, the video shows the dance community featured in her "4k Dance Series" and the things they've learned from being a part of the dance project. And though the project features dance, we love that it also emphasizes supporting and building up fellow dancers.