Lee Gumbs Photography, courtesy Gracyn French

Meet Out-of-This-World Comp Kid Gracyn French

What do you get when you cross a 1920s jazz baby with an absurdly flexible alien life-form? Ten-year-old Gracyn French, who's taken the comp world by storm over the past two years. After she became KAR Miss Petite Dance America 2017, the 2018 Nationals season saw Gracyn break the Top 20 at Radix and the Top 10 at her very first Dance Awards (where she clinched the title of Mini Female Best Dancer this year). She's also danced in six Old Navy commercials, appeared on "Dancing with the Stars," and speaks Spanish thanks to her attendance at a dual-immersion school. A frequent muse for choreographers Easton Payne and Molly Long, Gracyn dreams of following in Long's footsteps one day: After a career as a "DWTS" pro, she wants to open her own studio with younger sisters Emmerson and Harlow.


"My mom and dad always tell me that I have the heart of a champion—which means that they don't care if I win, as long as I go out there and do my best. In dance, all you can do is try your best and have fun!" —Gracyn French

Lee Gumbs Photography, courtesy Gracyn French

Fast Facts

Birthday: November 28, 2008

Hometown: Santa Monica, CA

Current city: Irvine, CA

Trains at: Project 21, Yorba Linda Academy of Ballet

Favorite foods: Mini corn dogs, salads with bacon and tomatoes

Currently watching on Netflix: "Liv and Maddie," "Bunk'd"

Non-dance hobbies: Tetherball, swimming, and relaxing with her family

Favorite dancers of all time: "My Project 21 teammates"

If she were a superhero, her power would be: "The power to help the world, especially to help homeless people"

Latest Posts


Courtesy Hollywood Vibe

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While dancers all over the world are sharing the heartache of canceled classes, shows, and projects, our hearts hurt especially hard for a group of dancers we at Dance Spirit couldn't admire more: comp and convention kids. Determined to challenge your artistry and learn from cutting-edge faculty, you dancers normally brave crowded ballrooms and nonstop schedules all year long. But just because you might not be in one of those crowded ballrooms for a while doesn't mean that part of your dance life has to grind to a halt.

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Troy Ogilvie, who teaches dance improvisation classes in NYC (Franziska Strauss, courtesy Ogilvie)

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"Improvisation can be uniquely healing if you give yourself time to listen to your body without judgement," says Troy Ogilvie, who teaches improvisation classes at renowned institutions like SpringboardX and Peridance in New York City. "It allows us to interact with our surroundings and emotions more directly."

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A Letter from the Editor in Chief

Hi, dance friends. It is a strange time to be a person in the world, and an especially strange time to be a dancer. As the dance community faces the coronavirus crisis, a lot of you are coping with closed studios, canceled performances and competitions, and a general sense of anxiety about how your world will look going forward.

Yes, dancers are super resilient, and there's been a lot of inspiring community-building happening. #LivingRoomDances and Instagram dance parties and virtual ballet classes with the pros are wonderful. Dance can, and should, be a bright spot in the darkness. But that weird, empty feeling you have? It might be grief. The loss of the certainty of daily class, the loss of the promise of that big end-of-year performance—that's real. The dance studio has always been a safe place; it's especially hard not to have that outlet now, when you need it most.

We're here for you. We—and our friends at Dance Magazine, Pointe, Dance Teacher, The Dance Edit, and Dance Business Weekly—are doing our best to document the hurdles facing the dance industry, and to advocate for dancers in need. We're developing more online content that will help you maintain and improve your technique while you're at home, and process the mental and emotional fallout of all this upheaval. (You can keep up with the latest stories here.) And we're still making our print magazine. We have issues planned and shot, full of great dance stories and beautiful photos. We're not going anywhere.

We want to hear from you. Talk to us. Or dance to us. Or both. We won't stop moving, and you shouldn't, either.

Margaret

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