Four Ballerinas on Their First Pair of Pointe Shoes

Nothing compares to that magical moment when your teacher says you're ready for your first pair of pointe shoes. We asked four A-list pros to recall the moment they learned they could start pointe.


Angelica Generosa, Pacific Northwest Ballet

"I was 9 years old when I got my first pair of pointe shoes and I couldn't stop smiling. My teacher told me I was the exception to the rule—strong enough to start at that age. It definitely hurt at first, and dancing felt strange. But after a few private sessions with my teacher I got the hang of it and wanted to learn more."

Megan Fairchild, New York City Ballet

"I remember taking such care sewing my first pair of shoes that I needed a whole hour to do it. My school's pointe classes started slowly, with us doing exercises facing the barre for a couple minutes at the end of class. My 'tailor's bunions' (the ones by the pinky toe) popped out in the first week. But I don't remember it being painful, and my body just kind of reshaped to deal with the new stress."

Jeraldine Mendoza, Joffrey Ballet

"I was 11 when my teacher told me to buy my first pair of pointe shoes. I'm an overachiever, so when I was allowed to take pointe class, I was excited to be at the level of the older dancers whom I admired."

Heather Ogden, The National Ballet of Canada

"Pointe shoes are such a beautiful part of the ballet aesthetic, and when I got my first pair, it felt like a true breakthrough on my path to becoming a ballerina. I remember it wasn't the most comfortable feeling, but I think I was on such a high that I was willing to withstand the pain. It didn't take long to realize that there was a whole new vocabulary of dance that became available once I had my pointe shoes on. I think my first pair lasted me a year. Now I wear through a pair per day!"

A version of this post appeared in the March 2013 issue of Dance Spirit.

Latest Posts


All photos by Jayme Thornton. Wardrobe styling throughout by Chloë Chadá Van for The QUIRK Group.

Lizzo's Leading Ladies: Meet the Big Grrrls

Rising pop superstar Lizzo is changing the game in all kinds of ways. (A singer who also raps and plays the flute? You'd better believe it.) But she's become an especially important leader in the body-positivity revolution. And that emphasis on diversity and self-love extends to her fabulous group of backup dancers, known as The Big Grrrls.

Keep Reading SHOW LESS
Because there's never been a better time to get your TikTok on. (Getty Images/TikTok)

7 of the Best TikTok Dance Challenges to Learn While Stuck at Home

Right now, a lot of us are social-distancing. Which is a good thing for the community. But for dancers, being at home—read: not in the studio—can be especially tough.

Enter TikTok. The app is blowing up right now, with everyone from Hailey Bieber to LeBron James to former Bachelorette (and "Dancing with the Stars" champ) Hannah Brown making accounts to stave off the stir-craziness.

To get you started on your TikTok journey, Dance Spirit rounded up seven of the best dances for you to learn. And when you're ready to share the fruits of your TikTok labors, be sure to tag us @dancespiritmagazine—we'll repost some of our faves!

Keep Reading SHOW LESS
Getty Images

A Letter from the Editor in Chief

Hi, dance friends. It is a strange time to be a person in the world, and an especially strange time to be a dancer. As the dance community faces the coronavirus crisis, a lot of you are coping with closed studios, canceled performances and competitions, and a general sense of anxiety about how your world will look going forward.

Yes, dancers are super resilient, and there's been a lot of inspiring community-building happening. #LivingRoomDances and Instagram dance parties and virtual ballet classes with the pros are wonderful. Dance can, and should, be a bright spot in the darkness. But that weird, empty feeling you have? It might be grief. The loss of the certainty of daily class, the loss of the promise of that big end-of-year performance—that's real. The dance studio has always been a safe place; it's especially hard not to have that outlet now, when you need it most.

We're here for you. We—and our friends at Dance Magazine, Pointe, Dance Teacher, The Dance Edit, and Dance Business Weekly—are doing our best to document the hurdles facing the dance industry, and to advocate for dancers in need. We're developing more online content that will help you maintain and improve your technique while you're at home, and process the mental and emotional fallout of all this upheaval. (You can keep up with the latest stories here.) And we're still making our print magazine. We have issues planned and shot, full of great dance stories and beautiful photos. We're not going anywhere.

We want to hear from you. Talk to us. Or dance to us. Or both. We won't stop moving, and you shouldn't, either.

Margaret

contest
Enter the Cover Model Search