Surely you’ve heard of Physique 57 by now. The barre-based classes—held at six studios, including locations in NYC, the Hamptons and Beverly Hills—are frequented by celebrities such as Kelly Ripa, Zooey Deschanel and Emmy Rossum. And the stars are heading to Physique for a reason: The 57-minute classes hit every muscle in your body, and they do so without the use of any crazy-heavy weights, which is a plus for young dancers. “It can be dangerous to lift heavy weights during adolescence,” says dancer, personal trainer and NYC-based Physique 57 instructor Jessica Rochwarger. “The pressure can fuse your growth plates, which can ultimately stunt your growth.”
These four exercises—all Physique 57 staples—focus on the muscle groups you may be neglecting during your dance classes. “They work your opposing muscles and complement the body parts you’re already working,” Jessica says. “They’ll help your body become more balanced, which will make you a stronger, better dancer.”
What You'll Need: A yoga mat, a playground ball and a chair.
What you're working: your seat, hips and waistline.
Begin seated with your left leg at a 90-degree angle in front of you and your right leg at a 90-degree angle behind you, keeping your right thigh as far behind you as possible. Your hands can be on the floor in front of you for stability—or, to make the exercise harder, bring them into prayer position in front of your chest.
Keeping your abs engaged, raise your right leg slightly off the floor and pulse it up and down 20 to 30 times.
With a flexed foot, press your right leg backward, slightly extending your leg, 20 to 30 times, continuing to sit as upright as possible.
Jessica says: "The key is to keep pressing your front hip down."
What you're working: your thighs, core, back and balance.
Start in plié with your feet in a comfortable first position and your hands resting lightly on a chair in front of you. Lean your body forward at a 45-degree angle.
Lift your right heel, then slide your right leg back about two feet along the floor, crossing behind your body so your right foot is in line with your left shoulder.
Jessica says: “You’re working your turnout muscles. And the lower you go, the more you’re working your thighs.”
Keep your back heel high and your front foot flat as you plié further toward the floor. Keep your hips and shoulders squared and your front knee in line with your ankle.
Do 30 to 60 pulses up and down and then repeat on the other side.
What you're working: your abs.
In a seated position, place a cushion (like a rolled-up yoga mat) behind your lower back and lower your torso onto it, keeping your head, neck and shoulders lifted. Point your feet and place them on a ball in front of you with your knees bent and your arms lifted by your sides.
Inhale as you extend your arms and legs and lean backward, pushing
the ball away from your body.
Keeping your navel pulled down, exhale as you return to the starting position. Repeat 30 to 60 times.
Jessica says: “When you return to starting position, don’t sit all the way up. If you come all the way up, you’re using momentum, not muscle. Keep your abs hugged in tight.”
The Deli Slicer
What you're working: your seat, hamstrings, and obliques.
Lie down on your right side with your right arm extended under your head and your left palm on the floor in front of your chest for support. Bend your knees in toward your chest at a 90-degree angle to your upper body. Lift your feet off the floor, keeping your knees on the ground, your feet together and your shoulders and hips in line with each other. Press your left palm into the floor to engage your oblique muscles.
Straighten your left leg, pressing it up and out behind you on a diagonal as far back as possible while keeping your hips stacked and abdominals engaged. Then bring your leg back in. Think of your top knee sliding along the inside of your bottom leg like a deli slicer as you bend and straighten the top leg. Repeat 15 times slowly and 20 times quickly, then switch sides.
Jessica Rochwarger is an instructor at Physique 57 in NYC. She holds a degree in dance from Barnard College and is a NASM-certified personal trainer and AFAA-certified group trainer.
(From left) Darriel Johnakin, Diego Pasillas, and Emma Sutherland (all photos by Erin Baiano)
Dance Spirit's 2019 Cover Model Search finalists: Darriel Johnakin, Diego Pasillas, and Emma Sutherland! One of them will win a spot on Dance Spirit's Fall 2019 cover. Learn more about the dancers on their profile pages, and then vote for your favorite below. You can vote once a day now through July 15.
We also want you to
get social! We'll be factoring social media likes and shares into our final tallies. Be sure to show your favorite finalist some love on Facebook, Instagram, and Twitter, sharing their profile pages and using the hashtag #DanceSpiritCMS.
Imagine attending American Ballet Theatre's prestigious NYC summer intensive, training among classical ballet legends. Imagine taking the stage at New York City Dance Alliance Nationals, competing against some of the country's best contemporary dancers. Now, imagine doing both—at the same time.
Welcome to Madison Brown's world. This summer, she's in her third year as a National Training Scholar with ABT, while also competing for NYCDA's Teen Outstanding Dancer title. (She's already won Outstanding Dancer in the Mini and Junior categories.) The logistics are complicated—ABT's five-week intensive overlaps with the weeklong NYCDA Nationals, which translates to a lot of cabs back and forth across Manhattan—but Maddie is committed to making the most of each opportunity. "I love contemporary and ballet equally," she says. "While I'm able to do both, I want to do as much as I can."
Maddie has an expressive face, endless extensions, and a quiet command of the stage. She dances with remarkable maturity—a trait noted by none other than Jennifer Lopez, one of the judges on NBC's "World of Dance," on which Maddie competed in Season 2. Although Maddie didn't take home the show's top prize, she was proud to be the youngest remaining soloist when she was eliminated, and saw the whole experience as an opportunity to grow. After all, she's just getting started. Oh, that's right—did we mention Maddie's only 14?
Corbin Bleu in rehearsal for "Kiss Me, Kate" (Jenny Anderson, courtesy Roundabout Theatre Company)
If you're a hardcore Broadway baby, today is the worst Sunday of the year. Why, you ask? The Tony Awards were last Sunday, so basically there's nothing to look forward to in life anymore—no James Corden being James Corden, no teary acceptance speeches from newly minted stars, no thrilling excerpts from the hottest new shows. Oh yeah, and there are 50 more Sundays to go before our humdrum lives are once again blessed with the next annual iteration of Broadway's biggest night.