Juliet dancing a variation from Diana and Acteon (pas de deux) at Youth America Grand Prix (VAM Productions)
Juliet Doherty just may have it all: ridiculously long legs, the archiest feet on any given stage, big, beautiful eyes, sky-high leaps and totally controlled turns—plus a starring role at Radio City Music Hall. And she’s smart and super sweet? Yes, 14-year-old Juliet has the kind of dance life most of us only dream of.
Juliet started dancing when she was 3 at her great-grandmother’s studio, Fishback Studio of the Dance, in her hometown of Albuquerque, NM. “I was born into a dancing family,” says Juliet, who trains with her mom. She began with ballet classes, and by the time she was 5 she had added modern, jazz, tap and acrobatics as well. Juliet also made an early name for herself on the competition and convention circuit. “I did my first competition solo when I was 7, and it was a hip-hop number,” she says, giggling. “But then I was like, hmm, maybe this isn’t a fit for me.”
Hip hop wasn’t her forte, but ballet certainly is. In addition to attending competitions such as New York City Dance Alliance, International Dance Challenge and Showstopper, Juliet began competing at Youth America Grand Prix at age 9. “I love attending conventions because you get to learn from and put yourself in front of so many amazing teachers,” she says. “But at YAGP, you get the opportunity to earn scholarships and take a step even further into your future. I love competing with dancers from all over the world.”
In 2009, Juliet traveled to Chicago to audition for the role of Clara in the Radio City Christmas Spectacular. She was cast in the show’s Seattle/Pittsburgh tour in what Juliet calls “the most exciting time of my life!” The next year, she was cast in the Florida/Texas leg of the tour. Finally, in 2011, Juliet landed the role of Clara in the biggest production of all: the NYC show at Radio City Music Hall. “After two years on tour, I was ready for New York,” she says. During the 2011 season, Juliet performed alongside the Radio City Rockettes in two to five shows a day, six days a week.
With such a grueling dance schedule, is Juliet burnt out? Not even close. “I love performing in front of a live audience,” she says. “Someday I want to be in a ballet company like New York City Ballet—those dancers are so inspiring and the Balanchine ballets they perform are gorgeous.” And she’s already taking steps toward her future dance career. “Last year when I went to YAGP, I had some scholarship interest from overseas programs, and I’ve kept in touch with those contacts. I want to research my options overseas and in America—I’m figuring out what will be the best fit for me and where I’ll be most comfortable.”
Birthday: June 10, 1997
Most-played on her iPod: “Breathe Me” by Sia. “But before competitions I love listening to Beyoncé’s I Am...Sasha Fierce album. She’s so confident, and I would love to have that confidence every time I go out and perform.”
Favorite movie:Matilda. “When I was 5, she was my hero. I watched that movie every day growing up.”
Favorite dance step: Saut de chat. “I’m a powerhouse when it comes to leaping.”
Favorite food: Octopus and white rice. “My parents spent time in Japan before I was born, so I was introduced to really good food from other cultures.”
Dance idols: Misty Copeland and Ashley Bouder
Who would play her in a movie? Audrey Hepburn
Dance crush: Daniel Ulbricht. “He has a girlfriend, but don’t worry: He’ll realize soon his true future lies with me…[giggles.]”
(From left) Darriel Johnakin, Diego Pasillas, and Emma Sutherland (all photos by Erin Baiano)
Dance Spirit's 2019 Cover Model Search finalists: Darriel Johnakin, Diego Pasillas, and Emma Sutherland! One of them will win a spot on Dance Spirit's Fall 2019 cover. Learn more about the dancers by clicking on their names here:
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When it comes to injury-prone body parts, knees reign supreme for dancers. But a little strengthening can go a long way in preventing painful outcomes. We turned to Dirk Hartog, a physical therapist with Westside Dance Physical Therapy in NYC, for three exercises that'll support and stabilize your knees.
James Whiteside (Jayme Thornton for Dance Magazine)
Say you're perpetually impeccable designer Thom Browne. Say you're planning your Spring 2020 Paris menswear show along a "Versailles country club" theme. Say you want a world-class danseur to open the show with some kind of appropriately fabulous choreography.
Who do you call? James Whiteside, of course. On Saturday, the American Ballet Theatre principal—wearing pointe shoes and a glorious pinstriped tutu—kicked off Browne's presentation at the École des Beaux-Arts with a 15-minute, show-stealing solo. Whiteside choreographed the piece himself, with the help of detailed notes from the designer.