Kida the Great: Why Kida Burns Is Skyrocketing Toward Stardom
Precision. Musicality. Charm. Swag. Kida Burns' talents were on full display during the finale of “So You Think You Can Dance: The Next Generation" in September. He was his All-Star partner Fik-Shun's equal in the two routines the pair revisited for the finale: Misha Gabriel's bee-themed piece and Kida's own feel-good robot number. He returned to his animation roots with a solo that was pure joy. He even stole the spotlight in Luther Brown's group hip-hop routine, which featured all of the season's finalists and All-Stars in that genre.
But the Kida who won “SYTYCD" is not the Kida who auditioned. As executive producer and judge Nigel Lythgoe points out, Kida had less classical training than the rest of the Top 10 contestants. “He epitomized that this show is a journey," Lythgoe says. It wasn't just about building technique, though the show certainly pushed Kida outside his hip-hop comfort zone. “Once he developed his performance—his smile, his warmth, the cheekiness—Kida became really terrific," Lythgoe says.
Now that he has the title of “America's Favorite Dancer," what's next for this 14-year-old phenom? Dance Spirit talked to Kida right after his win to get the inside scoop.
Born to Dance
Kida's first teacher was his oldest brother, Shaheem Sanchez, who started mentoring him when he was 4. Another early influence? The dance movies Kida watched with his dad, including the 1984 classic Breakin' and the Step Up series, which launched in 2006. “Those movies inspired me and helped me branch out with my movement," Kida says.
His mom put him in formal dance classes when he was 5, at Studio T Urban Dance Academy in his hometown of Sacramento, CA. At 7, Kida moved to Step 1 Dance and Fitness, also in Sacramento, and at 11, he began studying at Chapkis Dance Studio in Suisun City, CA, where he still trains and competes. (Among other titles, Chapkis Dance won gold at Hip Hop International in 2015.)
Outside of the studio setting, Kida has been a member of a dance crew, The ART of Teknique, since he was 8. Kida, Gavin Pecson and Kris Ragonjan met at a dance battle, and, only a couple months after joining forces, scored their first viral video. “People like Tyrese and Ludacris were posting it, saying 'These kids are dope'!" Kida remembers. The clip landed the crew on “The Ellen DeGeneres Show" in 2010. “That appearance is when I started to think, if I work hard I could really do something with dance," Kida says. The ART of Teknique went on to briefly compete on Season 6 of “America's Got Talent," and continues to post videos and battle today.
Kida has also seen viral success on his own. When he was 12, one of his battle videos got more than 100 million views, resulting in appearances on “The Queen Latifah Show" and “The Rachael Ray Show." The latter is when Kida—then known as Lil Kida—first met soon-to-be-mentor Fik-Shun. Everything was starting to fall into place.
Kida (left) and Fik-Shun (Joe Toreno)
The decision to audition for “SYTYCD" wasn't just about this year's younger age range. “I feel like my generation has the chance to show America not to limit us," Kida says. He also had a personal reason for wanting to compete: His father, who was one of his biggest champions, had passed away from flu complications in 2014. Kida dedicated his time on “SYTYCD" to his dad.
He impressed the judges at the L.A. auditions, but it wasn't an easy road to the live shows. After Fik-Shun chose Kida to be on his team during The Academy, the pressure was on. “Fik-Shun told me that I was not his top pick," Kida says. “Before the contemporary round, he said, 'If you can't do this next style, I'll have to let you go.' I thought about that 24/7!"
The hard work and focus paid off. “Kida's solo showed me his raw talent, but the determining factor for me was watching him do contemporary," Fik-Shun says. “He connected it to something real. Everyone watching him felt something. After that, I knew he needed to be on the show so America could feel that too."
A Wild Ride
From his favorite routines (“Winning," choreographed by Christopher Scott, as well as the number he choreographed himself) to the one that challenged him the most (his paso doble with fellow contestant Tate McRae), Kida kept rising to the occasion technically on “SYTYCD." But the judges were initially concerned about his performance energy.
“I think early on, Kida was really worried about learning the steps and dancing perfectly in time with Fik-Shun," says judge Maddie Ziegler. “We told him, 'Once you get the steps, forget about them. Perform.' " Maddie has one word for Kida's stage personality by the end of the show: “Wow."
“I always believed Kida had more showmanship in him," Fik-Shun says. “I told him, 'You have the skills. Now you need to share the joy you feel when you dance.' "Fik-Shun's mentoring also included rehearsal tactics. “Kida's a music learner," Fik-Shun says. “He gets the counts, and then he goes home and listens to the music—and when he comes back, you can tell. We share that learning style. But I worked with him on making sure choreography was in his body before moving on. If he said 'I got it,' I'd make him do it three times full-out. I noticed that later, he started doing that on his own."
Kida's All-Star couldn't have been happier with the final results. When host Cat Deeley said Kida's name, “I picked him up and spun him around," Fik-Shun says. “I'd told him every week, it doesn't matter if you win. As long as you take something from this process, you've won. For him to actually win was the icing on the cake."
The Next Steps
So where does Kida—a.k.a. Kida the Great, a nickname given to him by his sister Tajanique Cheatham—go from here? “I want to travel the world," he says. “My dancing got so much bigger, just from this show. How much more can I expand?" He definitely sees choreography in his future. “I'd also love to open a studio one day," he says.
But for now, he's enjoying the satisfaction of a job well done. “What I got from this journey is that I can do any style you throw at me—just give me a couple days," he says. “I can't doubt myself. If I work hard, I can accomplish whatever I put my mind to."
Fik-Shun (left) and Kida. (Joe Toreno)
Full name: Leon Akida Burns
Birthday: April 8, 2002
Favorite color: Red
Favorite artist to freestyle to: Drake
Favorite TV show: “I'll go old-school: I love the show 'Martin.' "
Favorite movies: Breakin' and The Warriors
Favorite school subject: Science
If he weren't a dancer, he'd be: “A football player. I'm a big Pittsburgh Steelers fan."
Advice for DS readers: “Don't ever doubt yourself, and don't ever give up. Your time to shine could be any time! You have to be patient, and you have to put in the work to make it happen."
The Judges on Kida:
Nigel Lythgoe: “I'm thrilled Kida won. He's mastered hip hop, so now I want to see him take classes in everything. The world's his oyster!"
Paula Abdul: “Kida showed incredible tenacity. He had a hunger to prove himself. He also has the intuition to know how to make choreography look good on him. There aren't a lot of dancers who can stand beside Fik-Shun, but once Kida's showmanship improved, you couldn't imagine either of them with anyone else."
Maddie Ziegler: “Seeing Kida grow has been incredible. He's now such a strong, mature dancer. It's like he morphed into a mini version of Fik-Shun! And he's humble and professional—he's going to go far."
Just in case you missed it: To highlight last Thursday's International Day of the Girl, The New York Times has launched a unique photographic and editorial project called #ThisIs18, all with the aim of spotlighting what life is really like for 18-year-old women around the world.
It's contest time! You could win your choice of Apolla Shocks (up to 100 pairs) for your whole studio! Apolla Performance believes dancers are Artists AND Athletes—wearing Apolla Shocks helps you be both! Apolla Shocks are footwear for dancers infused with sports science technology while maintaining a dancer's traditions and lines. They provide support, protection, and traction that doesn't exist anywhere else for dancers, helping them dance longer and stronger. Apolla wants to get your ENTIRE studio protected and supported in Apolla Shocks! How? Follow these steps:
Quinn Starner is no stranger to competitions. The 16-year-old "So You Think You Can Dance: The Next Generation" alum has been slaying the contemporary circuit for years, winning Best Teen Dancer at The Dance Awards in 2017. But lately she's been more focused on ballet, relocating from Florida to train at the Indiana Ballet Conservatory two years ago. And while she's won awards at ballet competitions like ADC|IBC and Youth America Grand Prix, in June she upped the stakes by going to the USA International Ballet Competition in Jackson, MS—an audition-only event that's one of the world's most prestigious comps. We followed Quinn on her Jackson journey.
Is there anything better than a dance convention? Frankly, we don't think so. Although we love getting a guest teacher to come to our studio for a masterclass every so often, there's just something so exciting about packing up our leotards and dance shoes and heading to a convention for the weekend. Here are 7 reasons why dance conventions are, without a doubt, the greatest things ever.
Amanda LaCount was born to move. The second the music comes on at her Dance Spirit cover shoot, the bubbly 17-year-old is shimmying her shoulders and tossing her hair. When she launches into a full-out freestyle to Whitney Houston's "It's Not Right But It's Okay," you can't take your eyes off her.
And yet with every gig she lands, Amanda is challenging some of the dance world's longest-held biases. "I'm curvy," she says, "and I like being curvy. My body is not a bad thing. It's who I am." Here's how Amanda went from talented tot to hardworking pro—and from insecure preteen to body-positive role model.
Boston Ballet principal Ashley Ellis' dancing is the perfect pairing of ethereal grace and punchy musicality. The Torrance, CA, native began training at South Bay Ballet at age 6, and attended the School of American Ballet summer program in 1998. In 2001, she was accepted into American Ballet Theatre's Studio Company, and the following year, she joined ABT's corps de ballet. In 2007, she became a founding member of Corella Ballet Castilla y León in Spain, under the direction of Angel Corella. Three years later, she headed back to the States and danced with Sarasota Ballet before joining Boston Ballet as a second soloist in 2011. In 2013, she was promoted to principal dancer. Catch her performing this season in the company's Nutcracker. —Courtney Bowers
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This story originally appeared on dancemagazine.com.
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With cooler weather finally here, it's time to talk warm-ups. And while your dancewear drawer is probably overflowing with oversized sweaters, leggings and enough leg warmers to outfit the whole class, warm-up boots are often forgotten. To keep your feet and ankles cozy in between rehearsals, we rounded up dance warm-up boots that suit every style.