Five Great Stories from David Hallberg

Are you guys familiar with Studio 5 at City Center? It's an excellent series of performances/talks held in one of New York City Center's rehearsal studios. Each event gives you an up-close-and-personal peek at a fantastic artist. And since the project is helmed by former NYCB principal Damian Woetzel, the dancers they bring in tend to be extra fantastic.

On Monday night, Woetzel's guest was ballet superstar David Hallberg. Hallberg performed excerpts from Swan Lake and works by George Balanchine—which, of course, was glorious. But he also discussed his unprecedented status as a principal at both American Ballet Theatre and Russia's Bolshoi Ballet. And boy, did he have some great stories about how that all happened. Here are five highlights.

1) Alexei Ratmansky told him to go to Russia. The day after Hallberg received the offer from the Bolshoi, he grabbed ABT resident choreographer—and former Bolshoi artistic director—Alexei Ratmansky for a coffee. Hallberg was feeling very conflicted about the whole thing, but Ratmansky wasn't. "This is historical," he told Hallberg. "You have to go. It's just too huge."

2) The other Bolshoi dancers are still feeling him out. Hallberg said that while most company members have been welcoming, there's still the occasional uncomfortable moment. "Sometimes I know that people are talking about me—they're pointing at me and gesticulating," he said. "In a sense it probably helps that I don't speak Russian..."

3) In Russia, the center barre is for principals only. During Hallberg's first company classes with the Bolshoi, he tried to stand at one of the barres that lined the walls of the room. "All the dancers around me looked incredibly uncomfortable," he said. "Eventually the teacher took me by the wrist and dragged me to the center barre, where all the other principals were standing. It's kind of crazy."

4) He's pretty bummed that Natalia Osipova left the Bolshoi. One of the things that drew Hallberg to Russia was the partnership he'd developed with then-Bolshoi principal Osipova during her guesting stints at ABT. But just weeks after he joined the Bolshoi, Osipova left it (and joined the Mikhailovsky Ballet). "I actually found that out in an interview, on-camera," he said. "This woman asked me how I felt about the fact that Osipova had left. She was Russian, so I guess I assumed something had been lost in translation." Hallberg will still be able to partner Osipova at ABT, and said that he understood that she "had to do what was right for her." But he was shell-shocked by the announcement.

5) Svetlana Zakharova is his new bestie. Hallberg partners frequently with the leggy prima, and said that she has been "incredibly sweet" to him. "She even sets up massages and chiropractor appointments for me!"

Latest Posts


Photo by Jayme Thornton

How Paloma Garcia-Lee Manifested Her Dream Role, in Steven Spielberg’s "West Side Story"

On a rainy day in November 2018, Paloma Garcia-Lee got a call from her agent that brought her to her knees outside her New York City apartment: She was going to play Graziella in Steven Spielberg's West Side Story.

The call came after a lengthy audition process with Spielberg in the room, and the role, originated by Wilma Curley on Broadway in 1957 and later portrayed by Gina Trikonis in the 1961 film, was her biggest dream. In fact, it's something Garcia-Lee says she manifested from the day plans for the movie were announced in January 2018. "I wrote in my journal: 'I am playing Graziella in Steven Spielberg's West Side Story.'"

Keep Reading SHOW LESS
Photo by @mediabyZ

Am I Less Committed to Dance Because I Have Other Passions? (Spoiler Alert: NO!)

Let's face it—dance is HARD, and in order to achieve your goals, you need to be committed to your training. "Still, there's a fine line between being committed and being consumed." Dancers can, and should, have interests outside of the studio.

Not convinced? We talked with dance psychologist Dr. Lucie Clements and two multifaceted dancers, Kristen Harlow (a musical theater dancer pursuing a career in NYC and Kentucky) and Kallie Takahashi (a dancer in her final year at New York University's Tisch School of the Arts), and got the inside scoop on how having hobbies outside of dance can inform your artistry, expand your range and help prevent burnout.

Keep Reading SHOW LESS
Photo by Jamayla Burse

Catching Up With Christian Burse, Comp Kid Turned Complexions Rising Star

With her nearly limitless facility, well-timed dynamics and incredible control, Christian Burse's future as a dancer was guaranteed to be bright. A student at the renowned Booker T. Washington High School for the Performing and Visual Arts in Dallas, TX, and at Dance Industry Performing Arts Center in Plano, TX, Burse has consistently made waves: She won first runner-up for Teen Outstanding Dancer at New York City Dance Alliance Nationals in 2019, received a grant for summer study at Juilliard from the Texas Young Masters program in 2020, and was named a YoungArts finalist for dance in 2021.

So, it wasn't all that surprising when Burse announced that, at just 17 years old, she would be joining Complexions Contemporary Ballet as an apprentice for the company's 2021–22 season.

Dance Spirit caught up with Burse to hear all about her first season with Complexions ahead of the contemporary ballet company's run at the Joyce Theater in NYC this month.

Keep Reading SHOW LESS

Editors' Picks

contest
Enter the Cover Model Search