Highlights of the Dance Magazine Awards

How do you sum up an evening that includes performances of stage-shaking passion; heartfelt speeches that make you laugh and then make you ugly cry; and an inescapable sense of beautiful, joyful, warm-and-fuzzy #dancerlove?

You can do it the way legendary Merce Cunnigham dancer Valda Setterfield did it last night: By declaring that there's nothing better than being in a room full of dancers, whom she called the world's bravest, most generous souls. (Not too shabby.) Or you can do it in six words: Welcome to the Dance Magazine Awards.

Yay!

Last night's ceremony marked the DM Awards' 61st anniversary, and this year's crop of honorees included luminaries from all corners of the dance world. None other than Mikhail Baryshnikov graced the stage to present the evening's first award to Karen Kain, one of the National Ballet of Canada's loveliest ballerinas and now its artistic director. Kain was one of the first people Baryshnikov met after he defected from Russia, and the two have kept up a beautiful friendship for decades—though Baryshnikov lamented in his speech that he was too short to ever dance with her. (That honor went, instead, to slouches like Rudolf Nureyev.)

Baryshnikov and Kain: BFFLs.

Also representing #teamballet was honoree Marcelo Gomes, the gorgeous American Ballet Theatre principal and choreographer who charms the heck out of both audiences and his adoring ballerinas. We were treated to a pas de deux from Gomes' recent premiere for ABT, AfterEffect—lushly danced by Cassandra Trenary and Thomas Forster—that put Gomes' deep understanding of the intricacies of partnering on display. And recently retired ABT star Julie Kent made a sweetly teary speech in which she noted that even babies "immediately feel safe in Marcelo's arms, just as I do." D'awwwwww.

Kent in her safe place

Setterfield (wearing the world's most amazing plaid pantsuit ensemble) paid tribute to David Vaughan, a dancer who basically invented the job of "dance archivist" and has served in that role for Merce Cunningham's company since 1976. Now 91, Vaughan shows zero signs of slowing down: In his lovely acceptance speech, he talked about the fact that his old friend, dance artist Pepper Fajans, had convinced him to return to the stage next month. May we all be that awesome in our tenth decade.

We saw a vividly drawn excerpt from honoree Jawole Willa Jo Zollar's Walking with 'Trane—a  musing on John Coltrane's legacy—performed by Zollar's company, Urban Bush Women, which is celebrating its 30th anniversary this year. Zollar spoke movingly about the fact that reaching a "point of stability" in one's career was actually a bad sign: On a heart monitor, ups and downs indicate a pulse, while death is a stable flatline. She urged everyone to embrace life's natural rises and falls—though now, she added, whenever she's feeling low, she can look at her Dance Magazine Award and say, "Jawole Willa Jo Zollar, you are a bada**." FACT.

The highlight of highlights for me, though, was watching flamenco virtuosa Soledad Barrio blaze through Solea, accompanied by three masterful musicians (and the "Olés!" of the appreciative crowd). Tattooing the stage with her heels, slicing the air with her arms, searing our souls with the depth of her passion, Barrio illustrated exactly what the DM Awards are all about (Charlie Brown): honoring the most extraordinary of extraordinary dance artists, the people whose brilliance is life-enhancing and life-affirming and, sometimes, life-changing.

Olé, Sole!

Check out video highlights from the awards here:

Want more Dance Spirit?

Latest Posts


Photo by Brooke Fera

Enter the World of the Knicks City Dancers with 2 of Their Newest Rookies

Auditions rarely fail to deliver on suspense. But this? This was the nail-biter to end all nail-biters. Hayoung Roh and Chelsea McCloskey, both professional dancers based in NYC, had made it through what felt like endless rounds of cuts, both on Zoom and in person. Out of the nearly 500 dancers (from 30 states and nine countries) who'd answered the Knicks City Dancers' open call for video submissions, just 20 remained—McCloskey and Roh among them. "We were separated into six holding rooms, where we kept trying to figure out the math," Roh recalls. "How many girls are there in total? Who was called back?"

Finally, the women returned to the audition room to dance one last time—or so they were told. Instead, KCD head coach Alyssa Quezada dropped her bombshell: All 20 women had made the final cut. They would be 2021–22 Knicks City Dancers: the latest and greatest edition of one of the most prestigious NBA dance teams. "It was the biggest celebration and the coolest moment of my dance career so far," says McCloskey now. And that was just the oh-so-perfectly-dramatic beginning.

Chelsea McCloskey stands on her left leg while kicking her right leg up with her arms crossed, a smile on her face. She is auditioning for KCD. Chelsea McCloskey Photo by Tess Mayer


Keep Reading SHOW LESS

Editors' Picks

contest
Enter the Cover Model Search