Actress Emily Blunt is living the dream. She’s got a super-successful film career, a hot husband (John Krasinski of “The Office”) and a leading role alongside Matt Damon in this month’s sci-fi flick The Adjustment Bureau. In the film, Blunt plays Elise Sellas, a dancer who is having a steamy affair with a politician. To channel her inner ballerina, Blunt trained with Cedar Lake Contemporary Ballet artistic director Benoit-Swan Pouffer. The crew even shot all of the dance scenes at the Cedar Lake studios in NYC! DS chatted with Pouffer to get the lowdown on the film.

Dance Spirit: How much dancing is there in the film?

Benoit-Swan Pouffer: It’s not a dance movie. There are bits of dancing here and there, including a rehearsal scene. There’s one performance where something crucial in the film happens, and you’ll see Emily perform a solo. But dance is just an element in this movie—it’s not the sole element.

DS: What was it like coaching Emily?

BSP: When I was first told that I would be working with Emily, I assessed her right away. I wanted to see what I would be working with. She had a little bit of dance experience a long time ago. I noticed immediately that she has natural rhythm. She is very coordinated. Seeing that was a relief! Emily is a hard worker with a lot of dedication and focus. I told her that we not only had to make her dance, we also had to make her understand what it means to be a dancer. Dancers are special creatures. I told her to trust me, and together we went through personal training, ballet classes and choreography.

DS: Do you appear in the movie at all?

BSP: I do—but don’t blink or you’ll miss me!

Latest Posts

Nathan Sayers

From "Dance Moms" to Complexions: Ballerina Kaeli Ware's Unconventional Path to Success

Take one look at Kaeli Ware's Instagram page and you'll be captivated. The elegant, impossibly long-limbed ballet dancer has over 110 thousand followers hooked on her every polished move. But the 19-year-old phenom isn't just a social media sensation. Having already conquered the competition scene and the world of dance reality TV, Ware recently joined Complexions Contemporary Ballet as a trainee. These days, she splits her time between NYC and Philadelphia, PA, where she continues to beef up her classical training at The Rock School for Dance Education.

She's not a traditional bunhead, and she's not a run-of-the-mill social influencer, either. Instead, Ware is creating her own hybrid career path—and it's taking her to impressive places.

Keep Reading
Boston Ballet principal Seo Hye Han as Cinderella in Sir Frederick Ashton's Cinderella (Liza Voll, courtesy Boston Ballet)

5 Principal Dancers on the Ballet Steps That Still Challenge Them

Their technique might seem effortless onstage, but even the most seasoned ballet professionals have that one step that still drives them crazy. We asked five principal dancers to open up about the skills they still find challenging, and how they're working to finesse them.

Keep Reading

Dear Katie: How Important Are Private Dance Lessons?

In our "Dear Katie" series, Miami City Ballet soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email for a chance to be featured!

Dear Katie,

Do I need private lessons? I'm a professional-track dancer, and my teachers say that I should start scheduling privates to advance more quickly. But they're so expensive. Will I make it if I stick to group classes?


Keep Reading
Enter the Cover Model Search