Jeanine Mason Strikes Again

The coolest: Jeanine photographed for our November 2009 cover by Joe Toreno

If you're a fan of ABC Family's "Bunheads," you probably had a lot of fun watching Jeanine Mason on the show this past season. Not only were there plenty of opportunities for the "So You Think You Can Dance" Season 5 champion to dance up a storm, but her character, the effortlessly cool Cozette, also seemed to come easily to her—probably because Jeanine is even more awesome than Cozette in real life.

Well, Jeanine just landed another cool-kid role: She's been cast as Hana, the flirty, popular best friend of lead character Lena (played by Emma Roberts, speaking of cool girls), in the upcoming "Delirium" pilot for Fox. The show, based on the book series by Lauren Oliver, has a sci-fi twist: It's set in a world where love is known as a disease called Deliria. (We're guessing it won't take long for Hana to get "sick.")

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Project 21 dancers (from left) Selena Hamilton, Gracyn French, and Dyllan Blackburn (Photo by Quinn Wharton; hair and makeup throughout by Angela Huff for Mark Edward Inc.)

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"I wish I had a better story about the name," says Molly Long, founder of the Orange County, CA–based dance studio Project 21. In truth, it's a play on the fact that she was born on the twenty-first of August, and 21 is her favorite number. "I was away on a teaching tour, the audition announcement was going live on Instagram the next day, and I desperately needed a name. Project 21 was just the least cheesy of the options I thought of!"

The fact that fans might expect the name to have some profound meaning speaks to the near-mythic status Project 21 has achieved on the competition and convention scene since its founding in 2014. Long's dancers are all wholly individual, yet jell seamlessly as a group, and are consistently snagging top prizes everywhere on the circuit. Each season brings a slew of new accolades, high-caliber faculty, and legions of devoted followers.

The industry has taken notice of the studio's unique ethos. "Molly gets through to her dancers in a special way, and they have this incomparable level of commitment to their craft as a result," says dancer and choreographer Billy Bell, who's worked closely with Long and her dancers. "That's what sets them apart—it's like a little dose of magic."

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