Today, let's take a moment to reflect on the legacy of George Balanchine, the father of American ballet.
He was an innovator, who took his Russian training and tweaked it to match the frenetic pace of his adopted home. Now, Balanchine dancers are known for their speed, precision and musicality. He was an entrepreneur, who created his own ballet education program and founded his own company. We still look to the School of American Ballet and New York City Ballet to preserve his legacy. He was a visionary, whose first ballet created in America (Serenade, in 1934!) looks as fresh today as it did 82 years ago.
Now, not only is his work exported to companies around the globe, but several other American companies are noted for their relationship to his training and choreography, including Pacific Northwest Ballet, Miami City Ballet and Pennsylvania Ballet. Balanchine really is everywhere.
Bolshoi Ballet principal Olga Smirnova in George Balanchine's "Diamonds" from Jewels (photo by Elena Fetisova)
His legacy isn't without controversy, though, and many people think Balanchine's preference for waif-like ballerinas helped normalize extremely thin bodies in the ballet world. Others don't like his style at all, and consider Balanchine technique to be too affected.
Fortunately, his body of work is so large and varied—and is now danced by so many companies—we can look at it and make decisions about its merit for ourselves. But there's no denying the lasting impact of his work. Who do you think will be the choreographers we still remember in another one hundred years?
(From left) Darriel Johnakin, Diego Pasillas, and Emma Sutherland (all photos by Erin Baiano)
Dance Spirit's 2019 Cover Model Search finalists: Darriel Johnakin, Diego Pasillas, and Emma Sutherland! One of them will win a spot on Dance Spirit's Fall 2019 cover. Learn more about the dancers by clicking on their names here:
vote for your favorite below. You can vote once a day now through July 15.
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Madison Jordan and Jarrod Tyler Paulson brought their real-life romance to the audition stage. (Adam Rose/FOX)
It's usually right around the third or fourth week of "So You Think You Can Dance" audition rounds that we start itching for the live shows. Sure, the auditions are fun, inspiring, and entertaining, but at a certain point, we reach audition saturation. (And the live shows are just so good and feature so much more Cat Deeley.)
All that said, Nigel and co. kept things spicy this week, so our attention remained firmly glued to the screen. (It's been 16 seasons—who are we to doubt Nigel Lythgoe, sir?) Here's how it all went down.
When it comes to injury-prone body parts, knees reign supreme for dancers. But a little strengthening can go a long way in preventing painful outcomes. We turned to Dirk Hartog, a physical therapist with Westside Dance Physical Therapy in NYC, for three exercises that'll support and stabilize your knees.