Embrace Your Musical Theater "Type"
“As a teenager, I auditioned for Spring Awakening, only to realize it was a lot of blonde girls," says Skyler Volpe, a performer with brown, curly hair. This experience taught Volpe to research characters that would best fit not only her voice but also her look—such as her current role as Mimi in the Rent National Tour.
Not fitting certain character types, especially those based on looks or physicality, might feel limiting. But understanding your type makes you a smarter auditionee and helps you pinpoint which natural skills you should continue to home in on.
Ask the Right Questions
Understanding your type requires self-reflection about your look, personality and dance strengths. “The components of an actor's type are age, physicality and skill set," says casting director Benton Whitley. “What age can you read for? Are you serious or comical? Do you look sweet or quirky? Are you a tenor or pop-belting soprano?" Ask your teacher, choreographer or friend to help you identify your type. “My senior year of college, my professor helped me pick out audition outfits, talked about the dance styles that fit my body and gave examples of roles I would fit," says Mallory Nolting, who then landed a gig on the 42nd Street National Tour.
Kent State University students performing "Footloose" (photo by Bob Christy, courtesy Kent State)
Do Your Research
Nolting researches choreographers before auditioning to see what type of dancer they usually cast. “I took Randy Skinner's class before the 42nd Street audition to get a feel for his style," Nolting says. “I could picture myself fitting into the show. At the audition, Skinner recognized me from class!" Jo Rowan, dance chair at Oklahoma City University, advises taking as many different Broadway choreographers' classes as possible to figure out whose styles best fit your body and skill set.
Your overall look at an audition will be your first impression, so be sure your appearance
matches your vocal, dance and acting type. For example, Nolting, who sees herself as more of a showgirl, found a 1930s-style outfit for her 42nd Street audition. Terri Kent, the musical theater coordinator at Kent State University, encourages her girls to get makeovers to reflect their type: shorter, edgier hair and dramatic makeup for the powerhouse dancer, or soft curls and brighter makeup for the ingénue. Look at headshots from other Broadway performers to see how they let their personalities and types shine through.
Kent State's "Jane Eyre," directed by Terri Kent (photo by Bob Christy, courtesy Kent State)
Use Professional Help
Acquiring an agent will open up more audition opportunities, and can also help you figure out your specific type. “My agency and I discussed my strengths, then they started broadening my horizons by putting me up for gigs I wouldn't have felt confident enough to try myself," Volpe says. She trusts her agent to find her jobs where she fits in both her looks and her talents. “They know I look right for West Side Story, but I just don't have the voice for it," she says.
A casting director can also be a great tool for helping your audition success. Reach out to casting directors after an audition for feedback. But remember, “we hire people, not performers," Whitley says. “Don't apologize for what type you are, because if you're
honest and authentic, we can figure out where to place you. So do your research about what shows and characters are your type—but also make sure you're sharing you."
A version of this story appeared in the January 2017 issue of Dance Spirit.
Last May, we told you about a special exhibition of the Mark Ryden artwork that sparked Alexei Ratmansky's sweet-treat of a ballet, Whipped Cream. Well, hold on to your tiaras, bunheads, because there's a brand-new exhibit featuring actual costumes from this megahit production. The Nutcracker's Land of Sweets has some serious competition!
Kyle Van Newkirk is a tap dancer you probably remember from the premiere season of NBC's World of Dance. In case you missed it, he is also one of Showstopper's incredible convention teachers. What makes Kyle stand apart from some of today's other incredible tappers? He isn't afraid to change what tap means to his audience and even himself. This modern view of tap dancing is important because it shows us that tap dancers are just as versatile and dynamic as dancers of any other genre. We sat down with Kyle to get his advice on bringing tap dancing into the 21st century.
They say there's no "I" in "team"—and nowhere is that truer than the world of college dance teams, where precision reigns, uniformity is key, and a single misstep from any given "I" can cost a group a championship trophy. So it's unsurprising that securing a spot on one of the best dance teams in the country is no easy feat.
Members of these highly athletic teams rehearse for hours every week—on top of academic classes and commitments—and perform at football and basketball games, annual concerts, and nationally televised competitions (hi, ESPN). And "no I" rule notwithstanding, each of these top teams is made up of highly trained, highly technical, highly hard-core individuals, who come together to create a ready-for-victory pack.
These six teams aren't one-off success stories—they're consistently strong, and earn the top spots at major competitions like UDA and NDA nearly every year. Up for the challenge? Here's what to know before you go to auditions.
Turnout—a combination of rotational flexibility and the strength to properly hold that rotation—is the foundation of ballet. But it's also a source of frustration for many dancers. After all, not everyone (actually, hardly anyone) is born with 180-degree rotation. “When I first started dancing, my hip flexors were strong, but I was forcing my turnout without using the right muscles," remembers Amanda Cobb, a former dancer with The Washington Ballet.
The good news is that it's possible to both improve your turnout and to dance beautifully with less-than-perfect rotation. But there's a lot of misinformation out there about how turnout works and why it's important. To help separate fact from fiction, DS asked the experts to disprove six turnout myths.
Picture this: You've scored tickets to Ellen DeGeneres' hit show, "Ellen." The day has come, the show is as hysterical as ever, Ellen is debating the biggest hot-button issue since the blue/black or white/gold dress, "Laurel vs. Yanny" (side note: it's LAUREL, people), and tWitch is killing it over at the DJ booth, as always. Ellen decides it's the perfect time to single out an audience member and, lo and behold, that person is "SYTYCD" champ ( and December 2017 cover star!) Lex Ishimoto.
The Glorya Kaufman International Dance Center is the 54,000 square foot home of the USC Glorya Kaufman School of Dance, one of the largest facilities dedicated to dance on a private university campus. Designed for their innovative new curriculum, that supports a range of dance styles, the school's staff designated Harlequin to provide wall-to-wall flooring for the large 3,500 square foot Performance Studio as well as five dance studios in their new state-of-the-art building.
If diamonds are a girl's best friend, it's safe to say that faux-diamond earrings are a dancer's best friend. A fixture onstage at just about every competition weekend, these blinged-out baubles are also the surest sign that recital season is upon us again. And what better way to get into the sparkly spirit than by drooling over these 5 diamonds in the rough? (Sorry not sorry!)
DancerPalooza, America's Largest Dance Festival, is moving to sunny SAN DIEGO, California from July 24-29, 2018.
Check out all of the NEW Intensives DancerPalooza has to offer this year!
You could say that a perk of dancing with Los Angeles Ballet is its proximity to Hollywood. It's no wonder, then, that when actor and comedian Kevin Hart was looking for someone to teach ballet lessons for his new "What the Fit" YouTube show, he reached out to the nearby company. The series follows Hart and his celebrity friends as they try different forms of exercise (such as sumo wrestling and goat yoga), with hilarious results. For his ballet episode, Hart brings along Hangover star Ken Jeong—and the dancers do their best to keep these madcap comedians under control.