Highlights of the Dance Magazine Awards

How do you sum up an evening that includes performances of stage-shaking passion; heartfelt speeches that make you laugh and then make you ugly cry; and an inescapable sense of beautiful, joyful, warm-and-fuzzy #dancerlove?

You can do it the way legendary Merce Cunnigham dancer Valda Setterfield did it last night: By declaring that there's nothing better than being in a room full of dancers, whom she called the world's bravest, most generous souls. (Not too shabby.) Or you can do it in six words: Welcome to the Dance Magazine Awards.

Yay!

Last night's ceremony marked the DM Awards' 61st anniversary, and this year's crop of honorees included luminaries from all corners of the dance world. None other than Mikhail Baryshnikov graced the stage to present the evening's first award to Karen Kain, one of the National Ballet of Canada's loveliest ballerinas and now its artistic director. Kain was one of the first people Baryshnikov met after he defected from Russia, and the two have kept up a beautiful friendship for decades—though Baryshnikov lamented in his speech that he was too short to ever dance with her. (That honor went, instead, to slouches like Rudolf Nureyev.)

Baryshnikov and Kain: BFFLs.

Also representing #teamballet was honoree Marcelo Gomes, the gorgeous American Ballet Theatre principal and choreographer who charms the heck out of both audiences and his adoring ballerinas. We were treated to a pas de deux from Gomes' recent premiere for ABT, AfterEffect—lushly danced by Cassandra Trenary and Thomas Forster—that put Gomes' deep understanding of the intricacies of partnering on display. And recently retired ABT star Julie Kent made a sweetly teary speech in which she noted that even babies "immediately feel safe in Marcelo's arms, just as I do." D'awwwwww.

Kent in her safe place

Setterfield (wearing the world's most amazing plaid pantsuit ensemble) paid tribute to David Vaughan, a dancer who basically invented the job of "dance archivist" and has served in that role for Merce Cunningham's company since 1976. Now 91, Vaughan shows zero signs of slowing down: In his lovely acceptance speech, he talked about the fact that his old friend, dance artist Pepper Fajans, had convinced him to return to the stage next month. May we all be that awesome in our tenth decade.

We saw a vividly drawn excerpt from honoree Jawole Willa Jo Zollar's Walking with 'Trane—a  musing on John Coltrane's legacy—performed by Zollar's company, Urban Bush Women, which is celebrating its 30th anniversary this year. Zollar spoke movingly about the fact that reaching a "point of stability" in one's career was actually a bad sign: On a heart monitor, ups and downs indicate a pulse, while death is a stable flatline. She urged everyone to embrace life's natural rises and falls—though now, she added, whenever she's feeling low, she can look at her Dance Magazine Award and say, "Jawole Willa Jo Zollar, you are a bada**." FACT.

The highlight of highlights for me, though, was watching flamenco virtuosa Soledad Barrio blaze through Solea, accompanied by three masterful musicians (and the "Olés!" of the appreciative crowd). Tattooing the stage with her heels, slicing the air with her arms, searing our souls with the depth of her passion, Barrio illustrated exactly what the DM Awards are all about (Charlie Brown): honoring the most extraordinary of extraordinary dance artists, the people whose brilliance is life-enhancing and life-affirming and, sometimes, life-changing.

Olé, Sole!

Check out video highlights from the awards here:

Want more Dance Spirit?

Latest Posts


TikTok creator Dexter Mayfield is serving all the feel-good content we need in 2020. (Anastasia Garcia, courtesy Mayfield)

4 Queer Dancers Taking Over TikTok—and Maybe the World

The queer community has found a new home on TikTok.

Although not without its downsides—trolls seem to find their way onto every social media platform—many users who identify as LGBTQ+ are finding support on the app, which has opened up space for them to present their identities in a way that feels authentic. For dancers, who train and work in a world that often reinforces the gender binary, claiming space on TikTok can feel especially validating.

That sense of inclusivity is "primarily due to the fact that the main demographic of creators and users on the app are Gen Z," says dance and social media star Dexter Mayfield, who's done everything from performing with Jennifer Lopez and Katy Perry to walking major runway shows. "I have never seen a more intelligent and inclusive and engaging group of young people that are determined to truly be better than those who have come before them."

That network of support has propelled some queer dancers to the forefront of TikTok fame. Here are four of those artists who are dominating the app, doing things their way.

Keep Reading SHOW LESS
Class at Butler University (Michaela Semenza, courtesy Butler University)

The Truth About Grades as a Dance Major

You may know what it means to earn a silver, gold, or platinum award for your performance—but probably not an A, B, or C grade. Often, dancers don't encounter the idea of grading in dance until they enter collegiate dance programs. When you're evaluating an inherently subjective art form, what distinguishes an A student from a B student?

The answer: It's complicated. "There's a lot that goes into creating a well-rounded, successful student, which hopefully produces a well-rounded, successful professional," says Angelina Sansone, a ballet instructor at University of North Carolina School of the Arts.

In college programs, set movement phrases, repertory selections, or audition-style classes often serve as graded midterms or final exams. Written components such as self-assessments, audition research projects, and dance history tests might count as well. But the largest contributing factor to your grade is usually how you approach the work, day in and day out.

Dance Spirit talked to faculty across the country to discover what it takes to be a top student—and why dance grades matter.

Keep Reading SHOW LESS
We loved seeing Derek Hough and Hayley Erbert back dancing in the ballroom. (Erin McCandless, courtesy ABC)

"DWTS" Week 6 Recap: Nope, Derek Hough Didn't Propose on Live TV

Please hold for applause: We're now roughly halfway through this season of "Dancing with the Stars," mid-pandemic, without a single case of COVID-19. Apparently we can have some good things this year!

And last night's episode of "DWTS" was particularly dance-tastic, complete with a special dance-pearance by judge Derek Hough. And while we were a little disappointed by certain aspects of his performance (please refer to this article's headline), it was all kinds of amazing to see Derek back dancing in the ballroom. But in case you missed it (or you were too busy voting early—go you!), here are all the highlights from last night's episode.

Keep Reading SHOW LESS

Editors' Picks

contest
Enter the Cover Model Search