We'd be willing to wear a Donald Duck costume if it meant we could join the "DWTS" cast for a Disneyland performance. (Photo by Kelsey McNeal, courtesy ABC)

"DWTS" Week 5 Recap: A Little Bit of Disney Magic

DISNEY! NIGHT! Disney Night on "Dancing with the Stars"! Sorry, but we're still not over the bedazzled amazing-ness that was last night's episode. If last week's lack of glitz and glamour left us feeling a bit underwhelmed, Disney Night made up for it doubly—starting with one of the best opening numbers we've seen in a minute (filmed on-site at Disneyland, nbd).

But what really made last night special was that it was top-to-bottom fun. The judges seemed a bit more light-hearted than usual (even perpetually-grumpy Len Goodman couldn't resist the magic of Disney), the sets and special effects were top-notch, and we got to watch all of our stars and pros transform into our favorite Disney characters. Plus, there was a sweet surprise at the end of the episode. In case you missed it, catch our highlights here.

Ally Brooke and Sasha Farber: Contemporary

Pop star Ally Brooke and her partner Sasha Farber came out of the gate strong with the first contemporary routine of the season. Though this style can be a real challenge on "DWTS," we couldn't get enough of Ally and Sasha's performance (or Ally's rhinestone-covered ballet shoes—can we get a pair?). The duo perfectly executed the naturalistic quality of the choreography, as well as some seriously jaw-dropping lifts. They earned the first 9s of Season 28, placing them at the top of the leaderboard with 27 out of 30.

Kel Mitchell and Witney Carson: Jazz

Please add "Kel Mitchell performing a High School Musical-inspired jazz routine" to the list of things we never thought we'd get to see, but sure are glad we did. That's the magic of Disney Night, folks! The ever-fabulous Witney Carson managed to perfectly capture Kel's endless energy and dazzling charisma with this routine, earning the duo two 9s and an 8 from the judges, for a total score of 26 out of 30.

Hannah Brown and Alan Bersten: Foxtrot

Before we get to the routine, we have a bone to pick with the "DWTS" special effects team: Can we chill it on the fog machine a little bit? This is a dance show, so we'd like to be able to see the contestants' footwork, please and thank you. Regardless, Hannah Brown and Alan Bersten delivered a graceful, dreamy foxtrot. Hannah even got a special shoutout from Len on her perfect foxtrot hold. The pair received two 9s and a 7, for a total of 25 out of 30.

Tinkerbell must have sprinkled a little pixie dust over the "DWTS" set, because we were given a fairytale happy ending to last night's episode: no elimination! All 10 couples were sent on to next week, and they all lived happily ever after...at least until the double elimination that's now looming.

What did you think of Disney Night? Who brought the Disney magic to the ballroom?

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A Letter from the Editor in Chief

Hi, dance friends. It is a strange time to be a person in the world, and an especially strange time to be a dancer. As the dance community faces the coronavirus crisis, a lot of you are coping with closed studios, canceled performances and competitions, and a general sense of anxiety about how your world will look going forward.

Yes, dancers are super resilient, and there's been a lot of inspiring community-building happening. #LivingRoomDances and Instagram dance parties and virtual ballet classes with the pros are wonderful. Dance can, and should, be a bright spot in the darkness. But that weird, empty feeling you have? It might be grief. The loss of the certainty of daily class, the loss of the promise of that big end-of-year performance—that's real. The dance studio has always been a safe place; it's especially hard not to have that outlet now, when you need it most.

We're here for you. We—and our friends at Dance Magazine, Pointe, Dance Teacher, The Dance Edit, and Dance Business Weekly—are doing our best to document the hurdles facing the dance industry, and to advocate for dancers in need. We're developing more online content that will help you maintain and improve your technique while you're at home, and process the mental and emotional fallout of all this upheaval. (You can keep up with the latest stories here.) And we're still making our print magazine. We have issues planned and shot, full of great dance stories and beautiful photos. We're not going anywhere.

We want to hear from you. Talk to us. Or dance to us. Or both. We won't stop moving, and you shouldn't, either.


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